Romance of London: Nancy Dawson the Hornpipe-Dancer

Romance of London: Strange Stories, Scenes And Remarkable Person of the Great Town in 3 Volumes

John Timbs

John Timbs (1801-1875), who also wrote as Horace Welby, was an English author and aficionado of antiquities. Born in Clerkenwell, London, he was apprenticed at 16 to a druggist and printer, where he soon showed great literary promise. At 19, he began to write for Monthly Magazine, and a year later he was made secretary to the magazine’s proprietor and there began his career as a writer, editor, and antiquarian.

This particular book is available at googlebooks for free in ebook form. Or you can pay for a print version.

Nancy Dawson

Nancy Dawson, the famous hornpipe-dancer, of Covent Garden Theatre, in the last century, when a girl, set up the skittles [a form of bowling] at a tavern in High Street, Marylebone. She next, according to Sir William Musgrave’s Adversaria, in the British Museum, became the wife of a publican near Kelso, on the borders of Scotland. She became so popular a dancer that every verse of a song in praise of her declared the poet to be dying in love for Nancy Dawson; and its tune is so lively as that of Sir Roger de Coverley. In 1760, she transferred her services from Covent Garden Theatre to that other house [Drury Lane]. On the 23rd of September, in that year, the Beggar’s Opera was performed at Drury Lane, when the playbill thus announced her: “In Act iii, a Hornpipe by Miss Dawson, her first appearance here.” It seems that she was engaged to oppose Mrs. Vernon in the same exhibition at the rival house, and there is a full-length print of her in the character. There is also a portrait of her in the Garrick Club collection.

Nancy died in Hampstead, on the 27^th of May 1767; she was buried behind the Foundling Hospital, in the ground belonging to St. George the Martyr, where is a tombstone to her memory, simply inscribed “Here lies Nancy Dawson.”

From Wikipedia:

Nancy Dawson was the stage name of Ann Newton (c.1728-1767), a famous London dancer and actress. She rose to fame performing a solo rendition of a hornpipe between acts in The Beggar’s Opera at Covent Garden Theatre in 1759.

Her early life is unclear; she may have been born at Axminster, Devon. At sixteen she joined the company of a certain Griffin, a puppet-showman, who taught her to dance; and a figure dancer of Sadler’s Wells, seeing her performance, found her a place at his own theatre. As the story goes, her figure, novelty and technical excellence made her career.

In her second summer season at Sadler’s Wells Nancy Dawson was promoted to the part of Columbine, and in the following winter she made her first appearance at Covent Garden Theatre under Edward Shuter, in The Prophetess by Thomas Betterton. On 22 April 1758 the Merry Wives of Windsor was played for her benefit. In October 1759, during the run of The Beggar’s Opera, the man who danced the hornpipe among the thieves fell ill, and his place was taken by Nancy Dawson. From that moment she became a celebrity. The production enjoyed an unusually long run, and the house was crowded nightly.

Nancy Dawson was induced by an increase of salary to move to Drury Lane, where she appeared for the first time on 23 September 1760 in The Beggar’s Opera. Here for the next three years she dance in its frequent revivals, and in a variety of Christmas entertainments, such as ‘Harlequin’s Invasion,’ ‘Fortunatus,’ and the ‘Enchanter’ in which there also appeared Joseph Grimaldi and the Miss Baker who succeeded Nancy Dawson in popular favour as a dancer. On Christmas Eve 1763 a pantomime called the ‘Rites of Hecate’ was produced at Drury Lane, and on that day and the 26^th of the month Nancy Dawson appeared; but her name is absent from the bills of subsequent representations.

The Hornpipe

From Sonny Watson’s Sweetswing.com:

The lively Hornpipe is really very characteristic of the English in nature and is a very old Celtic solo dance that is very much based on the sailor’s abilities during the dancing with the sailors originally performing it with folded arms. The steps are clearly ship wise such as hauling in the anchor, climbing or rigging ropes etc. The Sailor’s Hornpipe was most popular during the 16th to 18th Centuries but the original (Hornpipe) goes much farther back and was originally done by men only.

It is said that the English sailing ship and Royal Navy Captain James Cook (1728-1779) thought dancing was most useful to keep his men in good health during a voyage. When it was calm, and the sailors had consequently nothing to do, he made them dance —

Sailors’ hornpipe: https://www.youtube.com/watch?v=kBU0z3xdC0o

The Ballad of Nancy Dawson*

Of all the girls in our town,

The red, the black, the fair, the brown,

That dance and prance it up and down,

There’s none like Nancy Dawson.

Her easy mien, her shape so neat,

She foots, she trips, she looks so sweet;

Her every motion’s so complete,

I die for Nancy Dawson.

See how she comes to give surprise,

With joy and pleasure in her eyes:

To give delight she always tries,

So means my Nancy Dawson.

Was there no task, t’obstruct the way,

No shutter old, no house so gay,

A bet of fifty pounds I’d lay,

That I gained Nancy Dawson.

See how the opera takes a run

Exceeding Hamlet, Lear and Lun

Though in it there would be no fun,

Was’t not for Nancy Dawson.

Though beard and brent charm ev’ry night

And female peachum’s justly right,

And filch and lockit please the sight,

‘Tis kept by Nancy Dawson.

See little davey strut and puff,

‘Confound the opera and such stuff,

My house is never full enough,

A curse on Nancy Dawson”.

Though G[arric]k he had has his day

And forced the town his laws t’obey,

With Jonny Rich is come in play,

With the help of Nancy Dawson.

*Lyrics attributed to George Alexander Stevens. Tune attributed to Thomas Arne

Hear it performed here: https://www.youtube.com/watch?v=YTan2rliiKU

Romance of London Series

Donna Hatch: The Suspect’s Daughter (Giveaway)

Mar31

Interview with Donna Hatch

Susana: What inspired you to start writing, and how long have you been doing it?

Donna: I’ve always been imaginative—as a child, I played make-believe constantly—but when I was about eight, a little voice inside my head kept nagging me until I finally wrote what it told me to write. Later, I learned people call this little voice “The Muse.” By eighth grade, after I’d written many stories both short and long, a teacher suggested I should aspire to be a published author, something that had never occurred to me to attempt. But I didn’t know how to go about it, so I was a closet writer for years until I finally found the courage and knowledge necessary to submit my novel to a publisher. It was a long path, with plenty of rejections, disappointments, learning, and revising. But three years after getting serious about writing as a career, my first book, The Stranger She Married, Book 1 of the Rogue Hearts Series, was accepted for publication.

Susana: Are you a plotter or a pantser?

Donna: I am a combination writer. I start with a concept and characters, then form a few basic plot points in the story. After that, I write more or less by the seat of my pants.

Susana: Tell us something about your newest release that is NOT in the blurb.

Donna: The murder plot in my newest book, The Suspect’s Daughter, Book 4 of the Rogue Hearts Series, was inspired by a true event in England known as the Cato Street Conspiracy, which thankfully, was averted largely in part due to an undercover Bow Street Runner. This event happened in 1820, the same year my book takes place. When I read about that, I knew something like this just had to be Grant’s story.

Susana: Are you working on something at present that you would like to tell us about?

Donna: I am working on a 100-page novella for a new series, and also Book 5 of the Rogue Hearts Series about a fugitive charged with the murder of her husband. By the way, all of my books are stand-alone, so you don’t have to read the first three in the series before reading Book 4.

Susana: What author or authors have most influenced your writing?

Donna: Laura Ingalls Wilder heavily influenced me. Reading her books as a child instilled in me a love of historical novels, as well for as a romance plot. Charlotte Brontë’s Jane Eyre helped cement my love of romance. And I couldn’t be a Regency author if it weren’t for Jane Austen’s brilliance.

Susana: What is your work schedule like when writing?

Donna: I write sporadically, whenever I can fit it in. With a busy family, I don’t have the luxury of sitting down to a clean desk with candles and music to inspire me. Most often, I write while waiting in a doctor’s office, or during soccer practice, or early afternoons when my children are gone, or even late at night when everyone is asleep.

Susana: If your publisher offered to fly you anywhere in the world to do research on an upcoming project, where would you mostly likely want to go? Why?

Donna: That’s a no-brainer—I’d want to go to England. I’ve done tons of research, but I’ve never seen it in person. Since my novels take place in England, I’m dying to go there. I could have a much better grasp on the sights and sounds and smells of England to create an even more believable setting for my books.

I’m also planning on writing a book that takes place in Italy, so I’d love to go there, too.

Susana: Who gave you the writing advice that sticks with you to this day?

Donna: Marsha Ward, author of western novels, told me once that I should set a really underwhelming daily word count goal. Hers, I believe, is twenty words. It sounds pathetic, doesn’t it? And counterproductive. But I discovered the wisdom of that advice. If I think I don’t have time to write on any given day, I think, “But I only have to write twenty words.” It’s pretty easy to make time to write a mere twenty words. Usually, those twenty words turn into a hundred, or five hundred. Even if I only wrote that very small, daily minimum goal, in a year I could write a full-length novel.

Thank you so much for hosting me!

Note: The author will be giving away e-copies of The Stranger She Married to two random commenters on this blog post.

About The Suspect’s Daughter

Determined to help her father with his political career, Jocelyn sets aside dreams of love until she meets a mysterious gentleman with dangerous secrets. Working undercover, Grant’s only suspect for a murder conspiracy is the father of a lady who is getting increasingly hard to ignore. They must work together to find the assassins. England’s future hangs in the balance…and so does their love.

Smashwords • B & N • Amazon

About the Author

Donna Hatch is the award-winning author of the best-selling Rogue Hearts Series. A hopeless romantic and adventurer at heart, she discovered her writing passion at the tender age of 8 and has been listening to those voices ever since. She has become a sought-after workshop presenter, and also juggles freelance editing, multiple volunteer positions, and most of all, her six children (seven, counting her husband). A native of Arizona who recently transplanted to the Pacific Northwest, she and her husband of over twenty years are living proof that there really is a happily ever after.

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A Home for Helena: Release Day is Here!

Mar29

The Story Behind the Story

I wrote A Home for Helena and sent it out to my critique partners and beta readers around two years ago, but as with other projects, I put it aside in favor of working on new projects. Frankly, the initial first draft writing is much more exciting for me than making revisions. If I don’t have a deadline looming, I tend to leave past projects in limbo indefinitely. Fortunately, last year I got involved in three group projects with deadlines which forced me to actually finish things. Those were Lost and Found Lady (from Beaux, Ballrooms, and Battles), The Third MacPherson Sister (Sweet Summer Kisses), and The Ultimate Escape (Mistletoe, Marriage, and Mayhem).

The Ultimate Escape, the story of Lady Pendleton’s eldest daughter escaping to the future, revived my determination to get A Home for Helena out to readers. Because The Ultimate Escape takes place five years before A Home for Helena—even though the latter was written first—it became Book 1 in The Lady P Chronicles, with Helena becoming Book 2. As for Book 3, I’ve got a few ideas mulling about, but I’d like to get some of my other unfinished projects out there too.

Want to know how Lady Pendleton evolved? Check out my post on Caroline Warfield’s blog: http://ow.ly/ZTiNP

I really, really hate deadlines

I know I have to get started right away, but I don’t feel like it. I’ll just have another cup of coffee first. Let me finish this one episode of Dateline first, and then I’ll work on my project. OMG, I forgot to get my blog post up today! I really should take care of the credit card bill first, then I’ll get started on the project. Is it time for lunch already? I’ll just take a little break for Facebook games and then I know for sure I’ll be ready to write. The phone rings and I realize I haven’t talked to this friend for several weeks. People are more important than things, right? Suze Orman always says so. OMG, is it 5:00 already? I’m too tired to write. I’ll just get up early tomorrow and write twice as much…

But I can’t get things finished without them!

As you can see, deadlines are a necessary evil. Can’t live with ’em, can’t live without ’em. Well, I probably could live without ’em, but I’d be a certified couch potato and a has-been writer. And no, that’s not the way I want to live.

So I am learning to set deadlines for myself. And even though I don’t always meet them exactly on the nose, I do get things done, which wouldn’t be the case otherwise. I’ve also learned that having the cover done is a great motivator. Mari Christie, who created the cover for Helena has also done several others for me, including my two stories with Ellora’s Cave that revert back to me in a couple of weeks. Treasuring Theresa will be Book 1 of the Hertfordshire Hoydens series and Book 2 will be Cherishing Charlotte, which is another unfinished project I hope to have completed by the end of the summer. And I still have several others after that, which will keep both Mari and me busy for the foreseeable future.

About A Home for Helena

After a wise woman suggests that she has been misplaced in time, Helena Lloyd travels back two hundred years in an attempt to find out where she belongs.

Widowed father James Walker has no intention of remarrying until he makes the acquaintance of his daughter’s lovely new governess.

Lady Pendleton, a time-traveling Regency lady herself, suspects that these two belong together. First, however, she must help Helena discover her true origins—and hopefully, a home where she belongs.

A Home for Helena is Book 2 of The Lady P Chronicles.

Book 1, The Ultimate Escape, originally published in the Bluestocking Belles’ anthology, Mistletoe, Marriage, and Mayhem, will soon be available individually.

Amazon

$0.99 until April 5, then $2.99

Free on Kindle Unlimited

Excerpt

Newsome Grange

Kingswood, Kent

Later that morning

“Miss Dray is dead?”

James stared incredulously at Sir Henry, who, for once, was not wearing his normal easy-going expression. Instead, he leaned against the mantel of the fireplace of his study, studying the grate as though there were a fire blazing in it.

“Good God, what happened? Is Annabelle all right?”

“She’s fine, James.

Lady Sarah strolled through the doorway and into her husband’s arms. In spite of her words, she looked worn out. Strands of her blonde hair were falling out of her chignon, and he thought he saw the remains of tears on her cheeks.

“The girls are quite distressed, of course. They were fond of Miss Dray. As were we all,” she said with a glance at her husband, whose arm remained tightly clasped around her shoulders. “She was a dear thing, but very strict. The perfect governess. I don’t know how we shall go on without her.” Her voice broke and she buried her face on her husband’s chest.

“They found her in Abbey Wood,” Sir Henry explained. “Wednesday was her half-day, and when she didn’t return, we sent out a search party. No signs of foul play. The doctor says it was natural causes—her heart just gave out.”

His wife erupted in sobs again, and James decided he should find his daughter and leave the Newsomes to their grief, giving voice to that decision.

Lady Sarah turned to face him, accepting her husband’s handkerchief to dab her eyes with.

“Oh no, James, you needn’t do that. The nanny will manage until Mother can send us a replacement. Emily and Theodosia simply love having Annabelle around, and it will only distress them further if she leaves as well. And as for Colin, I’ve no doubt he thinks Annabelle’s his mother by now. She has a way with babies, it seems.”

James was not convinced. “Still, it takes time to find a governess.” He should know—the agency he’d consulted in London had yet to send him information on any potential candidates.

Sir Henry chuckled. “Have you met my mother-in-law?”

Lady Sarah smiled in spite of herself. “We sent an express requesting her aid. If I know her, she’ll come herself if she can’t find someone suitable to fill in until we find a permanent replacement.”

Sir Henry winked at him. “Perhaps she’ll bring along that pretty Miss Lloyd she has residing with her. I think she liked you well enough.” He chuckled. “Not looking for a husband, though. Or so she says.”

James frowned. He’d nearly succeeded in forcing the image of the forthright Miss Lloyd out of his mind, and now she had installed herself right back in again. If he were truthful with himself, he’d admit he wouldn’t be sorry to see her again. She was quite an eyeful.

It was really too bad he hadn’t been able to visit Violet while in London. It seemed her new protector demanded exclusivity, and he’d not been able to get past her burly butler. He hadn’t been near an attractive woman in ages, and this Miss Lloyd was proving strangely difficult to dismiss from his thoughts.

Lady Sarah looked thoughtful. “What do you know about this Miss Lloyd, Henry? Where did she come from? I don’t believe Mother has ever mentioned her before.”

Sir Henry grinned as he looked down at her. “She’s your mother, my dear. Surely you know by now how unpredictable she can be.”

Lady Sarah drew a deep breath. “I do know that. That’s precisely why I’m—concerned.”

James cleared his throat. “I appreciate your kindness in offering to keep my daughter, but you obviously have more than enough to deal with at present. If you would be so kind as to call her down… I can send for her things later.”

But the Newsomes wouldn’t hear of it. Lady Sarah was so vehement that he could see she was almost ready to burst into tears again, and after Sir Henry shook his head in warning, James visited his daughter briefly and left without her.

As he rode home, no matter how he fought it, his mind’s eye kept reverting to a pair of bright green eyes and the lovely face that went with them. Would he be seeing them again?

Susana’s March Events & Giveaways

A Home for Helena Rafflecopter: through March 31st

http://www.susanaellis.com

Susana’s March Quiz: through March 31st

http://susanaellis.com/Susana_s_Quiz.html

Susana’s Newsletter Subscriber Drive: through March 31st

http://www.susanaellis.com

A Home for Helena Release Party: March 29, 2016, 4:00-11:00 p.m. EDT

Guest authors • Prizes • Fabulous gowns • Swoonworthy heroes • Fun for everyone

https://www.facebook.com/events/534215620086552/

About Lady Pendleton

Lady Pendleton is a frequent guest of Susana’s in the 21^st century, both in Toledo and Florida, where Susana splits her time. She began appearing in Susana’s blog, Susana’s Parlour, in 2013.

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Romance of London: The May Fair and the Strong Woman

Mar28

Romance of London: Strange Stories, Scenes And Remarkable Person of the Great Town in 3 Volumes

John Timbs

This particular book is available at googlebooks for free in ebook form. Or you can pay for a print version.

Mayfair

From Wikipedia:

Mayfair was mainly open fields until development started in the Shepherd Market area around 1686 to accommodate the May Fair that had moved from Haymarket in St. James’s.

Mayfair was part of the parish of St Martin in the Fields. It is named after the annual fortnight-long May Fair that, from 1686 to 1764, took place on the site that is Shepherd Market. The fair was previously held in Haymarket; it moved in 1764 to Fair Field in Bow in the East End of London, after complaints from the residents.

Sir Thomas Grosvenor, 3rd Baronet married Mary Davis, heiress to part of the Manor of Ebury, in 1677; the Grosvenor family gained 40 hectares (100 acres) of Mayfair. Most of the Mayfair area was built during the mid 17th century to mid 18th century as a fashionable residential district, by a number of landlords, the most important of them being the Grosvenor family, which in 1874 became the Dukes of Westminster. In 1724 Mayfair became part of the new parish of St George Hanover Square, which stretched to Bond Street in the south part of Mayfair and almost to Regent Street north of Conduit Street. The northern boundary was Oxford Street and the southern boundary fell short of Piccadilly. The parish continued west of Mayfair into Hyde Park and then south to include Belgravia and other areas.

Present-day Mayfair Neighborhoods

May Fair a Century Ago

We find a curious picture of this west-end carnival by that painstaking antiquary, John Carter, who, writing in 1816, says: “Fifty years have passed away since this place of amusement was at its height of attraction: the spot where the Fair was held still retains the name of May Fair… The market-house consisted of two stories: first story, a long and cross aisle for butchers’ shops, and, externally, other shops connected with culinary purposes; second story, used as a theatre at Fair-time for dramatic performances… Below, the butchers gave place to toy men and gingerbread-bakers. At present, the upper story is unfolded, the lower nearly deserted by the butchers, and their shops occupied by needy peddling dealers in small wares; in truth, a most deplorable contrast to what once was such a point of allurement. In the area encompassing the market building were booths for jugglers, prize-fighters both at cudgels and back-swords, boxing-matches, and wild-beasts. The sports not under cover were mountebanks, fire-eaters, ass-racing, sausage-tables, dice-ditto, up-and-downs, merry-go-rounds, bull-baiting, grinning for a hat, running for a shift, hasty-pudding-eaters, eel-divers, and an infinite variety of other similar pastimes.”

Tiddy Doll, Gingerbread Baker (NYPL Digital Library)
Tiddy Doll was a famed 18th century gingerbread vendor, a well-known sight amongst the butchers and toy-men, jugglers and fire-eaters at London’s Bartholomew Fair and Shepherd’s Market in Mayfair. He was even known to ply his wares at public executions, and can be seen in the lower right-hand corner of Hogarth’s Idle Prentice Executed at Tyburn, waving a spicy cake to the boisterous mob. His real name was apparently Ford, acquiring his nickname from a habit of ending his addresses to the crowd with the last lines of a popular ballad, “tid-dy did-dy dol-lol, ti-tid-dy ti-ti, tid-dy tid-dy, dol.” Wearing a white apron over his customary white gold laced suit, ruffled shirt, laced hat and feather and silk stockings, “like a person of rank,” his name was associated for many years with a person dressed out of character, as “you are as tawdry as Tiddy-doll; you are quite Tiddy-doll,” etc.

The Woman and the Anvil

18th century anvil

One of the marvels of May Fair, in its latest revival, was the performance of a strong woman, the wife of a Frenchman, exhibited in a house in Sun Court, Shepherd’s Market. The following account is given by John Carter, and may be relied on, as Carter was born and passed his youthful days in Piccadilly [Carter’s Statuary]. He tells us that a blacksmith’s anvil being procured from White Horse Street, with three of the men, they brought it up, and placed it on the floor of the exhibition-room. The woman was short, but most beautifully and delicately formed, and of a most lovely countenance. She first let down her hair (a light auburn), of a length descending to her knees, which she twisted round the projecting part of the anvil, and then, with seeming ease, lifted the ponderous mass some inches from the floor. After this, a bed was placed in the middle of the room; when, reclining on her back, and uncovering her bosom, the husband ordered the smiths to place thereon the anvil, and forge upon it a horse-shoe! This they obeyed: by taking from the fire a red-hot piece of iron, and with their forging hammers completing the shoe with the same might and indifference as when in the shop at their constant labour. The prostrate fair one seemed to endure this with greatest composure, talking and singing during the whole process: then, with an effort, which to the bystanders appeared supernatural, she cast the anvil from off her body, jumping up at the same moment with extreme gaiety, and without the least discomposure of her dress or person. That there was no trick or collusion was obvious from the evidence: the spectators stood about the room with Carter’s family and friends; the smiths were strangers to the Frenchman, but known to Carter, the narrator. She next placed her naked feet on a red-hot salamander, without injury, the wonder of which was, however, understood even at that time.*

Blacksmith’s shop

*Mr. Daniel, of Canonbury, thought the Strong Woman to have been Mrs. Allchorne, who died in Drury Lane in 1817, at a very advanced age. Madame performed at Bartholomew Fair in 1752.

Romance of London Series

Cerise DeLand: Masquerade with a Marquess (Giveaway)

Mar23

Cerise DeLand gives you a Marquess, a Baron,

and a little fact with your romance for 99 cents!

We all love a historical that gives us a bit of the period. Some fact with our entertaining fiction. In Masquerade with a Marquess, I give you a few real mysteries taken from the period of my story.

My heroine, Sophia di Contini searches for two paintings by famous French painter Fargonard taken from her family by Pauline Bonaparte. That lady, like her brother, was infamous for appropriating art works from others. Here, Sophia has good reason to know who might be responsible and she gets help from our hero, Victor Cameron. As the two rekindle their romance of five years before, Sophia finds more than her paintings. She finds lost treasures that belonged to Pauline!

Those treasures (and I won’t tell you what they are) were truly lost by Pauline and their loss may indeed have changed the circumstances of her brother, Napoleon’s life. In fact, he may have never lost at Waterloo and never lost his imperial crown!

But I will tell you that she did indeed sell her Paris house to the British agents in 1814 and that house became and still is (drum roll!) the residence of the British Ambassador to France! In fact, the money she earned from the sale bankrolled Napoleon for much of Waterloo campaign! Yes, ironic and true.

I do hope you read Masquerade with a Marquess, #3 in my Regency Romp series, and #4 Interlude with a Baron!

And now, for a nibble of my newest cherry!

Excerpt

Victor made his way toward the threesome—and stopped in his tracks.

Across the room, a woman stood near the wall. Attired in a simple gown of cream, she portrayed a Greek or Roman queen. Her half mask was white, covering a straight nose and framing eyes that darted and scanned, settling here and there and moving on. Her hair glowed like pale sunlight. Beneath a headband of gold and white satin, her tresses curled in a braid high around her head. In a bow to current fashion, delicate wisps dangled at her ears. But the disarray made her more elegant, more classically beautiful. He could not drink in enough of her—and his mind stalled.

His stomach clenched. Oh, most definitely, this was the elusive housemaid. Or more accurately, Sophia di Bertolla di Contini, the daughter of the famous Italian courtier and poet, Marco di Bertolla.

Why would she come here to this party disguised?

The irony that she should appear here in plain sight when he had searched for her for weeks had him setting his teeth. What game did she play?

The woman had disappeared from Whiting’s house that night in December. He’d run out into the streets to search for her, to no avail. He’d hired men he often employed to track thieves or those who owed him money. But they’d found no one answering her description in any lodgings in greater London. He’d extended their territory to search for her in Dover and Calais, assuming she might seek refuge there to book a packet across the Channel. They had come up short.

But here she was.

No maid’s drab cloth for her tonight. The opposite. Poised, shining and polished as a marble goddess, she surveyed the guests, all grace and purpose. She spoke with no one. In truth, she seemed to hug the walls. Was she here alone?

He made his way across the ballroom. In the crowd, that took him time. Too much, in fact. And as he wove his way among his guests, she left her secluded spot to wander toward the central hall. Odd, that. The ladies’ retiring room was on this wing. If she wondered precisely where, she need only ask a servant who would redirect her. But she didn’t.

She continued toward the foyer. Scurrying, really.

Then she froze. Her eyes rounded.

Victor followed her line of sight.

Dray appeared straight ahead of her in the doorway, his ginger hair mussed by the wind and the half-black mask he wore. She turned aside, deftly weaving around Dray with not so much as a nod of greeting. That easily, she slipped out.

Victor hastened to catch her. But damn the crowd.

Threading his way through the throng required more greetings and diplomacy than he had expected. Next year, by god, he’d stay home. He wished to speak only to this intruder who appeared here as a guest. A creature who perennially danced in his memory like Salome.

Muttering to himself about his failure to eradicate her from his thoughts, Victor picked up his pace toward the hall.

But in his path stood Dray.

“I must speak with you.” Dray stepped toward him, straightening his tailcoat but looking oddly agitated.

“Later.” Victor clasped his step-brother’s hand. “Wait for me, please.”

“This is important. Where’re you going?” He turned as Victor passed him by.

“A guest.” He’d explain her identity later. “She’s headed the wrong way to the retiring room.”

“Put a footman to the task. I have news from Windsor—”

“Dray, wait.”

“I can’t!”

Victor ignored him and hurried away.

At the first floor landing of the staircase, he came to a stop. He turned to one side, the movement of a figure catching his eye. But it was a man, not Sophia.

In a stealthy move, the man shut the door behind him. As the latch clicked, so did knowledge of who the man was.

Otis Underwood. A degenerate of the first order.

Was he stalking Sophia? Was she in that room?

The reason that she might have gone there rose like bile in his throat. Did she seek an assignation with Underwood?

Preposterous. She had better sense than that. Or had years ago. Why would she consider alliance with such a man as he? She had no reason.

But he squeezed his eyes shut a second. Of course, it was her looks. The soft blue eyes that mesmerized a man. The lush rosy lips that inspired erotic fantasies in any man who gazed upon her. Young, old, infirm, any man with blood in his veins took one long look and coveted her.

Distaste for Underwood and his nefarious actions washed away all condemnation of Sophia.

Still, why was she floating around Winterbourne’s house?

She wasn’t a thief. Or hadn’t been that night at Whiting’s.

But was she in that room and if so, what did she want?

Flummoxed, he ripped off his mask and swung about, once more in complete review of the hall. No doubt of it. Unless she’d left the house, she was in that room where she should not be.

He’d root her out. He would.

He took the hall on cats’ feet. With utmost care, he turned the knob and thrust open the door.

Ah.

Across the moonlit room she stood in profile to him facing Underwood. The man advanced on her, a salacious smile upon his fleshy lips, his hawk-like nose hooked like the predator he was.

Giveaway

Cerise is giving away a digital copy of Her Beguiling Butler to one random person who comments and Masquerade with a Marquess to another random person.

A BIG SALE!

LIMITED TIME!

To celebrate the release of my 2 new Regencies, Masquerade with a Marquess and Interlude with a Baron, I put on sale all of the following for a limited time:

Lady Varney’s Risque Business, Regency Romp #1

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Rendezvous with a Duke, Regency Romp #2

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Masquerade with a Marquess, Regency Romp #3

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Interlude with a Baron, Regency Romp #4

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Her Beguiling Butler, Delightful Doings in Dudley Crescent #1

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About the Author

Cerise DeLand loves to cook, hates to dust, adores traveling…and lives to write! She is #1 Bestselling Regency Author of spicy romances starring dashing heroes and sassy women. Her box set The Stanhope Challenge was recently on the bestseller list for ONE solid YEAR!

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Romance of London: Bartholomew Fair

Mar21

Romance of London: Strange Stories, Scenes And Remarkable Person of the Great Town in 3 Volumes

John Timbs

This particular book is available at googlebooks for free in ebook form. Or you can pay for a print version.

The vow of a jester

Rahere, jester to King Henry I

This famous Fair, formerly held every year in Smithfield, at Bartholomewtide [August 24], and within the precinct of the Priory of St. Bartholomew, originated in a grant of land from Henry I., to his jester Rahere, who, disgusted by his manner of living, repented him of his sins, and undertook a pilgrimage to Rome. Here, attacked by sickness, he made a vow, that if he recovered his health, he would found a hospital for poor men. Being reinstated, and on his return to England to fulfill his promise, St. Bartholomew is said to have appeared to him in a vision, and commanded him to found a Church in Smithfield, in his name… The site, which had been previously pointed out in a singular manner to Edward the Confessor, as proper for a house of prayer, was a mere marsh, for the most part covered with water; while on that portion which was not so, stood the common gallows—”the Elms,” in Smithfield, which for centuries after continued to be the place of execution.

The Bartholomew Fair

St. Bartholomew’s Church

The Priory, however, looked to temporal as well as spiritual aid, for his foundation; and therefore, obtained a royal charter to hold a Fair annually at Bartholomewtide, for three days—on the eve, the fête-day of the saint, and the day after; “firm peace,” being granted to all persons frequenting the Fair of St. Bartholomew. This brought traders from all parts, to Smithfield: thither resorted clothiers and drapers, not merely of England, but all countries, who there exposed their goods for sale. The stalls or booths were erected within the walls of the priory churchyard, the gates of which were locked each night, and a watch was set in order to protect the various wares…

At the dissolution of religious houses, the privilege of the Fair was in part transferred to the Mayor and Corporation; and in part to Richard Rich, Lord Rich, who died in 1560, and was ancestor of the Earls of Warwick and Holland. It ceased, however to be a cloth fair of any great importance in the reign of Queen Elizabeth. The drapers of London found another and more extensive market for their woolens; and the clothiers, in the increase of communication between distant places, a wider field for the sale of their manufactures. It subsequently became a Fair of a very diversified character. Monsters, motions, rolls, and rarities were the new attractions to be seen; and the Fair was converted into a kind of London carnival for persons of every condition and degree of life. The Fair was proclaimed by the Lord Mayor, beneath the entrance arch of the priory; and its original connexion with the cloth trade was commemorated in a mock proclamation on the evening before, made by a company of drapers and tailors, who met at the Hand and Shears, a house of call for their fraternity in Cloth Fair, whence they marched and announced the Fair opened and concluded with shouting and the “snapping of shears.”

With respect to the tolls, Strype tells us that “Each person having a booth, paid so much per foot for the first three days. The Earl of Warwick and Holland is concerned in the toll gathered the first three days in the fair, being a penny for each burthen of good brought in or carried out; and to that end there are persons that stand at all the entrances into the Fair…

The Fair lengthens to fourteen days

“In the reign of Charles II., as might be expected, the Fair was extended from three to fourteen days, when all classes, high and low, visited the carnival.” Pepys mentioned walking up and down the fair grounds on August 30, 1667, and discovering Lady Castlemaine at a puppet-play, “and the street full of people, expecting her coming out.” In 1668, Pepys went to the fair “to see the mare that tells money, and many things to admiration, and then the dancing of the ropes, and also the Irish stage play, which is very ridiculous.”

(c) Dover Collections; Supplied by The Public Catalogue Foundation

Theatrical booths were very popular. “Ben Jonson, the actor (says Dr. Rimbault), was connected with the booth before 1694, in which year he joined Cibber’s company; he was celebrated as the grave-digger in Hamlet…

Here were motions or puppet-shows of Jerusalem, Nineveh, and Norwich; and the Gunpowder Plot played nine times in an afternoon; wild beasts, dwarfs, and other monstrosities; operas and tight-rope-dancing and sarabands [dances]; dogs dancing the morris; the hare beating the tabor; and rolls of every degree.

Bartholomew Fair 1825

From a newspaper in 1734:

At Goodwin’s Large Theatrical Booth, opposite the White Hart, in West Smithfield, near Cow Lane, the town will be entertained with a humorous Comedy of three acts, called ‘The Intriguing Footman, or the Spaniard Outwitted;’ with a Pantomime entertainment of Dancing, between a Soldier and a Sailor, and a Tinker and a Tailor, and Buxom Joan of Deptford.

At Hippisley and Chapman’s Great Theatrical Booth, in the George Inn Yard, Smithfield, the town will be humorously diverted with an excellent entertainment; Signor Arthurian, who has a most surprising talent at grimace, and will, on this occasion, introduce upwards of fifty whimsical, sorrowful, comical, and diverting faces.”

The fourteen days were found too long, for the excesses committed were very great; and in the year 1708, the period of the Fair was restricted to its old duration of three days.

Hogarth 1733

Three days of revelry

The influence of the fair in the neighborhood was to make general holiday… We read that in Little Britain, “during the time of the Fair, there was nothing going on but gossiping and gadding about. The still quiet streets of Little Britain were overrun with an irruption of strange figures and faces; every tavern was a scene of rout and revel. The fiddle and the song are heard from the taproom, morning, noon, and night; and at each window might be seen some group of loose companions, with half-shut eyes, hats on one side, pipe in mouth, tankard in hand, fondling, and prosing, and singing maudlin songs over their liquor. Even the sober decorum of private families was no proof against this saturnalia. There was no such thing as keeping maid-servants within doors. Their brains were absolutely set maddening with Punch and the puppet-show; the flying horses; Signior Polito; the Fire-eater, the celebrated Mr. Paap; and the Irish Giant. The children, too, lavished all their holiday-money in toys and gilt gingerbread, and filled the house with the Lilliputian din of drums, trumpets, and penny whistles.”

V0014666 Bartholomew Fair, site of St. Bartholomew's Hospital, London Credit: Wellcome Library, London. Wellcome Images images@wellcome.ac.uk http://wellcomeimages.org Bartholomew Fair, site of St. Bartholomew's Hospital, London, pictured in 1721. Aquatint with etching, c. 1800. Published: - Copyrighted work available under Creative Commons Attribution only licence CC BY 4.0 http://creativecommons.org/licenses/by/4.0/

Bartholomew Fan

The end of Bartholomew Fair

The Lord Mayor and Aldermen had, for 300 years, tried by orders, proclamations, juries, and presentments to abolish the Fair, but without effect; when the Court of Common Council took the work in hand. Having obtained entire control over the Fair by the purchase of Lord Kensington’s interest, they refused to let standings for shows and booths; they prevailed upon the Lord Mayor and Sheriffs to give up the practice of going to open the Fair in state, with a herald to proclaim it, and officers to marshal the procession; the posting of the proclamation about the streets, interdicting rioting and debauchery during the days of the Fair and within its precincts, were discontinued… In 1852, not a single show was to be seen on the ground; and in 1855 the Fair expired… and Bartholomew Fair was extinct.

Author’s Note: I’m thinking of having my Regency characters attend the fair, even though it was rather scandalous. What do you think?

Romance of London Series

Erica Ridley: The Duke’s Accidental Wife (Giveaway)

Mar16

Interview with Erica Ridley

Susana: Where do you live?

Erica: I was born in the United States, and have lived in six different countries. I currently live on a macadamia farm in the rainforests of Costa Rica, and love it immensely. Given my wanderlust, I wouldn’t be surprised if I found myself somewhere else a few years from now, but for now I’m more than happy in Costa Rica.

Susana: What is one place that I should see if I visit your hometown?

Erica: I live in Nuevo Arenal, Costa Rica, a stone’s throw from Lake Arenal, the biggest and prettiest lake in the country. So definitely you should come see it! If it’s a clear day, there will be windsurfers on the lake, and you may even be able to see one or two of the closest volcanos.

Susana: What place that you haven’t visited would you like to go?

Erica: India is high on my list! I’ve been invited twice by friends who live there, but both times the round trip airfare was cost-prohibitive. I’ll make it there eventually!

Susana: When did you realize you wanted to be a writer?

Erica: Ever since I could read! I was told it wasn’t a very practical idea, so I ended up going to university to study International Business. I managed to stay in the corporate world for about ten years, before I decided that I absolutely had to try to become a writer, come what may. I’m so glad I did!

Susana: What’s been the highlight of your career to this point?

Erica: Even better than hitting the New York Times bestseller list is getting feedback from happy fans. Nothing else in this world can compare to hearing someone say that one of my books made their day, or got them through a tough time, or made them miss their subway stop for the second time in a row.

During the dark days of revision and editing, when I worry that every book is never going to be finished, those kinds of comments are what helps me get through.

Susana: Do you prefer paper books or e-books?

Erica: I have an unholy collection of both, and it looks like it’s going to stay that way for the near future. I use Calibre to manage my e-book collection (although I’m bitterly disappointed that my new kindle won’t import my Calibre tags as shelves/collections) and my paper books are actually piled on bookshelves in two countries, lol. I have books spilling off the shelves here in Costa Rica, and three times as many back in storage in the United States. I donate books to libraries and charities every chance I get, but they still multiply behind my back like gremlins. Wonderful, heartwarming, totally addicting gremlins.

Susana: If you were a cartoon, which one would you prefer being? Why?

Erica: I would like to be Sherman, so I could get to hang out with Mr. Peabody and travel in the way-back machine. (The Mystery Machine is a close second… Maybe I like machines?)

Giveaway: E-book copy of The Captain’s Bluestocking Mistress

If you were a cartoon, which one would you prefer being? Why? A random commenter will win an e-book copy of The Captain’s Bluestocking Mistress.

About The Duke’s Accidental Wife

The Dukes of War historical romance series features roguish peers and dashing war heroes who return from battle only to be thrust into the splendor and madness of Regency England.

Reader Group: http://facebook.com/groups/DukesOfWar

Miss Katherine Ross is a wealthy, eccentric socialite who knows precisely what she wants: No husband. No children. No candlelit tête-à-tête with the insufferably emotionless Duke of Ravenwood. She’s convinced his heart is ice — until she touches that chiseled chest for herself. One lapse in judgment is all it takes to turn both their lives topsy-turvy…

The Duke of Ravenwood isn’t cold and haughty, but a secret romantic who has always dreamt of marrying for love. Instead, he gets Miss Katherine Ross — a headstrong hoyden intent on unraveling his carefully ordered world. He doesn’t know whether to kiss her or throttle her. Can they survive each other’s company long enough to turn a compromise into love?

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About the Author

Erica Ridley is a New York Times best-selling author of historical romance novels. When not reading or writing romances, Erica can be found riding camels in Africa, zip-lining through rainforests in Costa Rica, or getting hopelessly lost in the middle of Budapest.

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Romance of London: The Bottle Conjuror

Mar14

Romance of London: Strange Stories, Scenes And Remarkable Person of the Great Town in 3 Volumes

John Timbs

John Timbs (1801-1875), who also wrote as Horace Welby, was an English author and aficionado of antiquities. Born in Clerkenwell, London, he was apprenticed at 16 to a druggist and printer, where he soon showed great literary promise. At 19, he began to write for Monthly Magazine, and a year later he was made secretary to the magazine’s proprietor and there began his career as a writer, editor, and antiquarian.

This particular book is available at googlebooks for free in ebook form. Or you can pay for a print version.

A “foolish experiment on the credulity of the public”

2nd Duke of Montagu

The Duke of Montague being in company with some other noblemen, proposed a wager, that let a man advertise to do the most impossible thing in the world, he would find fools enough in London to fill a playhouse, who would think him in earnest. “Surely,” said Lord Chesterfield, “if a man should say that he would jump into a quart bottle, nobody would believe that!” The Duke was somewhat staggered; but for the sake of the jest, determined to make experiment. Accordingly it was advertised that the next day, (Jan. 10, 1749,) a person would, at the Haymarket Theatre, “play on a common walking-cane the music of every instrument then used, to surprising perfection; that he would, on the stage, get into a tavern quart bottle, without equivocation, and while there, sing several songs, and suffer any spectator to handle the bottle; that if any spectator should come masked, he would, if requested, declare who he was; and that, in a private room, he would produce the representation of any person, dead, with which the person requesting it should converse some minutes, as if alive.” The prices of admission were—gallery, 2s; pit, 3s; boxes, 5s; stage, 7s. 6d.

Haymarket Theater

4th Earl of Chesterfield

At night the house was crowded with curious people, many of them of the highest rank, including no less eminent a person than the Culloden Duke of Cumberland. They sat for a little while with tolerable patience, though uncheered with music; but by-and-by, the performer not appearing, signs of irritation were evinced. In answer to the continued noise of sticks and catcalls, a person belonging to the theatre came forward and explained that, in the event of a failure of performance, the money should be returned. A wag then cried out, that, if the ladies and gentlemen would give double prices, the conjuror would go into a pint bottle, which proved too much for the philosophy of the audience. A young gentleman threw a lighted candle upon the stage, and a general charge upon that part of the house followed. According to a private letter—it was written by a Scotch Jacobite lady—”Cumberland was the first that flew in a rage, and called to pull down the house… He drew his sword and was in such a rage, that somebody slipped in behind him and pulled the sword out of his hand, which was as much as to say, ‘Fools should not have chopping sticks.’ This sword of his has never been heard of, nor the person who took it. Thirty guineas of reward are offered for it. Monster of Nature, I am sure I wish he may never get it.

Haymarket Theater

At that point, most of the audience charged out of the theater, losing items of clothing in the process, but a few stayed long enough to demolish the inside and take away much of the furnishings for a bonfire on the street.

Duke of Cumberland, younger son of George II (and of Culloden fame)

The proprietor of the theatre afterwards stated that, in apprehension of failure, he had reserved all the money taken, in order to give it back; and he would have returned it to the audience if they would have refrained from destroying his house.

The Bottle-hoax proved an excellent subject for the wits, particularly those of the Jacobite party. In Old England appeared this advertisement: “Found entangled in a slit of a lady’s demolished smock petticoat, a gilt-handled sward of martial temper and length, not much the worse of wearing, with the Spey curiously engraven on one side, and the Scheldt on the other; supposed to be taken from the fat sides of a certain great general in his hasty retreat from the Battle of Bottle Noddles, in the Haymarket. Whoever has lost it may inquire for it at the sign of the Bird and Singing Land, in Rotten Row.”

Romance of London Series

Callie Hutton: The Highlander’s Accidental Bride (Giveaway)

Mar9

Dearest Mother,

This is a difficult letter to write since I have done something very foolish. Please do not think from my actions that I in any way disavowed your upbringing or teachings. I was merely not in a frame of mind at the time to consider my words.

First, it saddens me to inform you that the driver and footman you hired to accompany me and my maid on the journey to visit Sybil was killed in a carriage crash. The carriage was also destroyed in the accident.

Alice and I are unhurt, however. We met two lovely gentlemen on the road, professors at the University of Scotland, who assisted us to reach the nearest inn. Mother, you will never guess, but one of the professors is cousin to Lady Margaret’s husband, Laird Duncan McKinnon! I was quite relieved to discover that since Professor McKinnon offered—well actually I asked—his company for the remainder of the journey to Sybil’s home.

It was while traveling with the professor that my situation… changed. It appears somehow in the confusion of trying to obtain a room at an inn that was quite full, I inadvertently… Well, I accidentally…

I wish there was another way to say this. But, I unintentionally…

Mother – I am married.

Love,

Sarah

A bit of history on ‘irregular marriages’ from Wikipedia:

Under early modern Scots law, there were three forms of “irregular marriage” which can be summarized as the agreement of the couple to be married and some form of witnessing or evidence of such. An irregular marriage could result from mutual agreement, by a public promise followed by consummation, or by cohabitation and repute. All but the last of these were abolished by the Marriage (Scotland) Act 1939, from 1 January 1940. Prior to this act, any citizen was able to witness a public promise… A marriage by “cohabitation with repute” as it was known in Scots Law could still be formed; popularly described as “by habit and repute”, with repute being the crucial element to be proved. In 2006, Scotland was the last European jurisdiction to abolish this old style common-law marriage or “marriage by cohabitation with repute”, by the passing of the Family Law (Scotland) Act 2006. https://en.wikipedia.org/wiki/Marriage_in_Scotland.

If you lived in the Regency period, what would you hate the most? What would you like the most? One commenter will win a $5 Amazon gift card, along with an ebook copy of the USA Today best-selling book The Elusive Wife. That book is the first in the Marriage Mart Mayhem series. If the winner has already read it, they can select any other book in the series.

About The Highlander’s Accidental Marriage

On the way to visit her twin sister in the Highlands, Lady Sarah Lacey makes a huge mistake which has the ability to change her life’s plans… Now what does she do?

Lady Sarah Lacey is on her way to the Highlands to visit her twin sister, Lady Sybil MacBride, when she meets with an accident. Stranded on the road, she encounters Professor Braeden McKinnon, traveling to his home near Sarah’s destination. She cajoles him into escorting her and her maid.

As they take to the road together, Braeden finds the fiery Lady Sarah a handful of trouble. But nothing prepares him for the words she utters in front of witnesses that binds them together in matrimony. Waiting for word that he has been selected to work on an archaeological dig in Rome, he had no intention of taking a wife for a long time. Now that she has accidentally married them, however, perhaps it would not be such a bad thing, after all.

Except Sarah has no intention of being anyone’s wife. She has other plans…

http://calliehutton.com/the-highlanders-accidental-marriage-marriage-mart-mayhem-book-6/

Excerpt

She smiled at him. “Yes. I am ready.” Without another word, she sashayed over to his horse and stood next to it, her eyebrows raised. “Well. Are we leaving?”

Professor McKinnon had to shut his mouth, which hung open. He stomped over and, grasping her waist, flung her onto the horse’s back. She immediately began to slide to the other side, the weight of the wet clothes pulling her over. He reached out and grabbed her, tugging her the other way. Her arms flailing, she slid toward him and fell off, landing on him, sending both of them into the mud.

She lay sprawled on top of his muscular body, not more than an inch from his surprised expression. Mud splattered his spectacles as well as the rest of his face. Unable to help herself, she burst out laughing. He glowered at her and then his muscles relaxed, a slight smile teasing his lips which turned into a grin. “I’d love to lie here with ye on top of me, lass, but I dinna think we’ll get very far if ye do. ’Tis not fond of an audience, I am.”

About the Author

USA Today best selling author of The Elusive Wife, Callie Hutton writes both Western Historical and Regency romance, with “historic elements and sensory details” (The Romance Reviews). Callie lives in Oklahoma with several rescue dogs, her daughter, son, daughter-in-law, twin grandbabies (thankfully all not in the same house), and her top cheerleader husband of thirty-nine years. Callie loves to hear from readers, and would welcome you as a friend on Facebook. You can contact her through her website: www.calliehutton.com.

If you would like to keep informed on sales, contests and new releases, sign up for her newsletter.

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2016 releases

Stephen’s Bride, April

Wild Western Women Boxed Set, Volume 3, April

The Earl’s Return, Marriage Mart Mayhem #7, August

Wild Western Women Christmas Boxed Set, October

The Christmas Wager, Marriage Mart Mayhem novella, November

The Matchmaker Series, Book One, December

Romance of London: Mrs. Cornelys at Carlisle House

Mar7

Romance of London: Strange Stories, Scenes And Remarkable Person of the Great Town in 3 Volumes

John Timbs

This particular book is available at googlebooks for free in ebook form. Or you can pay for a print version.

Mrs. Cornelys at Carlisle House

Teresa Cornelys at Carlisle House, Soho

Teresa, by birth a German, and during man-years a public singer in Italy and Germany, settled in London about the year 1756, and for twenty years entertained “the votaries of fashion of both sexes” with great success. For this purpose Mrs. Cornelys obtained possession of Carlisle House, in Soho Square, formerly the mansion of the Earl of Carlisle.

Carlisle House

View of Soho Square and Carlisle House

Carlisle House was of considerable extent: the Catholic chapel in Sutton Street was the banqueting-room, and the connecting passage between it and the house in Soho Square was called “the Chinese Bridge.” The arched entrance below the chapel was exclusively for chairs or sedans.

Mrs. Cornelys’s assembly room at Carlisle House

The Antecedent of Almack’s?

The nobility and gentry had the entrée of Carlisle House by payment of an annual subscription, for which they received a ticket of admission to all entertainments given there. They had the privilege of lending their tickets to friends, provided they wrote “the name of the person upon the back of the said ticket to whom they have lent it, to prevent any mistake.” Mrs. Cornelys had great success; but she had her troubles in powerful competitors; for we find her issuing this advertisement: “Whereas, it is been industriously reported, to the disadvantage of Mrs. Cornelys, that she has expressed herself dissatisfied with a subscription now on foot to build a large room in opposition to her; she esteems it her duty, in this public manner, to declare that she never once entertained a thought so unjust and unreasonable…” The “large room” here referred to in opposition is thus referred to by Horace Walpole, in a letter dated Dec. 16, 1764: “Mrs. Cornelys, apprehending the future assembly at Almack’s, has enlarged her vast room, and hung it with blue satin, and other with yellow satin; but Almack’s room, which is to be 90 feet long, proposes to swallow up both hers, as easily as Moses’s rod gobbled down those of the magician’s.” However, Mrs. Cornelys made additions to Carlisle House, with new embellishments, furniture, and decorations, which in the year 1765 cost some 2,000l… in consequence of which she was compelled to charge subscribers an additional guinea.

A musical evening at Carlisle House

The ball on Feb. 26, 1770

…Mrs. Cornelys gave a magnificent fête to some 800 maskers. Walpole devotes great part of a long letter to a description of this masquerade, at which he was present.

Our civil war has been lulled asleep by a Subscription Masquerade, for which the House of Commons literally adjourned yesterday. Instead of Fairfax’s and Cromwells, we have had a crowd of Henry the Eighths, Wolseys, Vandykes, and Harlequins; and because Wilkes was not mask enough, we had a man dressed like him, with a visor in imitation of his squint, and a Cap of Liberty on a pole… The ball was last night at Soho; and, if possible, was more magnificent than the King of Denmark’s…

…The mob was beyond all belief: they held flambeaux to the windows of every coach and demanded to have the masks pulled off and put on at their pleasure, but with extreme good humor and civility. I was with my Lady Hertford and two of her daughters in her coach: the mob took me for Lord Hertford, and huzzaed and blessed me! One fellow cried out, “Are you for Wilkes?” Another said, “D—n you, you fool, what has Wilkes to do with a masquerade?”

Among the company were Lady Waldegrave, Lady Pembroke, the Duchess of Hamilton, Mrs. Crewe, Mrs. Hodges, Lady Algeria Carpenter, &c. The characters assumed were very eccentric. Sir R. Phillips appeared as “a double man,” half-miller, half chimney-sweeper. The Earl of Carlisle figured as a running footman; Mr. James, the painter, as Midas. The Duke of Devonshire was “very fine, but in no particular character.” And “Lord Edg—b, in the character of an old woman, was full as lovely as his lady.” The ladies were superbly dressed. “The Countess Dowager of Waldegrave wore a dress richly trimmed with beads and pearls, in the character of Jane Shore.” “The Duchess of Bolton, in the character of Diana, was captivating.” “Lady Stanhope, as Melpomene, was a striking fine figure.” “Lady August Stuart, as a Vestal, and Lady Caroline as a Fille de Patmos, showed that true elegance may be expressed without gold and diamonds.” “The Countess of Pomfret, in the character of a Greek Sultana, and the two Miss Fredericks, who accompanied her, as Greek slaves, made a complete group;” and to eclipse all, “Miss Moncton, daughter to Lord Galway, appeared in the character of an Indian Sultana, in a robe of cloth of gold and a rich veil. The seams of her habit were embroidered with precious stones, and she had a magnificent cluster of diamonds on her head: the jewels she wore were valued at 30,000l.”

The Bigamous Duchess of Kingston

An “opera strife” leads to bankruptcy

In the following year, 1771, Mrs. Cornelys got embroiled in an opera strife. Walpole writes, Feb. 22, 1771: “Our most serious war is between two Operas. Mr. Hobart, Lord Buckingham’s brother, is manager of the Haymarket. Last year he affronted Guadagni, by preferring the Zamperina, his own mistress, to the singing hero’s sister. The Duchess of Northumberland, Lady Harrington, and some of the great ladies, took up the brother, and without a license erected an opera for him at Madame Cornelys’s… Mr. Hobart began to starve, and the managers of the theatre were alarmed. To avoid the Act, she pretended to take no money, and had the assurance to advertise that the subscription was to provide coals for the poor, for she has vehemently courted the mob, and succeed in gaining their princely favour. She then declared her masquerades were for the benefit of commerce.… At last, Mr. Hobart informed against her, and the Bench of Justices, have pronounced against her. Her opera is quashed, and Guadagni… is not only fined, but was threatened to be sent to Bridewell.

Mrs. Cornelys’s masquerades were characterized not only by indecency, but also by mockery of solemn feelings and principles… The lessees of the theatre, injured by her popularity, opposed her; and she was convicted before Sir John Fielding for performing dramatic entertainments without a license.… Next, bills of indictment were preferred to the grand jury, insinuating of Mrs. Cornelys “that she does keep and maintain a common disorderly house, and did permit and suffer diverse loose, idle, and disorderly persons, as well men as women, to be and remain the whole night, rioting and otherwise misbehaving themselves.” In November following, appeared in the bankrupt list of the London Gazette, “Teresa Cornelys, Carlisle House, St. Anne, Soho, dealer.”

Pantheon_from_Papworth's_Select_Views_1816

The Pantheon, one of the competitors of Mrs. Cornelys’s that eventually caused her downfall

Mrs. Cornelys’s last stand

Nevertheless, Mrs. Cornelys resumed her revels here with great spirit in 1776. Two years later, Carlisle House was again advertised to be sold by private contract…

…Mrs. Cornelys attempted to retrieve her fortunes in various places; one being in a large detached mansion, known as Knightsbridge Grove, in Porter’s Lane, approached through a fine avenue of trees from the highway. At length, in 1785, Mrs. Cornelys gave up her precarious trade. “Ten years after,” says Davis’s Memorials of Knightsbridge, “to the great surprise of the public, she reappeared at Knightsbridge as Mrs. Smith, a retailer of asses’ milk. A suite of breakfast-rooms was opened; but her former influence could not be recovered.” The speculation failed; and at length she was confined in the Fleet Prison, where she died August 19, 1797.