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Bow Street: Thomas de Veil’s London

A House in Bow Street

Crime and the Magistracy

London 1740-1881

Anthony Babington, 1969

Thomas de Veil’s London

Some time in 1740 Colonel Thomas De Veil, a justice of the peace for the Count of Middlesex and for the City and Liberty of Westminster, decided to move his magistrate’s office from Thrift Street, now called Frith Street, in Soho to a house at Bow Street in Covent Garden.

Thomas de Veil

The Covent Garden area was once pasture land owned by the Abbots of Westminster. Later, it became the site of Inigo Jones’s famous Piazza, with fashionable terraced houses and a small church. The nobility and the gentry scrambled to build homes here.

By the beginning of the eighteenth century the character of Covent Garden was undergoing a perceptible change. It was, perhaps, inevitable that the ultra-fashionable Piazza and the locality all about it should attract a swarm of tradesmen, artisans and others who were needed to cater for the requirements of the wealthy. At the same time the narrow passages, the darkened alleys, and the secluded courtyard which separated the streets and the houses drew in a far less respectable segment of the community. Another factor affecting the type of inhabitant settling in the neighbourhood was the continual tendency of the nobility and the aristocracy to drift westwards as other areas were developed further and fruther from the walls of the City. Soon after the Restoration the newly-built St. James’s Square superseded the Piazza as the centre of fashion, and in the early days of the eighteenth century Mayfair was further developed with the setting up the palatial mansions of Cavendish Square, Hanover Square and Grosevenor Square. However, one of the major factors which contributed to the transformation of Covent Garden was that it was becoming the principal artistic and theatrical locality of London.

Covent Garden in 1737, by Nebot

Actors and actresses and their audiences flocked to theaters such as Drury Lane, the Opera House, Lincoln’s Inn Fields, and Covent Gardens. Literary folk and ‘wits’ flocked to the coffee-houses such as Will’s, Buttons’s, and Tom’s. When Tom King died, his widow turned his coffee-house into a brothel. And so it was that “the streets of Covent Garden and the Strand became the chosen haunts of the prostitutes.”

Royal Opera House

“An age of lawlessness and disorder in which the power of the mob and the violence of the criminal were ever paramount”

It was becoming obvious that the current system of policing was inadequate. Streets were especially dangerous at night due to the lack of a proper lighting system.

Pickpockets

A guidebook of the period warned its readers: “A man who saunters about the capital with pockets on the outside of his coat deserves no pity.” As shown by Charles Dickens in Oliver Twist, young boys and girls could be very deft at this particular offense. Richard Oakey would trip up a woman from behind and remove her pocket (pockets dangled from the waist on the outside of a woman’s dress) before she hit the ground. Mary Young had a pair of artificial arms made so that she could sit primly in a church pew with the artificial arms folded on her lap while she used her real arms to rob from those sitting next to her.

Footpads

Henry Fielding said that the alleys, courts and lanes in London were “like a vast wood of forest in which a thief may harbour with as great security as the wild beasts do in the deserts of Africa or Arabia.” And not just at night either. Fanny Burney complained about footpads and robbers before breakfast.

Criminals operating in gangs made the situation even worse. In 1712, a band of thugs called the Mohocks would greet people in the streets and if they responded, beat them up. They attacked the watch in Devereux Court and Essex Street; they also slit two people’s noses, and cut a woman in the arm with a pen-knife. One night about twenty of them stormed the Gatehouse, wounded the jailor, and released their confederate from the jail.

No person was safe and equally no home was secure. Madam Roland… said that when the wealthy left London in the summer they took with them all their articles of value or else sent the lot to their bankers, because ‘on their return they expect to find their houses robbed.’

Highwaymen

The highwaymen were regarded both by the public and amongst the criminal fraternity as being the princes of the underworld. It is difficult to understand why they had so glamorous a reputation in the eighteenth century and, indeed, why their image has been so romanticised ever since. By and large they were simply robbers on horseback and many of them had deplorable backgrounds. Dick Turpin’s gang, for example, was well-known for violence, terrorism, rape, and even murder.

Their favorite hunting-grounds were the roads just outside London. For that reason, dwellers of the suburban areas organized vigilante patrols, and in some areas, squads of soldiers were used to escort travelers in and out of town. Horace Walpole told of an attack on a post-chaise outside his home in Piccadilly, and also of a personal encounter with two of them in Hyde Park.

Why the mounting lawlessness?

Some blamed it on the “large numbers of disbanded soldiers and sailors roaming the country without work and without subsistence. Others held that it was due to drunkenness and cheap gin. A few—but a very few—saw a possible cause in the harsh administration of the Poor Laws and the way in which homeless and the destitute were hounded from parish to parish, coupled with the terrible social conditions of the poor.”

Whatever the reasons, the precincts of the capital and its approaches were deteriorating into a state of lawlessness which bordered on anarchy, and the machinery for preserving the peace was becoming increasingly impotent. The ancient system with its corner stones in the amateur magistrate and the part-time constable, had worked comparatively well throughout the ages in the rural areas of Britain but had proved completely unadaptable to an expanding urban community. At the beginning of the eighteenth century the basic problem remained unsolved—and barely appreciated.

It was in a London such as this that Colonel Thomas De Veil opened his Office at Bow Street.

The Four Times of the Day

The Four Times of the Day, a series of paintings by Hogarth in 1738, illustrated the sort of place Covent Garden had become. Read more about it here.

The Bath Road: The Bear Inn at Devizes and the “Pictorial Chronicler of the Regency”

The following post is the fourth of a series based on information obtained from a fascinating book Susana recently obtained for research purposes. Coaching Days & Coaching Ways by W. Outram Tristram, first published in 1888, is chock full of commentary about travel and roads and social history told in an entertaining manner, along with a great many fabulous illustrations. A great find for anyone seriously interested in English history!

dust jacket

The Bear Inn

bear inn old

The Bear Inn (or Hotel) in Devizes was a popular stopping-off point for travelers headed for Bath. According to Mr. Tristram, author of Coaching Days & Coaching Ways, the Bear Inn was known for its fine stables. After Bath became a popular retreat for the wealthy elite, the roads also became targets for highwaymen, and many travelers abandoned the normal routes to take the one through Devizes. At its peak, the Bear was taking in up to 30 coaches a day.

Devizes.10

Among its more prestigious guests were King George III and Queen Charlotte as well as the Duchess of Kent and Princess Victoria. In 1817, Queen Charlotte wrote that she had had an “elegant repast” at the Bear and that the landlord had put at her disposal “10 pairs of horses as fine as any were put to harness.”

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Note: The Bear Hotel continues to be a hotel today. Rooms can be had for as little as 99 pounds. Click here for more information.

Miss Fanny Burney and Hester Thrale Make the Acquaintance of a Young Thomas Lawrence

Miss Fanny Burney

Miss Fanny Burney

In April of 1780, Miss Fanny Burney, who later became a famous novelist (Evelina was published anonymously in 1778), was traveling to Bath with her friend and patron, Hester Thrale. While waiting for supper, the pair sat down to cards, but were soon interrupted by the sound of a pianoforte. Following the music, they found the musician to be “a very handsome girl with fine dark hair upon a finely-formed forehead”. Another girl welcomed them and found them chairs, and it was then that the visitors discovered that the girls were the daughters of the hostess of the inn. “Oh, what a surprise!”

“But though these pretty girls struck us much,” she writes, “the wonder of the family was yet to be produced. This was their brother, a most lovely boy of ten years of age, who seems to be not merely the wonder of their family, but of the times, for his astonishing skill at drawing. They protest he has never had any instruction, yet showed us some of his productions, that were really beautiful.”

Apparently, the father of the future Sir Thomas Lawrence was making good use of his son’s talents. Tristram says that:

Instead of offering lame excuses when the roast had gone wrong, or saying that a bad bottle of claret was simply “sick from a journey,” this original in the way of a host, used to simply to introduce his son to the malcontents, and in a moment where there had been disgust there was wonder. At the simple talisman, “Gentlemen, here’s my son; will you have him recite from the poets or take your portraits?” the most confirmed bald-headed grumbler ceased his monotonous drone, and the storm in the coffee-room fell before the smile of the young genius.

The Rise To Fame Of Sir Thomas Lawrence

Thomas Lawrence self-portrait in pastels

Thomas Lawrence self-portrait in pastels

By the time the family moved to Bath soon after this encounter, young Thomas was supporting his family drawing portraits in pastel. Due to his talent, charm and good looks, Thomas became very popular about Bath society and was allowed to view private art collections. In 1787, at the age of not quite eighteen, he established a studio in London, settling his parents nearby. In 1788 he exhibited five portraits in pastel and one in oil. In 1789 he exhibited 13 portraits, mostly in oil, to critical acclaim. At age 20, he received his first royal commission, portraits of Queen Charlotte and Princess Amelia. After the death of Sir Joshua Reynolds in 1792, George III appointed him “painter-in-ordinary-to-his-majesty.” In 1794, he became a full member of the Royal Academy. He went on to paint many portraits of the elite, as well as important figures in the war with Napoleon, and even the Pope. In 1815 he was knighted, and in 1820 he became President of the Royal Academy.

Sir Thomas and the Siddons Sisters

Sally Siddons

Sally Siddons

Maria Siddons

Maria Siddons

Thomas fell in love with Sally Siddons, one of the daughters of the famous actress, Sarah Siddons. But then he fell in love with her sister Maria. But then he decided to go back with Sally. (Imagine the turmoil in that household!) But neither of the girls was healthy. Before Maria died in 1798, she got her sister to promise not to marry him. Sally did not, refusing to see him for the five years before she herself passed away.

 

Lawrence never married. His companions in later life were Elizabeth Croft (half-sister of Sir Richard Croft, the accoucheur who apparently botched the delivery of Princess Charlotte’s son and who committed suicide soon after) and Isabella Wolff, separated from her husband and whose son Herman may have been Lawrence’s.

Plagued With Financial Problems

One might expect that, with all the commissions pouring in and his prolific work ethic, Lawrence should be a wealthy man. On the contrary, he was constantly in debt, to the point where he seemed to be always on the brink of bankruptcy and had to be rescued by his friends, dying insolvent. Nobody is quite sure why this was, except for an assumption that he was unable to keep good accounts, and perhaps he was too generous with family and friends. He himself wrote:

“I have never been extravagant nor profligate in the use of money. Neither gaming, horses, curricles, expensive entertainments, nor secret sources of ruin from vulgar licentiousness have swept it from me.”

Legacy

The director of the National Portrait Gallery described Lawrence as “a huge figure. But a huge figure who we believe deserves a great deal more attention. He is one of the great painters of the last 250 years and one of the great stars of portraiture on a European stage.”

Queen_Charlotte_by_Sir_Thomas_Lawrence_1789

Queen Charlotte

George IV at his Coronation

George IV at his Coronation

Pinkie

Pinkie

 

 

 

 

 

 

 

 

 

 Index to all the posts in this series

1: The Bath Road: The (True) Legend of the Berkshire Lady

2: The Bath Road: Littlecote and Wild William Darrell

3: The Bath Road: Lacock Abbey

4: The Bath Road: The Bear Inn at Devizes and the “Pictorial Chronicler of the Regency”

5: The Exeter Road: Flying Machines, Muddy Roads and Well-Mannered Highwaymen

6: The Exeter Road: A Foolish Coachman, a Dreadful Snowstorm and a Romance

7: The Exeter Road in 1823: A Myriad of Changes in Fifty Years

8: The Exeter Road: Basingstoke, Andover and Salisbury and the Events They Witnessed

9: The Exeter Road: The Weyhill Fair, Amesbury Abbey and the Extraordinary Duchess of Queensberry

10: The Exeter Road: Stonehenge, Dorchester and the Sad Story of the Monmouth Uprising

11: The Portsmouth Road: Royal Road or Road of Assassination?

12: The Brighton Road: “The Most Nearly Perfect, and Certainly the Most Fashionable of All”

13: The Dover Road: “Rich crowds of historical figures”

14: The Dover Road: Blackheath and Dartford

15: The Dover Road: Rochester and Charles Dickens

16: The Dover Road: William Clements, Gentleman Coachman

17: The York Road: Hadley Green, Barnet

18: The York Road: Enfield Chase and the Gunpowder Treason Plot

19: The York Road: The Stamford Regent Faces the Peril of a Flood

20: The York Road: The Inns at Stilton

21: The Holyhead Road: The Gunpowder Treason Plot

22: The Holyhead Road: Three Notable Coaching Accidents

23: The Holyhead Road: Old Lal the Legless Man and His Extraordinary Flying Machine

24: The Holyhead Road: The Coachmen “More Celebrated Even Than the Most Celebrated of Their Rivals” (Part I)

25: The Holyhead Road: The Coachmen “More Celebrated Even Than the Most Celebrated of Their Rivals” (Part II)

26: Flying Machines and Waggons and What It Was Like To Travel in Them

27: “A few words on Coaching Inns” and Conclusion