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Susana’s Adventures in England: Brockhampton Estate

Much thanks to Heather King for providing transportation and companionship, as well as the infamous super dog Roxy, and not least, to Cora Lee, who formed the fourth part of our party.

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Lower Brockhampton is a timber-framed manor house dating back to the 14th century. The manor house is surrounded by a moat and entered by a newly-restored gatehouse. The estate includes 1000 acres of farmland and 700 acres of woodland. The ruins of a Norman church are also located on the property.

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The manor house was probably built from timber sourced from the estate itself, and the history of the house is intimately connected to the rich wooded landscape that it sits within.

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Making good use of the estate’s productivity was the secret to the continued wealth of the family that lived here. We know from ancient seeds and pollen found during archaeological excavations that in medieval times cereal crops were grown near the manor house, to the north of the moat.

chinacabinet-copyOver the years the house was adapted by each successive generation that lived here, the original medieval great hall had an upper floor inserted into it by the Barneby family, in order to accommodate their many children.

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As society changed it became more important for the owning family to live separately from their servants and estate workers. Eventually in the Georgian period, and under the care of Bartholomew Barneby, the owning family moved out from the ancient timber framed building and into a grander mansion house at the top of the estate.

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From the eighteenth century onwards the timber framed manor house was home to estate workers such as Joseph Cureton and his family. Joseph was the estate wagoner in the nineteenth century. He cared for the horses that carried out much of the heavy work on the farms and woodland that makes up Brockhampton estate.

In 2010, the National Trust undertook a major restoration project to the house using traditional wattle and daub building methods.

example of wattle and daub

example of wattle and daub

The site of the medieval village of Studmarsh is thought to be located in the estate. In 2012, an archaeological dig unearthed the foundations of two buildings that may have been part of the village.

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Rolling green parklands and ancient woods surround the charming Brockhampton Estate. Situated on 687 hectars (1,700 acres), Brockhampton has been a farming estate for nearly 1,000 years. At the heart of the estate lies the romantic timber-framed manor house dating back to the late 14th century, and the ruined Norman chapel. To arrive here one must first cross the picturesque moat and enterer via the gatehouse, built in 1530-40. Today, Brockhampton Estate is not only a time capsule for visitors, but the grounds also provide an idyllic setting for 40 residential houses and cottages.

Gate

Gate

The grounds of Brockhampton Estate feature ancient trees, the picturesque Lawn Pool, and numerous sculptures depicting of the history of Brockhampton and the local area. Native wildlife is bountiful on the Estate, and every effort has been made to preserve and enhance habitats. This is particularly apparent in the ancient woods, where less common species can be found by the patient observer, including the scarce lesser spotted woodpecker and noctule bat.

brockhampton-3The Estate runs traditional livestock breeds, such as Hereford cattle and Ryeland sheep. However the main point of sustainability lies in the conservation and preservation of the traditional orchards. The Estate boasts some magnificent orchards, some of the most extensive in the National Trust’s care. Over 50 hectares (124 acres) is dedicated to trees bearing cherries, apples, pears, damsons and quince. The orchards are rich in bird, mammal and insect life, and provide habitats and forage for many important species. Two rare species have made the orchards their home, the mistletoe weevil and the noble chafer beetle. The orchards are part of an ongoing restoration project, and over the winter of 2011 a further 75 fruit trees were planted.

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Keeping true to the history and spirit of Brockhampton Estate, a monthly farmers’ market is held on the grounds. All produce sold is produced in the local district. The Estate also hosts an annual “pick your own” event in early September where visitors can bring a bag to fill with treats from the orchard.

https://en.wikipedia.org/wiki/Brockhampton_Estate

https://www.nationaltrust.org.uk/brockhampton-estate/features/600-years-of-history-revealed-in-brockhampton-moated-manor-house

https://intofarms.org/brockhampton-estate/

Author Cora Lee coming up the stairs of the gatehouse

Author Cora Lee coming up the stairs of the gatehouse

More photos on my Pinterest board.

Susana’s 2015 English Adventure: Week 4

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On Monday I hopped on a train to Birmingham, then changed to one for Kidderminster. (I just love these English names, don’t you? Mousehole is my favorite, but I’m assured that it is a lovely place to visit despite the name.) At Kidderminster, I took a taxi to The Elms Hotel in Abberley, where I was met by the lovely Heather King and her fabulous, quadralingual dog, Roxy. Heather is an amazingly talented author of Regency stories (and, as Vandalia Black, of rather darker paranormal ones). Heather and I are online friends and have been part of two Regency anthologies, Beaux Ballrooms, and Battles and Sweet Summer Kisses. It was truly awesome to meet her in person, as well as Roxy and the ponies, Merlin and Dub-Dub, and Sootie, the black cat whose offspring were too high-in-the-instep to become acquainted with a Yankee. Heather served me Toad-in-the-Hole, which turned out to be a sort of English comfort food: sausages baked in a sort of pancake batter and served with hot gravy. Besides being very tasty, it served to warm us up inside and outside, after a day spent mucking about the ruins of Witley Court in the pouring rain. (It rains in England. Deal with it.)

Witley Court

Witley Court was once one of the great houses of the Midlands, but a devastating fire in 1937 left it in ruins. While one cannot but regret the loss of such a beautiful home, the exposure of the “bare bones” has proved to be valuable to historians interested in learning about historical building practices.

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Witley Court, 1900

Witley Court today

Witley Court today

Thomas Foley (whose grandson became the 1st Baron Foley) built the house in 1665 on the site of a manor house. Additions were made by John Nash in the 19th century, and the house was sold to the Dudley family (later to be given an earldom) in 1837.

Tramping about the ruins of the house turned out to be much more appealing than one might have expected, even in the pouring rain! The gardens are lovely, particularly the fountain (see video here), and the parish church on the property—which is not a ruin—is magnificent.

See photos here.

Berrington Hall

On Tuesday Heather, Roxy, and I visited Berrington Hall, a splendid country home in Leominster (pronounced Lemster, or so they tell me). It was designed in the late 18th century by Henry Holland, whose talent, although not eclipsing that of my favorite, Robert Adam, puts him solidly in second place, in my estimation.

In addition to the rich furnishings and décor, there was an exhibit of Georgian fashion throughout the house, which included—believe it or not—costumes from the 1995 BBC production of Pride and Prejudice. Yes, I was close enough to touch the costumes worn by Darcy and Lizzie during the final proposal scene, as well as many others. Truly an awesome experience!

Henry Holland!!!

Henry Holland!!!

The vast grounds include a walled garden with some vintage apple trees, a ha-ha, a lake, and some lovely paths. Heather and I enjoyed a delicious picnic before exploring further some of those paths. And not a drop of rain!

See photos here.

Waddesdon Manor

On Wednesday I took a train to Aylesbury, in Buckinghamshire (where, incidentally, the estate of my hero in The Third MacPherson Sister is located) to visit Waddesdon Manor.

Waddesdon Manor was built in neo-renaissance style in the late 19th century as a sort of French château by the Baron Ferdinand de Rothschild of the Austrian banking family. The baron fell in love with his second cousin, Evelina, and married her, only to lose her in childbirth eighteen months later. The baron never married again, but became a compulsive collector instead. The furnishings are considered to be among the richest of any stately manor anywhere.

These stairs are reminiscent of those at the Château de Chambord in France

These stairs are reminiscent of those at the Château de Chambord in France

Unfortunately, I was only able to tour the house due to time considerations, but I plan to visit again to get a good look at the extensive grounds and other buildings, such as the Aviary and the Dairy.

Although cloudy, it didn’t rain until I had returned to London, where I got promptly soaked making a last round of Piccadilly Street and Fortnum & Mason. But hey, it rains in England. That’s why it’s so beautiful!

See photos here.

Adieu to England

Squidgeworth enjoyed his orange juice on the plane.

Squidgeworth enjoyed his orange juice on the plane.

It was with a tear in my eye as Squidgeworth and I said goodbye to England on Thursday. For now. We had a marvelous time and were fortunate to be able to visit many wonderful places, but there are still lots more on our bucket list. I’ve already booked our flight and flat for next year’s trip in August.

So much to see, so little time!

Next week: Squidgeworth and I have some travel tips for you!

Bath: a guide for readers of The Third MacPherson Sister

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Bath Abbey

Five things to know about Bath Abbey*

  • Three different churches have occupied the site of today’s Abbey since 757 AD. First, an Anglo-Saxon monastery which was pulled down by the Norman conquerors of England; then a massive Norman cathedral which was begun about 1090 but lay in ruins by late 15th century; and finally, the present Abbey Church as we now know it.
  • The first King of all England, King Edgar was crowned on this site in 973 (as shown above). The service set the precedent for the coronation of all future Kings and Queens of England including Elizabeth II.
  • The first sight most visitors have of Bath Abbey is the West front, with its unique ladders of Angels. The story behind this is that the Bishop of Bath, Oliver King, is said to have had a dream of angels ascending and descending into heaven which inspired the design and which also inspired him to build a new Abbey church – the last great medieval cathedral to have been built in England.
  • After the dissolution of the monasteries in 1539 by order of King Henry VIII, the Abbey lay in ruins for more than 70 years. It wasn’t until 1616, that much of the building we see today was repaired and in use as a parish church and over two hundred years later, in the 1830s, that local architect George Manners added new pinnacles and flying buttresses to the exterior and inside, built a new organ on a screen over the crossing, more galleries over the choir and installed extra seating.
  • The Abbey as we know it is the work of Sir George Gilbert Scott, who from 1864 to 1874, completely transformed the inside of the Abbey to conform with his vision of Victorian Gothic architecture. His most significant contribution must surely be the replacement of the ancient wooden ceiling over the nave with the spectacular stone fan vaulting we see today.

*http://www.bathabbey.org/history

Photo by Barbara S. Andrews

Photo by Barbara S. Andrews

The Pump Room

Situated next to main street entrance to the Roman Baths, visitors can sample the waters from the warm spring which fills the Roman Baths. The building also houses a restaurant, where it is popular to sample the afternoon tea.

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Photo by Barbara S. Andrews

The Roman Baths

The house is a well-preserved Roman site for public bathing. The Roman Baths themselves are below the modern street level. There are four main features: the Sacred Spring, the Roman Temple, the Roman Bath House and the Museum holding finds from Roman Bath. The buildings above street level date from the 19th century.

Photo by Barbara S. Andrews

Photo by Barbara S. Andrews

The Pulteney Bridge

The bridge features two ranges of shops designed in the Palladian style c. 1770, between them forming a narrow street over the bridge. The street and buildings sit above three segmental arches of equal span.

The shops on the north side have cantilevered rear extensions. Consequently the northern external façade of the bridge is asymmetrical, much altered and of no architectural merit, whereas the southern external side clearly shows the hand of Robert Adam.

Shops on the Pulteney Bridge  By Erebus555 at English Wikipedia [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)], via Wikimedia Commons

Shops on the Pulteney Bridge
By Erebus555 at English Wikipedia [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0) or GFDL (http://www.gnu.org/copyleft/fdl.html)%5D, via Wikimedia Commons

Sydney Gardens (formerly Bath Vauxhall Gardens)

The Sydney Gardens are the only remaining 18th century pleasure gardens in England.

The gardens were constructed in the 1790s opening in 1795 as a commercial pleasure grounds, following the development of Bathwick by Sir William Pulteney, 5th Baronet across the River Avon from the city centre. The original plans were by Thomas Baldwin and completed by Charles Harcourt Masters who included a maze or labyrinth, grotto, sham castle and an artificial rural scene with moving figures powered by a clockwork mechanism. The gardens were illuminated by over 15,000 “variegated lamps”. Around 1810 the Kennet and Avon Canal was built through the gardens.

Sydney Gardens  By Plumbum64 (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)], via Wikimedia Commons

Sydney Gardens
By Plumbum64 (Own work) [CC BY-SA 3.0 (http://creativecommons.org/licenses/by-sa/3.0)%5D, via Wikimedia Commons

The Sydney Hotel

The Sydney Hotel was built within the gardens. The original design for the hotel, prepared by Thomas Baldwin in 1794, was a two-storey building which would serve the pleasure gardens. After Baldwin was bankrupted his design for the hotel was not implemented. Instead a three-storey building was designed by Charles Harcourt Masters. The foundation stone was laid in 1796 and the building was ready by 1799. Visitors entered the gardens through the Hotel. Projecting from the rear of the building at first floor level was a conservatory and a semi-circular Orchestra with a wide covered loggia below. Two semi-circular rows of supper boxes projected from the sides of the building. The gardens were used daily for promenades and public breakfasts which were attended by Jane Austen among others. At public breakfasts tea, coffee, rolls and Sally Lunn buns were served at about midday, followed by dancing. There were generally three evening galas each summer, usually on the birthdays of George III and the Prince of Wales, and in July to coincide with the Bath races. During these galas the gardens were lit with thousands of lamps and the guests took supper accompanied by music and fireworks. Breakfasts, coffee-drinking, newspaper-reading and card-playing took place in the ground floor of the Hotel and dancing in a ballroom on the first floor. All the rooms could be hired for private parties and meetings.

The Assembly Rooms

The Assembly Rooms formed the hub of fashionable Georgian society in the city, the venue being described as “the most noble and elegant of any in the kingdom” They were originally known as the Upper Rooms as there was also a lower assembly room in the city, which closed soon after the Upper Rooms opened. They served the newly built fashionable area which included The Circus, Queen Square and the Royal Crescent.

People would gather in the rooms in the evening for balls and other public functions, or simply to play cards. Mothers and chaperones bringing their daughters to Bath for the social season, hoping to marry them off to a suitable husband, would take their charge to such events where, very quickly, one might meet all the eligible men currently in the City.

Photo by Barbara S. Andrews

Photo by Barbara S. Andrews

The Theatre Royal

The present main entrance to the Theatre Royal, in Sawclose, was built in 1720 by Thomas Greenway, and was Beau Nash’s first house. The exterior of the building, with arches, pilasters, garlands and ornaments, which is visible from Beauford Square, was designed by George Dance the Younger and erected by John Palmer.

The theatre itself was erected in 1805, replacing the Old Orchard Street Theatre which was also called the Theatre Royal, which is now a Freemason’s Hall.

The theatre is said to be haunted by The Grey Lady, who was an actress centuries ago. She has been seen watching productions in the Grey Lady Box, and she leaves the distinctive scent of Jasmine. She has been seen and scented in recent years.

Theatre Royal, Bath   By MichaelMaggs (Own work) [CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)], via Wikimedia Commons

Theatre Royal, Bath
By MichaelMaggs (Own work) [CC BY-SA 2.5 (http://creativecommons.org/licenses/by-sa/2.5)%5D, via Wikimedia Commons

Text from Wikipedia.

About The Third MacPherson Sister (part of the Sweet Summer Kisses anthology)

TheThirdMacPhersonSister2inchAfter a disastrous fourth Season in London, Rebecca and her mother take refuge in Bath to determine their next course of action. Rebecca has always known she’ll never be able to measure up to her older sisters, the “Golden Twins,” who were the reigning queens of the ton in their day, but surely there is a gentleman somewhere capable of appreciating her finer qualities.

Miles Framingham, Duke of Aylesbury, finds himself in need a wife… although he doesn’t really want one. Burdened with the responsibilities of a dukedom from a young age, what he really yearns for is freedom. Marriage to the right woman, though, might not be such an onerous task.

When the hapless Rebecca finds herself pushed into the lap of this eminently eligible duke in the nave of Bath Abbey, a match between them seems ordained by the heavens… except for the little matter of his past history with her sisters.

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Bluestockings and wallflowers seek happily-ever-afters. Only handsome, respectable and deeply romantic persons need apply. Dukes and marquesses will be given special consideration. Apply within.  

This anthology contains nine fun, heart-tugging, and wholesomely romantic Regency novellas that are as sigh-worthy as they are sweet, brought to you by USA Today and national bestselling, award-winning authors.

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Beaux, Ballrooms, and Battles: Heather King and Copenhagen’s Last Charge

Copenhagen. The very name of the Danish capital conjures exotic images of a bustling, modern city with an infamous red light district; a centuries-old port, evolved from a fortification built in 1167 to protect a ferry crossing; battles on the high seas and an international political centre.

It was also the name of a horse.

That horse was not just any old horse, though. He was the famed mount of a revered general. He was the war horse of no less a personage than the Duke of Wellington and carried his master throughout the whole of the Battle of Waterloo.

Copenhagen’s story begins at the siege of the city which gave him his name. His dam was the half-bred mare, Lady Catherine, bred by Thomas Grosvenor and, it is believed, ridden by him during that conflict. Lady Catherine’s dam was by the Rutland Arabian, ‘out of a hunting mare not thorough-bred’ according to The General Stud Book and was put to the successful racehorse and stallion, John Bull. This meant that although John Bull was full Thoroughbred and Copenhagen was sired by Meteor, second in the Derby of 1786 and son of the legendary Eclipse, Copenhagen was not eligible for the General Stud Book because of his grand-dam’s hunter blood. Lady Catherine is the only half-bred mare included in the stud book ‒ in deference to his honourable military career.

Meteor was tiny by today’s standards, measuring about fourteen hands, but Copenhagen took after his grandsire in colour, height and temperament. Foaled in 1808, he was chestnut (as was his father), stood about fifteen hands high (a hand is four inches, a horse being measured to the base of the neck where it joins the body) and could be bad-tempered, being prone to lashing out with a hind leg. He is described as being muscular and compact, having two white heels, a hollow back and poor shoulders… and, conversely, as being a handsome horse. He was painted by Thomas Lawrence and Samuel Spode as a rich, dark chestnut, but with dissimilar white leg markings. In the Spode painting, he has one white sock on his near (left) hind leg. There are no obvious white markings on his legs in the Lawrence depiction and in a painting of the pair at Waterloo by Robert Hillingford, he would appear to have four white socks. We shall never know, now, which is the most accurate, but one thing is certain. The stallion had a quality which drew the eye and fired the imagination.

In all three paintings, he is a striking individual, his proud bearing, fine legs and sturdy conformation clearly reflecting his Arabian bloodlines. The qualities of the ‘Oriental’ horse were appreciated by the knowledgeable cavalry soldier, for on campaign, horses may receive little in the way of fodder while enduring the harshest of conditions. Toughness was a prime requisite. Wellington is quoted as saying of his famous horse: ‘There may have been many faster horses, no doubt many handsomer, but for bottom and endurance I never saw his fellow.’ Such stamina is the hallmark, not only of the Thoroughbred, but of the three Arab stallions from whom the breed evolved.

However, the Duke of Wellington and his illustrious horse had yet to meet. Despite his lack of a full pedigree, Thomas Grosvenor had bred Copenhagen to race, but although a quick colt, he had not inherited either Meteor’s or Eclipse’s speed. He did not run as a two-year-old and his two seasons were undistinguished at best, resulting in only two wins. He retired from racing in 1812, at the end of his four-year-old season and was sold to Sir Charles Stewart, (later the Marquis of Londonderry) who took the stallion to the Peninsula.

Not a favourite of the future Duke of Wellington, Sir Charles fell foul of the Field Marshal on several occasions, finally, so the story goes, being reduced to tears for remarks made in the Morning Chronicle. Soon after, Stewart was offered a post as Minister to Prussia – possibly through the good offices of his half-brother and Foreign Secretary, Lord Castlereagh. However that may be, towards the end of 1813, Sir Charles, being short of funds and no longer in need of a stable of horses, sold Copenhagen and one other to Colonel Charles Wood (or Colonel Alexander Gordon) on behalf of one Arthur Wellesley.

When Copenhagen arrived in the Marquis’ stables (Wellington was not made a duke until 1814) he caused no small amount of concern. Not only was his temperament uncertain, he had a particularly unusual idiosyncrasy. All horses will lie down in their stable, given that the bed is deep enough and they are comfortable in their surroundings. However, they eat standing up; hay from a hay rack or net, feed from a manger or bucket. Copenhagen had a hearty appetite, for corn feed especially, but he would eat it whilst lying down. Until they determined that there was nothing wrong with their expensive new charge, he no doubt gave the Marquis’ grooms many a sleepless night!

A true horseman, Wellington quickly realized that his chestnut charger needed plenty of occupation. He already maintained his own pack of hounds as well as a pair of hunters for his leisure hours in the Peninsula, since his battle horses were not suitable for the sport. Copenhagen, on the other hand, revelled in the work and the freedom from his stable. The discipline of standing quietly and then galloping when hounds set off developed the five-year-old’s fitness and hardened his legs and tendons. Days in the field developed a relationship between horse and rider which was to be indispensable. The two seasons Copenhagen had spent on the race courses of England had accustomed him to noise and clamour. The pieces of the jigsaw were fitting together to create a legend; a horse whose name would go down in history.

In her diary, Lady Frances Shelley states that: ‘On the day before the battle, the Duke rode Copenhagen to the Prussian headquarters, to ascertain whether he might depend on old Blücher’s co-operation.’ This belief is also reflected by the Reverend Charles Young, who was staying with the Rt. Hon. Henry Pierrepoint in 1833 when the Duke himself apparently related the tale. The Duke is reported to have said, ‘Before ten o’clock I got on Copenhagen’s back… I never drew bit, and he never had a morsel in his mouth, till 8pm, when Fitzroy Somerset came to tell me dinner was ready in the little neighbouring village – Waterloo.’ He went on to claim that he sent Fitzroy Somerset off on an errand, ‘ordered Copenhagen to be re-saddled’ and himself rode out some fourteen miles and back to confirm how matters stood. Some modern historians believe this tale to be a fabrication and that an aide-de-camp made the journey and returned with the message promising assistance from the Prussians. It is a more likely version of events, but if not… the possibility of having carried his master another twenty-eight miles on top of his day’s work and then be ridden the following day during the battle itself, adds to Copenhagen’s considerable lustre and reputation for bottomless endurance.

What is irrefutable fact, however, is that while Napoleon rode probably three or four horses during the battle and covered considerably less ground, the cranky chestnut stallion was Wellington’s sole mount for the whole of that long, momentous day – a stretch of almost eighteen hours. Calm and composed amidst the smoke and mayhem of the battlefield, the very sight of the powerful horse and his rider cheered the Allied forces into greater endeavours and helped them stand firm when the odds were against them. It is little wonder that the illustrious pair were fêted by all and sundry when they finally arrived home victorious.

In due course, the Duke moved to Paris and thence to Chambrai in his role as Commander-in-Chief of the Army of Occupation, taking Copenhagen with him. He rented a house in Mont St. Martin and took his old friend hunting when his duties permitted. Wellington held house parties, mock battles and military ceremonials, and both man and horse enjoyed the attentions of the ladies, both English and French.

This continued when the army at last returned to England, the Duke acquiring Apsley House from his brother. Wellington kept and rode Copenhagen in London until he became too busy, when he sent him to his Hampshire home, Stratfield Saye.

Copenhagen enjoyed a peaceful retirement and was finally laid to rest with full military honours in his paddock near the Ice House. Mrs. Apostles, the Duke’s housekeeper, planted the Turkey Oak which now casts shade over the stallion’s grave. The marble stone was laid some years following the Duke’s death, by the second Duke.

I will be telling Copenhagen’s story in more detail on my Blog A Regency Reticule, later in the year. http://regencywriter-hking.blogspot.co.uk

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June 18, 1815 was the day Napoleon Bonaparte’s Grande Armée was definitively routed by the ragtag band of soldiers from the Duke of Wellington’s Allied Army in a little Belgian town called Waterloo. The cost in men’s lives was high—22,000 dead or wounded for the Allied Army and 24,000 for the French. But the war with Napoleon that had dragged on for a dozen years was over for good, and the British people once more felt secure on their island shores.

The bicentenary of the famous battle seemed like an excellent opportunity to use that setting for a story, and before we knew it, we had nine authors eager to join in, and on April 1, 2015 our Waterloo-themed anthology was released to the world.

You are all invited to

About Copenhagen’s Last Charge

When Meg Lacy meets a broodingly handsome Light Dragoon at the Duchess of Richmond’s grand ball, she little expects that in the early hours of June 19th she will be accompanying him around the streets of Brussels after the Duke of Wellington’s horse, Copenhagen.

Lieutenant James Cooper is surly and unhelpful, but Meg senses the Dragoon will need her help to catch the valuable horse before he injures himself. As they bicker their way around the narrow streets in Copenhagen’s wake, a strange empathy develops as gradually glimpses of the man beneath start to be revealed. Meg finds herself drawn to that person, but when they finally return the horse to the Duke and Cooper assumes the credit, Meg is so incensed she vows to have nothing further to do with him.

Fate, it seems, has other ideas…

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Excerpt

Something was about to unfold, Meg thought, barely suppressing a shiver of apprehension. All these handsome, jolly young men were dancing, drinking and enjoying themselves with a new fervour which was almost a desperation… She must make sure to tell Papa how much she loved him.

“Georgy, my dear. Why are you not dancing?” Wellington, spotting them, had come forward, a charming smile curving his lean lips. In an aside over his shoulder, he said to Richmond, “If you could lay hands on that map, I should be obliged.”

“Oh, your Grace, please allow me to present to you my good friend, Miss Margaret Lacy.”

Heart pounding, Meg sank into a deep curtsey, but was both surprised and reassured to perceive a twinkle in the Duke’s eye when he helped her to rise and then carried her hand to his lips. She felt the burn of his swift appraisal bloom in her cheeks.

“I am charmed, Miss Lacy. Would you be related to Major-General Sir Vincent Lacy?”

“He is my father, sir.”

“Ah. A fine officer and a gentleman.”

Meg dipped her head. “Thank you, your Grace.”

Wellington wagged his finger jovially. “No need for ceremony, my dear young lady. I have every respect for your father. He is also a consummate horseman.”

Georgy took Meg’s arm, infinitesimally drawing her closer to the Duke.

“Meg – Miss Lacy – has inherited her papa’s skill, sir. She has a high regard for Copenhagen. Might we be allowed to visit him in the stables?”

One of the family’s black-liveried footmen appeared at the Duke’s elbow and bowed, presenting a piece of folded paper on a silver salver.

“Excuse me, ladies.” Wellington took the missive and glanced at its contents. “And risk dirtying your pretty gowns? I shall not hear of it.” He nodded to the man. “Have someone send to the stables. I wish my horse brought up at once.”

The Field Marshal was a particularly imposing gentleman, Meg decided, considering him from the corner of her eye while he paused to comment in the ear of one of his aides. It was more than just his proud bearing and handsome features; he possessed an air of invincibility and self-belief which to some probably appeared to be arrogance. To her, it was more the attitude of a man – a general – who knew what he had to do and was determined to do it. If anyone could stop Napoleon Bonaparte, then surely it was he.

They paused at the top of the steps at the main entrance. Meg had noticed a considerable number of the guests slipping away; certainly the company in the ballroom had thinned. Unbidden, a thought for the brooding Hussar popped into her head and she offered a silent prayer for all those who were about to fight. The image of the dark-visaged young man lingered… and then she realized he was real.

Standing in the road at the bottom of the steps, he held Wellington’s famous war horse, Copenhagen, by the bridle. The near-thoroughbred, chestnut stallion was equally as imposing as his master. He stood just over fifteen hands at the base of his neck, but with his head held high and ears pricked in a state of readiness, he seemed far bigger. A trumpet sounded in the distance and he neighed, an ear-splitting vibration of notes that had Georgy covering her ears. Even the horse was challenging the French Emperor. Copenhagen skipped sideways, his iron-shod hoofs clattering on the cobbles. The young man, who was now clad in a navy coat with buff facings, cursed and pulled at the reins, his boots clutching ineffectively for a purchase on the uneven surface…

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Téa Cooper: The Caper Merchant

The moon in Gemini is a fertile field of dreams, ideas and adventure and Pandora Wellingham is more than ready to spread her wings. When Monsieur Cagneaux, caper merchant to the rich and famous, introduces her to the handsome dragoon she believes her stars have aligned.

Susana Ellis: Lost and Found Lady

Catalina and Rupert fell in love in Spain in the aftermath of a battle, only to be separated by circumstances. Years later, they find each other again, just as another battle is brewing, but is it too late?

Aileen Fish: Captain Lumley’s Angel

Charged with the duty of keeping his friend’s widow safe, Captain Sam Lumley watches over Ellen Staverton as she recovers from her loss, growing fonder of her as each month passes. When Ellen takes a position as a companion, Sam must confront his feelings before she’s completely gone from his life.

Victoria Hinshaw: Folie Bleue

On the night of the 30th Anniversary of the Battle of Waterloo, Aimée, Lady Prescott, reminisces about meeting her husband in Bruxelles on the eve of the fighting. She had avoided the dashing scarlet-clad British officers, but she could not resist the tempting smile and spellbinding charm of Captain Robert Prescott of the 16th Light Dragoons who— dangerously to Aimée— wore blue.

Heather King: Copenhagen’s Last Charge

When Meg Lacy finds herself riding through the streets of Brussels only hours after the Battle of Waterloo, romance is the last thing on her mind, especially with surly Lieutenant James Cooper. However, their bickering uncovers a strange empathy – until, that is, the lieutenant makes a grave error of judgment that jeopardizes their budding friendship…

Christa Paige: One Last Kiss

The moment Colin held Beatrice in his arms he wanted one last kiss to take with him into battle and an uncertain future. Despite the threat of a soldier’s death, he must survive, for he promises to return to her because one kiss from Beatrice would never be enough.

Sophia Strathmore: A Soldier Lay Dying

Amelia and Anne Evans find themselves orphaned when their father, General Evans, dies. With no other options available, Amelia accepts the deathbed proposal of Oliver Brighton, Earl of Montford, a long time family friend. When Lord Montford recovers from his battle wounds, can the two find lasting love?

David W. Wilkin: Not a Close Run Thing at All

Years, a decade. And now, Robert had come back into her life. Shortly before battle was to bring together more than three hundred thousand soldiers. They had but moments after all those years, and now, would they have anymore after?

About the Author

Heather King newHeather has always been a dreamer, going off for hours into a make-believe world peopled by imaginary characters. From the age of about seven, when she won a third prize for a story written at school, she has enjoyed writing almost as much as reading. Devouring a book in one sitting is nothing new to her. Already keen on history, when she read her first Georgette Heyer Regency novel in her teens, she was at once hooked on the era and the genre.

Nowadays she divides her time between her animals, beta reading/critiquing for other authors, writing historical romantic fiction and short stories for magazines. Writing as Vandalia Black, she has recently released a collection of Vampire Romance short stories which includes a novella set in the English Civil War.

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Other Releases

An Improper Marriage

Marriage to dull ironmaster Jeremiah Knight would be awful enough, but when Eleanor Honeybourne discovers an injured man at a ball, she uncovers a web of intrigue that puts her own and her stepfather’s lives at risk. Meeting again her childhood hero, Charles Ribblesford, she is forced into a situation which could well spell her ruin, unless they can solve the mystery and unmask the villain.

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The Middle Of The Day

Lottie Morgan loves all things Regency, but would she like to live in the early nineteenth century, married to a baron? A strange thing happens while she is visiting Berrington Hall; she finds herself confronting George, Lord Rodney and she is a newly-wed!

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Writing as Vandalia Black:

Vampires Don’t Drink Coffee And Other Stories

This collection of fourteen tales brings together irresistible heroes and memorable heroines who battle against demons, muggers, lost loves, loneliness and unholy thirst to find their true loves. Tortured and honourable vampire heroes and one lady for whom the search for her mortal love has lasted centuries, will sweep you away into a paranormal world where eternal love means exactly that.

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Beaux, Ballrooms, and Battles: Release Day!

waterloo_cover_best webBeaux, Ballrooms, and Battles:

A Celebration of Waterloo

June 18, 1815 was the day Napoleon Bonaparte’s Grande Armée was definitively routed by the ragtag band of soldiers from the Duke of Wellington’s Allied Army in a little Belgian town called Waterloo. The cost in men’s lives was high—22,000 dead or wounded for the Allied Army and 24,000 for the French. But the war with Napoleon that had dragged on for a dozen years was over for good, and the British people once more felt secure on their island shores.

The bicentenary of the famous battle seemed like an excellent opportunity to use that setting for a story, and before I knew it, I had eight other authors eager to join me,and to make a long story short, today our Waterloo-themed anthology has been released to the world.

You are all invited to:

Our Stories

Jillian Chantal: Jeremiah’s Last Charge

Emmaline Rothesay has her eye on Jeremiah Denby as a potential suitor. When Captain Denby experiences a life-altering incident during the course of events surrounding the Battle of Waterloo, it throws a damper on Emmaline’s plans.

Téa Cooper: The Caper Merchant

The moon in Gemini is a fertile field of dreams, ideas and adventure and Pandora Wellingham is more than ready to spread her wings. When Monsieur Cagneaux, caper merchant to the rich and famous, introduces her to the handsome dragoon she believes her stars have aligned.

Susana Ellis: Lost and Found Lady

Catalina and Rupert fell in love in Spain in the aftermath of a battle, only to be separated by circumstances. Years later, they find each other again, just as another battle is brewing, but is it too late?

Aileen Fish: Captain Lumley’s Angel

Charged with the duty of keeping his friend’s widow safe, Captain Sam Lumley watches over Ellen Staverton as she recovers from her loss, growing fonder of her as each month passes. When Ellen takes a position as a companion, Sam must confront his feelings before she’s completely gone from his life.

Victoria Hinshaw: Folie Bleue

On the night of the 30th Anniversary of the Battle of Waterloo, Aimée, Lady Prescott, reminisces about meeting her husband in Bruxelles on the eve of the fighting. She had avoided the dashing scarlet-clad British officers, but she could not resist the tempting smile and spellbinding charm of Captain Robert Prescott of the 16th Light Dragoons who— dangerously to Aimée— wore blue.

Heather King: Copenhagen’s Last Charge

When Meg Lacy finds herself riding through the streets of Brussels only hours after the Battle of Waterloo, romance is the last thing on her mind, especially with surly Lieutenant James Cooper. However, their bickering uncovers a strange empathy—until, that is, the lieutenant makes a grave error of judgment that jeopardizes their budding friendship…

Christa Paige: One Last Kiss

The moment Colin held Beatrice in his arms he wanted one last kiss to take with him into battle and an uncertain future. Despite the threat of a soldier’s death, he must survive, for he promises to return to her because one kiss from Beatrice would never be enough.

Sophia Strathmore: A Soldier Lay Dying

Amelia and Anne Evans find themselves orphaned when their father, General Evans, dies. With no other options available, Amelia accepts the deathbed proposal of Oliver Brighton, Earl of Montford, a long time family friend. When Lord Montford recovers from his battle wounds, can the two find lasting love?

David W. Wilkin: Not a Close Run Thing At All

Years, a decade. And now, Robert had come back into her life. Shortly before battle was to bring together more than three hundred thousand soldiers. They had but moments after all those years, and now, would they have any more after?

About Lost and Found Lady

On April 24, 1794, a girl child was born to an unknown Frenchwoman in a convent in Salamanca, Spain. Alas, her mother died in childbirth, and the little girl—Catalina—was given to a childless couple to raise.

Eighteen years later…the Peninsular War between the British and the French wages on, now perilously near Catalina’s home. After an afternoon yearning for adventure in her life, Catalina comes across a wounded British soldier in need of rescue. Voilà! An adventure! The sparks between them ignite, and before he returns to his post, Rupert promises to return for her.

But will he? Catalina’s grandmother warns her that some men make promises easily, but fail to carry them out. Catalina doesn’t believe Rupert is that sort, but what does she know? All she can do is wait…and pray.

But Fate has a few surprises in store for both Catalina and Rupert. When they meet again, it will be in another place where another battle is brewing, and their circumstances have been considerably altered. Will their love stand the test of time? And how will their lives be affected by the outcome of the conflict between the Iron Duke and the Emperor of the French?

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Excerpt

September 14, 1793

A beach near Dieppe, France

“I don’t like the look of those clouds, monsieur,” Tobias McIntosh said in fluent French to the gray-bearded old man in a sailor hat waiting impatiently near the rowboat that was beginning to bob more sharply with each swell of the waves. “Are you sure your vessel can make it safely all the way to Newhaven in these choppy seas?”

The old man waved a hand over the horizon. “La tempête, it is not a threat, if we leave immédiatement. Plus tard…” He shrugged. “Je ne sais pas.”

“Please, mon amour,” pleaded the small woman wrapped in a hooded gray cloak standing at his side. “Allow me to stay with you. I don’t want to go to England. I promise I will be prudent.”

A strong gust of wind caught her hood and forced it down, revealing her mop of shiny dark locks. Tobias felt like seizing her hand and pulling her away from the ominous waves to a place of safety where she and their unborn child could stay until the senseless Terreur was over.

“Justine, ma chère, we have discussed this endlessly. There is no place in France safe enough for you if your identity as the daughter of the Comte d’Audet is discovered.” He shivered. “I could not bear it if you were to suffer the same fate at the hands of the revolutionaries as your parents did when I failed to save them.”

She threw her arms around him, the top of her head barely reaching his chin. “Non, mon amour, it was not your fault. You could not have saved them. It was miraculeux that you saved me. I should have died with them.”

She looked up to catch his gaze, her face ashen. “Instead, we met and have had three merveilleux months together. If it is my time to die, I wish to die at your side.”

Tobias felt like his heart was going to break. His very soul demanded that the two of them remain together and yet… there was a price on both their heads, and the family of the Vicomte Lefebre was waiting for him in Amiens, the revolutionaries expected to reach them before midday. It was a dangerous work he was involved in—rescuing imperiled French nobility from bloodthirsty, vengeful mobs—but he had pledged himself to the cause and honor demanded that he carry on. And besides, there was now someone else to consider.

“The child,” he said with more firmness than he felt. “We have our child to consider, now, Justine ma chère. The next Earl of Dumfries. He must live to grow up and make his way in the world.”

Not to mention the fact that Tobias was human enough to wish to leave a child to mark his legacy in the world—his and Justine’s. He felt a heaviness in his heart that he might not live long enough to know this child he and Justine had created together. He could not allow his personal wishes to undermine his conviction. Justine and the child must survive.

Justine’s blue eyes filled with tears. “But I cannot! I will die without you, mon cher mari. You cannot ask it of me!”

“Justine,” he said, pushing away from her to clasp her shoulders and look her directly in the eye. “You are a brave woman, the strongest I have ever known. You have survived many hardships and you can survive this. Take this letter to my brother in London, and he will see to your safety until the time comes that I can join you. My comrades in Newhaven will see that you are properly escorted.”

He handed over a letter and a bag of coins. “This should be enough to get you to London.”

After she had reluctantly accepted and pocketed the items beneath her cloak, he squeezed her hands.

“Be sure to eat well, ma chère. You are so thin and my son must be born healthy.”

She gave him a feigned smile. “Our daughter is the one responsible for my sickness in the mornings… I do not believe she wishes me to even look at food.”

She looked apprehensively at the increasingly angry waves as they tossed the small boat moored rather loosely to a rock on the shore and her hands impulsively went to her stomach.

“Make haste, monsieur,” the old sailor called as he peered anxiously at the darkening clouds. “We must depart now if we are to escape the storm. Bid your chère-amie adieu maintenant or wait for another day. I must return to the bateau.”

“Tobias,” she said, her voice shaking.

He wondered if he would ever again hear her say his name with that adorable French inflection that had drawn him from their first meeting.

“Go, Justine. Go to my family and keep our child safe. I promise I will join you soon.”

He scooped her up in his arms and carried her toward the dinghy, trying to ignore her tears. The old sailor held the boat as still as he could while Tobias placed her on the seat and kissed her hard before striding back to the shore, each footstep heavier than the last.

He studied the darkening sky as the sailor climbed in the boat. “You are sure it is safe?”

“La Chasseresse, she is très robuste. A few waves will not topple her, monsieur.”

“Je t’aime, mon amour,” she said to him plaintively, her chin trembling.

“Au revoir, ma chère,” he said, trying to smile, although his vision was blurring from tears.

Will I ever see her again?

He stood watching as the dinghy made its way slowly through the choppy sea to the larger ship anchored in the distance, grief-stricken and unable to concentrate on anything but his pain. When the ship finally sailed off into the horizon, he fell to his knees and prayed as he had never done before for the safety of his beloved. He remained in that position until drops of rain on his face reminded him of the Lefebre family waiting for him in Amiens.

With a deep breath, he rose and made his way to the nearby forest, where his horse waited, tied to a tree.

“Come, my friend. We have a long, wet journey ahead of us.”

Setting foot in the stirrup, he swung his leg over the saddle and urged the horse to a gallop, feeling his heart rip into pieces with every step away from his beloved.

A Celebration of Waterloo: Wellington’s Exploring Officers

All the business of war and indeed all the business of life, is to endeavor to find out what you don’t know by what you do: that’s what I call ‘guessing what was on the other side of the hill.’

Arthur Wellesley, 1st Duke of Wellington

 The Business of Spying

Up until the early 19th century, spying was considered an odious and ungentlemanly occupation and few officers would agree to do it.

But by the time the 19th century rolled around, with the spreading of Napoleon’s empire on the continent, General Brownrigg, the Quartermaster-General of the British Army, went to the Commander-in-Chief, Frederick, the Duke of York, to propose that army develop a unit called the Depot of Military Intelligence, and it was done. The problem was—nobody wanted to do it.

Wellington’s Exploring Officers

peninsular war map

When General Wellesley arrived in Portugal, he couldn’t find an accurate map of the country and had to write to his brother-in-law to send him one. Realizing that his lack of information about the movements of the enemy, as well as the terrain and countryside, Wellington established a corps of “Exploring Officers.”

Exploring officers had to be fine horsemen, skilled linguists, and able to express themselves in sketching and writing in the most concise terms. With the assistance of local inhabitants, they would map the countryside four miles to the inch. That done, they would move behind enemy lines, learn troop movements and strategic information, and return to disclose this information to Wellington.

Sir John Waters

Sir John Waters of the Royal Scots

John Waters of the Royal Scots was known as a wily and capable man behind enemy lines. However, he was caught by the French and given up for dead by his regiment. When a man dies, his personal possessions are generally auctioned off to his comrades, but Wellington forbade this, saying that “Waters should be back and would want his things.” And he was right. Waters did come back and supposedly did want his things back.

Most exploring officers wore their uniforms, since soldiers caught behind enemy lines out of uniform was immediately shot as a spy. John Grant was one of the few who went in disguise. He became very friendly with the Portuguese people and adopted their local dress, much to the horror of his fellow officers. After the war, instead of being lauded for their risk-taking, these courageous men were shunned by their former regiments as “gadabouts” who were not really engaged in the business of war.

Colquhoun Grant

From Wikipedia:

Colquhoun Grant, Gentleman Spy

Colquhoun Grant, Gentleman Spy

The youngest of eight brothers in a family from the Scots aristocracy, Grant was commissioned into the 11th Foot in 1795. In 1809 he was posted to the Iberian Peninsula under the command of Arthur Wellesley, who in 1810 appointed him to his personal staff as an exploring officer in the Peninsula Corps of Guides, a special reconnaissance unit who spoke the local languages.

Grant was captured by French forces on 16 April 1812. As he was in uniform he was treated as an officer and gentleman by his captors, who offered him parole, which Grant accepted. Grant was invited to dine with Marshal Marmont who hoped to find out more about Wellington, and who was angered by Grant’s reticence. Marmont had good reason to remain suspicious of Grant, as the latter managed to send and receive secret messages while in captivity.

marmont

Auguste de Marmont

Marmont sent Grant to Paris for interrogation. It is clear from Marmont’s correspondence that he had no intention of exchanging Grant for a prisoner of equal rank among the British, as was the custom of the time, considering him to be a spy. Grant, on seeing a copy of Marmont’s letter, decided that it invalidated his agreement to parole and left him free to escape.

Grant was able to avoid recapture by passing himself off as an American officer, and spent some weeks at liberty in the streets and salons of Paris, sending intelligence reports to Wellington. He then escaped to England, rejoining Wellington in early 1814. Promoted to lieutenant-colonel he was appointed commanding officer of the Corps of Guides and Head of Intelligence for the Peninsular Army.

During the Hundred Days Campaign, Grant was working as intelligence officer in France when Wellington put him in charge of his own intelligence operations. Grant sent in a steady stream of reports regarding the build-up of French troops along the border and returned to Brussels in time to take part in the Battle of Waterloo on 18 June.

Lost and Found Lady

Rupert Ellsworth, the hero in story in the Beaux, Ballrooms, and Battles anthology, is an exploring officer in Wellington’s army in 1812 when he decides to disguise himself as a French soldier following the Battle of Salamanca. Unfortunately, he’s not the greatest horseman and falls off the untrained French horse and hits his head on a rock. Fortunately he is discovered soon after by Catalina, a local girl, who takes it upon herself to nurse him back to health. One thing leads to another and it isn’t long before the pair fall in love. But Catalina is not a whore and Rupert has promised his father to marry a “suitable English girl,” so the future for them looks grim. Between one thing and another, the two are separated… to be reunited several years later in Belgium just as another war is brewing. Circumstances for both of them have drastically changed, and Rupert is bound for the battlefield. Will there be a future for them or is it too late?

waterloo_cover_best web

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Beaux, Ballrooms, and Battles

Release Day Party: April 1, 2015, 11 a.m. – 11 p.m. EDT

Rafflecopter: ends April 18

Website: www.beauxballroomsandbattles.com

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Jillian Chantal: Jeremiah’s Charge

Emmaline Rothesay has her eye on Jeremiah Denby as a potential suitor. When Captain Denby experiences a life-altering incident during the course of events surrounding the Battle of Waterloo, it throws a damper on Emmaline’s plans.

Téa Cooper: The Caper Merchant

The moon in Gemini is a fertile field of dreams, ideas and adventure and Pandora Wellingham is more than ready to spread her wings. When Monsieur Cagneaux, caper merchant to the rich and famous, introduces her to the handsome dragoon she believes her stars have aligned.

Susana Ellis: Lost and Found Lady

Catalina and Rupert fell in love in Spain in the aftermath of a battle, only to be separated by circumstances. Years later, they find each other again, just as another battle is brewing, but is it too late?

Aileen Fish: Captain Lumley’s Angel

Charged with the duty of keeping his friend’s widow safe, Captain Sam Lumley watches over Ellen Staverton as she recovers from her loss, growing fonder of her as each month passes. When Ellen takes a position as a companion, Sam must confront his feelings before she’s completely gone from his life.

Victoria Hinshaw: Folie Bleue

On the night of the 30th Anniversary of the Battle of Waterloo, Aimée, Lady Prescott, reminisces about meeting her husband in Bruxelles on the eve of the fighting. She had avoided the dashing scarlet-clad British officers, but she could not resist the tempting smile and spellbinding charm of Captain Robert Prescott of the 16th Light Dragoons who—dangerously to Aimée—wore blue.

Heather King: Copenhagen’s Last Charge

When Meg Lacy finds herself riding through the streets of Brussels only hours after the Battle of Waterloo, romance is the last thing on her mind, especially with surly Lieutenant James Cooper. However, their bickering uncovers a strange empathy—until, that is, the lieutenant makes a grave error of judgment that jeopardizes their budding friendship…

Christa Paige: One Last Kiss

The moment Colin held Beatrice in his arms he wanted one last kiss to take with him into battle and an uncertain future. Despite the threat of a soldier’s death, he must survive, for he promises to return to her because one kiss from Beatrice would never be enough.

Sophia Strathmore: A Soldier Lay Dying

Amelia and Anne Evans find themselves orphaned when their father, General Evans, dies. With no other options available, Amelia accepts the deathbed proposal of Oliver Brighton, Earl of Montford, a long time family friend. When Lord Montford recovers from his battle wounds, can the two find lasting love?

David W. Wilkin: Not a Close Run Thing at All

Years, a decade. And now, Robert had come back into her life. Shortly before battle was to bring together more than three hundred thousand soldiers. They had but moments after all those years, and now, would they have any more after?

Heather King: A Sense of the Ridiculous

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About A Sense of the Ridiculous

When a prank goes wrong, headstrong squire’s daughter Jocasta Stanyon wakes up in the bedchamber of an inn with no memory of who she is. The inn is owned by widow Meg Cowley and her handsome son, Richard, who proves to be more than a match for the unconventional Miss Stanyon. Initial attraction leads, through various scrapes and indiscretions, to love, but their stations in life are far removed from each other and fate tears them apart with a cruel hand. Forbidden by her father to have any contact with Richard for six months, Jocasta is horrified when she is then summoned to receive the addresses of a fashionable stranger…

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SusanaSays3Susana Says

… a new favorite Regency author: 5/5 stars

The first time I read anything by Ms. King was a few weeks ago when I was copy-editing her story, Copenhagen’s Last Charge, for a Waterloo anthology we are both involved in*. I kept telling myself to slow down, since I was supposed to reading slowly and carefully to find errors. But I found myself so immersed in the story that I couldn’t seem to slow down. (Disclaimer: Copenhagen’s Last Charge was copy-edited by another person as well, so if anything was missed, it isn’t entirely my fault. However, the story itself is so compelling that not even the most draconian proofreader could fail to be captivated.)

A Sense of the Ridiculous had the same effect on me. This time, of course, I wasn’t copy-editing, since it was already published, but I have to admit I was hooked from the moment I met Miss Jocasta Stanyon. A more delightful hoyden heroine was never before invented, well, that I can remember, that is. She’s just as horse-mad as her creator (hi, Heather!), but is just as comfortable in a ballroom, and can sew her own clothes as well!

She has her faults. She’s stubborn, impulsive,a bit spoiled by her adoring father, and she doesn’t always tell the truth, although her untruths are more faults of omission than outright lies.Hey, she’s human.You can’t help liking her. She’s also daring, witty, and… ahem… sometimes wears men’s clothes.

Richard Cowley, the hero, is a cut or two above the average innkeeper. Well, at least half a dozen. Most of the innkeepers I’ve run into in my experience reading historical romances have definitely not been young, handsome, good-natured, fun-loving, and still loves his mother. And his grandparents too. No wonder our heroine takes a few liberties with the truth so that she can hang around a bit longer with the fascinating Mr. Cowley and his delightful family.

Read this story immediately. You’ll want to know

  • if the squire’s daughter ends up becoming an innkeeper’s wife
  • if the innkeeper decides to let convention hang and fly off to Gretna Green with his beloved
  • if the squire’s daughter decides to get even with her father by running off with the stable boy
  • if the squire’s son ever feels guilty about putting his passion for sport ahead of his responsibility for his sister

That’s all I’m going to say. You’ll have to read the story to find out if any of those things happen, and you’ll probably be laughing all the way through it.

*Beaux, Ballrooms, and Battles, to be released April 1, 2015, in celebration of the Waterloo bicentenary (June 18, 1815 – June 18, 2015). You are cordially invited to attend our Cover Reveal party on March 18th, from 12:00 noon – 9:00 p.m. EST. Prizes and fun to be had by all!

About the Author

I am an author with a passion for history and in particular the Regency. I love to write warm, flowing and light-hearted stories, following with tiny steps in the magnificent wake of Georgette Heyer.

I live in a beautiful rural part of the UK and share my home with various life forms, including two ponies, three cats and a bouncy dog. When I am not writing, I enjoy reading, walking my dog, horses and music, as well as creative crafts. I also love watching costume dramas on the television.

From being small, I have loved to write—and dream. In my bedroom I had a wallpaper with flower-edged squares—just perfect for writing my ‘news’. I don’t think my mother was overly impressed, although I don’t recall any major repercussions.

I discovered Georgette Heyer in my early teens and in my opinion, there is still nobody in the modern era who can match her in the Regency genre. At this stage my writing career took a back seat when my passion for horses led me off in another direction.

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Just Released: An Improper Marriage

improper-marriage-e1422916352924When her stepfather suggests she should marry ironmaster Jeremiah Knight, Eleanor Honeybourne knows a lifetime of dullness awaits her, but at the annual glass-maker’s ball, the discovery of an injured man in a summer-house and an overheard conversation lead her to suspect Mr. Knight is not all that he appears. With both her own and Robert’s life at risk, Eleanor sees only one way out of the fix… and when she meets her childhood hero, she is forced into a situation which could well spell her ruin…