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The Microcosm of London or London in Miniature: The Admiralty

published by Rudolph Ackermann in 3 volumes, 1808–1811.

The Admiralty is a brick building, containing the office and apartments for the lords commissioners of the Admiralty, who superintend the marine department, and is contiguous to the Horse Guards on the north. With respect to the architecture, the principal front facing Parliament-street displays a proof that the noble lord and board who presided at the time it was built, had objects of more consequence than symmetry and proportion to attend to: it was designed and erected by Shipley. The screen in the front (which was designed and erected by Adams) is so peculiarly elegant, that it in a degree redeems the other part from disgrace. On the top of the Admiralty are erected two telegraphs, the inside of which may be seen by proper application to the porter, or person who works the machine. 

The lord high admiral is classed as the ninth and last great officer of the crown; and the honour it conferred, and trust it vested, were formerly considered to be so great, that the post was usually given either to some of the king’s younger sons, near kinsmen, or one of the chief of the nobility. To the lord high admiral belongeth the cognizance of contracts, pleas, or quarrels made upon the sea, or any part thereof which is not within any county of the realm; for his jurisdiction is wholly confined to the sea. The court is provided for the trial and punishment of all offences committed on the high seas, and is a civil court. Courts-martial in the Admiralty have a judge advocate appointed to assist them. The present judge of the Admiralty is the  Right Honourable Sir William Scott, Knight, LL. D. the salary 2500/. The present king’s advocate general is Sir John Nicholl, Knight, LL. D. 

In King Henry III.’s days, and in the reigns of Edward I. II. and III. Richard II. Henry IV. V. and VI. there were several admirals; for the cautious wisdom of those days would not trust a subject with so great a charge, nor permit any one man to have a certain estate in a post of so great importance. But, nevertheless, in those days there was a great admiral of England. 

King Henry VL in the fourteenth year of his reign, constituted John Holland Duke of Exeter, and Henry Holland his son, admirals of England, Ireland, and Aquitaine for life. 

The power of this great officer is described in a statute of Charles II.: it is enacted that he may grant commissions to inferior vice-admirals, or commanders in chief of any squadron of ships, to call and assemble courts-martial, consisting of commanders and captains; and no court-martial, where the pains of death are inflicted, shall consist of less than five captains at least; the admiral’s lieutenant to be as to this purpose esteemed as a captain: and in no case when sentence of death shall pass, by virtue of the articles (for regulating and better governing his majesty’s navies, ships of war, and forces at sea,) aforesaid, or any of them (except in case of mutiny), there shall be execution of such sentence of death, without leave of the lord high admiral, if the offence be committed within the narrow seas. But in case any of the offences aforesaid be committed in any voyage beyond the narrow seas, whereupon sentence of death shall be given in pursuance of the aforesaid articles, or any of them, then execution shall be done by order of the commander in chief of that fleet or squadron wherein sentence was passed. 

He hath also power to appoint coroners to view dead bodies found on the seacoast or at sea; commissioners or judges for exercising justice in the High Court, of Admiralty; to imprison and to release, &c. 

Moreover to him belong, by law and custom, all fines and forfeitures of all transgressors at sea, on the seashore, in ports, and from the first bridge on rivers towards the sea; also the goods of pirates and felons, condemned or outlawed; and all waifs, stray goods, wrecks of sea deodands; a share of all lawful prizes, lagon, jetson, flotson; that is, goods lying in the sea, goods cast by the sea on the shore, not granted formerly, or belonging to lords of manors adjoining to the sea; all great fishes, as sea-hogs, and other fishes of extraordinary bigness, called royal fishes, whales only and sturgeons excepted. 

“De sturgeoni observatur quod rex ilua intergram: de balneo vero sufficit si rex habeat caput et reginse candum.” Master William Prynne, who is one of the commentators upon the above curious law, says, that the reason must be, that “our wise and learned lawgivers willed the queen to have the tail of the whale, that her majesty might have whalebone to make her stays forgetting that this was made law upwards of two hundred years before stays were ever worn or thought of. Note farther, that the bone used for stays, is taken out of the head, and not the tail of the fish. 

On this ancient law being once mentioned to the late Dr. Buchan, author of Domestic Medicine, ike. &c. he repeated the following little impromptu, which I think has never before been printed: 

“If a sturgeon should chance to be cast upon land, 

“Honest George, Heaven bless him! the whole may command; 

“But if equal misfortune befal a poor whale, 

“Let the king have the head, and the queen the tail.” 

It is not the object of this volume to say much concerning the great power and interest which the king of England hath in the British seas; and as to the antiquity of the Admiralty Court, and of the name of Admiral, it may be found in a record mentioned by the Lord Chief Justice Coke (Coke’s Institute, p. 142, entitled “De Superioritate Maris Angliae, et Jure Officii Admiralitatis in eodem), said to be among the archives in the Tower of London. 

He is called admiral from amir, an Arabic word signifying prefect us, and in Greek marimis. His patent formerly run thus: “Anglise, Hiberniee, et Aquitaiise magnus admirallus, et praTectus generalis clargis et marium dictorum regnorum.” 

The various distinguished actions which have been recorded of many of our admirals, and establish the honour and superiority of the British navy, would fill volumes. To enumerate them would occupy more space than can be here allotted to it, and does not come into the plan of this work; but to close the recital of any thing tending to the establishment of our naval character, without inserting the name of the late Lord Nelson, -would be a very improper omission. 

Painters have exhausted their art in pictured representations of his actions; sculptors have hewn marble monuments to eternize his heroic professional abilities, which have been placed in the most conspicuous situations in different public buildings throughout the kingdom; and poets have invoked the muse, and exerted their utmost efforts to perpetuate his fame, in praises that, used to any other individual,  might have been deemed extravagant panegyric: but the whole nation appear to have been so gratefully alive to his exalted merit, and so highly to revere his memory, that it is hardly deemed equal to what his conduct peremptorily claimed from his surviving countrymen. The Right Honourable Horatio Viscount Nelson, and Duke of Bronte, was a most active, brave, and able officer. He defeated the French fleet in Aboukir Bay, August 1, 1798, and took eight sail of the line; for which he was raised to the peerage. He was second in command at the battle of Copenhagen, where he displayed great courage and conduct; for which he was raised to the dignity of viscount. He completely defeated the combined fleet of France and Spain, off Cape Trafalgar, October 21, 1805, in which he lost his life. 

In the advices some of our admirals have transmitted to the Board of Admiralty and others, there is a brevity, which Shakespeare says is the soul of wit; there is, however, a brevity, which is so admirable a model of epistolary writing, that I cannot resist transcribing one or two of them; premising, that as they are taken from memory, they may not do justice to the originals. 

The first is from Sir George Rodney to the Governor of Barbadoes, and is as follows: 

“Dear General, 

“The battle is fought, — the day is ours, — the English flag is victorious; — we have taken the French admiral, with nine other ships, and sunk one. “G. B. R.” 

The second letter was, I think, transmitted to the Admiralty. 

“We have met the French fleet, and taken, sunk, or destroyed, as per margin.” 

The last I shall subjoin is from a foreigner, but seems mixed up with a large portion of British spirit . It was written to Admiral Benbow, who died in October 1702, at Jamaica, of the wounds he received in an engagement with M. du Casse, in the West Indies, off the high land of St. Martha, in the same year. 

Soon after Admiral Benbow’s return to Jamaica, he received a letter from M. du Casse, of which the following is a translation: 

“Carthagena, August 1702. 

Sir, 

“I had little hopes on Monday last but to have supped in your cabin; yet it pleased God to order otherwise: I am thankful for it. As for those cowardly captains who deserted you, hang them up; for, by G — d, they deserve it. 

“Du Casse.” 

The next print is a correct interior view of THE BOARD ROOM OF THE ADMIRALTY, with its appropriate decorations of globes, books, maps, & c. The lords commissioners are represented as sitting at the table, and may be naturally supposed engaged in some business relative to the naval interest of Great Britain: and considered in that point of view, may be fairly said to be transacting a business of more real importance to this country, than any other subject that could be debated; and if taken in all its nautical relations, the acknowledged preeminence of our navy, and the various appertaining et-ceteras, it is also a matter of infinite importance to all Europe. 

After what has been said, it does not seem necessary to make any remarks on the extent of the building; but, as it has been before remarked, that the noble lords were engaged in transactions of more importance than attending to the symmetry and proportion of their house, which was probably left to the architect, who might in many cases leave it to the management of his foreman, it may afford some amusement to our readers, to recite a few sportive sallies of the wits of the time on the brick and mortar of the principal front. 

They said, and truly said, that it is a contemptible piece of architecture. Of the portico of this building, composed of four Ionic columns, with a pediment of stone, a story is told, that, from the strange disproportion of the shafts, is highly probable. The architect, Shipley, had made them of a proper length, when it was found that the pediment of one of his shafts had blocked up the window of one of the principal apartments; and he endeavoured to remedy the error, by carrying his columns to the roof of the building: and in truth, in its present state, one is compelled to admit the truth of what was remarked by the late George Selwyn, that though the columns are certainly neither of the Doric, Ionic, or Corinthian order, they would be admirable models to take for a new one, which might be denominated the clis, or disproportioned order; “or,” added he, “if we chose to give it immortality, baptize it with an appropriate title, and name it the Robinsonian order, in honour of Sir Thomas Robinson.” 

The figure of Sir Thomas Robinson must be in the recollection of many of our readers; — so long, so lank, so lean, so bony, that he struck every one who saw him, as distinct from all other men, and out of all manner of proportion. When the late Lord Chesterfield was confined to his room by an illness, of which he felt a consciousness that he should never recover, a friend, who visited him in the character of one of Job’s comforters, gravely said, he was sorry to tell his lordship, that every body agreed in thinking he was dying, and that he was dying by inches. “Am I?” said the old peer, “am I indeed? why then I rejoice from the bottom of my soul, that I am not near so tall as Sir Thomas Robinson.” 

To return to the building: certain it is that such columns never were seen either in Greece, or Rome, or any other country. 

The screen in the front, which was designed and erected by Adams, is so far from being liable to any part of this censure, that it forms a striking contrast, and would, if it were possible, shew in a more glaring light the gross absurdities of the principal front of the building. 

On the inside of the Admiralty are two telegraphs, which may be seen by a proper application to the porter, or person who works, the machine. 

More about the Admiralty Boardroom.

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Jessica Cale: How Royal Copenhagen Conquered Europe

Eighteenth Century Porcelain: How Royal Copenhagen Conquered Europe

13509851_263614374004128_2085781765_oThe Royal Porcelain Factory (Den Kongelige Porcelænsfabrik), better known as Royal Copenhagen, was founded in a converted post office in Copenhagen on May 1st, 1775 under the protection of Queen Juliane Marie. Although porcelain had been made in Germany since 1710, it was not produced in Denmark until chemist Frantz Heinrich Müller developed a method for its manufacture in 1774. Juliane Marie had an interest in mineralogy and porcelain was a family passion: both her brother, Charles I of Brunswick-Wolfenbüttel, and sister, who was married to Frederik II of Prussia, had founded porcelain factories in Germany.

The factory’s first pieces were dining sets for the royal family. Juliane Marie insisted each piece be stamped with the factory’s mark, three wavy lines that symbolized Denmark’s three straights–the Øresund, the Great Belt and the Little Belt–as well as the royal crown stamp to highlight the firm’s royal connections. Each piece is marked this way to this day.

Blue and white china became popular across Europe as early as the seventeenth century with the import of goods from the far east. The fine porcelain of China’s Ming and Qing dynasties sparked an enduring love for floral patterns in blue and white and Royal Copenhagen quickly developed their own. Blue Fluted Plain (Danish: Musselmalet) was their first pattern and at more than two hundred fifty years old, it is the world’s oldest china pattern still in production.

13467665_263614317337467_432371625_oBlue Fluted Plain was inspired by Chinese floral patterns and updated to include flowers native to Denmark. Cinquefoils were added to the stylized chrysanthemums to give the pattern a more Nordic appearance. The ultramarine blue pigment in the paint was originally purchased from the Blaafarveværket (“blue colour factory”) in Norway, a company that provided up to eighty percent of the world’s cobalt during the nineteenth century. Each piece was and continues to be hand-painted by blue painters who spend at least four years in training for the position.

Since its development in 1775, Blue Fluted Plain has appeared on more than two thousand different pieces and has inspired countless imitations. It reached the height of its popularity in the early nineteenth century and appeared on everything from tea cups to washbasins and chamber pots.

Lord Nelson brought Royal Copenhagen porcelain back for his mistress, Lady Hamilton, following the Danish defeat at the Battle of Copenhagen in 1801. While Denmark lost that particular battle, Royal Copenhagen’s invasion of Britain was a success. It qualified for London’s World Expo in 1851 and gained international fame by winning the grand prize at Paris’ World Expo in 1889.

13509748_263614310670801_2069635372_oThis pattern has also appeared in some well-researched historical films and television shows, so not only does the pattern “look right” for the period, but even newer pieces are historically accurate for any time after 1775. You can still find pieces in this pattern to this day, so if you would like to add a little eighteenth century elegance to your kitchen or a touch of the Regency to your cup of tea, look for Royal Copenhagen’s Blue Fluted Plain.

Note: For more images or shopping information, Replacements Ltd. has a spectacular assortment of pieces in this pattern here: http://www.replacements.com/webquote/rcoblfp.htm

About The Long Way Home

The Long Way Home, Book 3 in The Southwark Saga is a magical, adult fairy tale that will keep you entertained from start to finish. Find out what happens when a paranoid king, a poison plot, and hideous shoes prove… it’s not easy being Cinderella!

coverAfter saving the life of the glamorous Marquise de Harfleur, painfully shy barmaid Alice Henshawe is employed as the lady’s companion and whisked away to Versailles. There, she catches King Louis’ eye and quickly becomes a court favorite as the muse for Charles Perrault’s Cinderella. The palace appears to be heaven itself, but there is danger hidden beneath the façade and Alice soon finds herself thrust into a world of intrigue, murder, and Satanism at the heart of the French court.

Having left his apprenticeship to serve King Charles as a spy, Jack Sharpe is given a mission that may just kill him. In the midst of the Franco-Dutch war, he is to investigate rumors of a poison plot by posing as a courtier, but he has a mission of his own. His childhood friend Alice Henshawe is missing and he will stop at nothing to see her safe. When he finds her in the company of the very people he is meant to be investigating, Jack begins to wonder if the sweet girl he grew up with has a dark side.

When a careless lie finds them accidentally married, Alice and Jack must rely on one another to survive the intrigues of the court. As old affection gives way to new passion, suspicion lingers. Can they trust each other, or is the real danger closer than they suspect?

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About the Author

jessicaJessica Cale is a historical romance author, a Bluestocking Belle, and a journalist based in North Carolina. Originally from Minnesota, she lived in Wales for several years where she earned a BA in History and an MFA in Creative Writing while climbing castles and photographing mines for history magazines. She kidnapped (“married”) her very own British prince (close enough) and is enjoying her happily ever after with him in a place where no one understands his accent. You can visit her at www.authorjessicacale.com.

Her series, The Southwark Saga, is available now. You can visit her at www.dirtysexyhistory.com.