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Collette Cameron: Passion and Plunder

May22

Scottish Heather Honey

I never know what random thing my latest story will have me poking around the Internet in search of. For my Highland Heather Romancing a Scot Series, I’ve mentioned the use of heather in several of the books, hence the title. In books five and six, I ventured into the healing qualities of honey. I’d heard of the skin and medicinal benefits of honey before, and I was curious if honey from heather might have unusual properties. I was delighted at what I uncovered.

By Vicky Brock from Glasgow, UK – Honey Show 2, CC BY-SA 2.0, https://commons.wikimedia.org/w/index.php?curid=35024402

As you no doubt already know, all honey provides many benefits:

  • Reduce throat irritation and cough
  • Heals wounds and burns
  • Reduce ulcers and other gastrointestinal disorders
  • Cancer and heart disease prevention
  • Anti-bacterial and anti-fungal

Made by bees brought to the Highlands in August for the express purpose of collecting nectar from heather blossoms, Scottish heather honey is touted as having “magical healing powers” and is referred to by the Scots as the “Champagne of all honeys.” Dubbed the “Rolls Royce” of honey in Britain, many claim it’s a cheaper alternative to New Zealand’s much praised Manuka honey. A recent study found heather honey to be more effective in treating topical infections than Manuka honey.

Scottish heather honey possesses an extraordinary antiseptic property, which makes it a favored natural remedy for treating cuts and wounds. I used that tidbit in book number six in the series. It has exceptional anti-bacteria fighting abilities and is known to treat MRSA as well as three other bacteria. It’s also a powerful anti-oxidant and contains high amount of minerals and proteins. An unusual feature of the dark amber honey is its texture, characterized by high thixotropy (extremely viscous). When at rest, it’s jelly-like, but when stirred or agitated, it becomes syrupy like other honeys until it settles into a gel again. It also has a high water content.

People either adore the medium-to-strong, even slightly bitter, woody taste and lingering peaty aftertaste, or dislike the flavor intently. Scottish Heather Honey is delicious in many dishes, but isn’t recommended for tea as the flavor is too strong for the brew. And yes, it’s used in the preparation of many alcoholic spirits such as mead. Those clever Scots.

Unfortunately, honey couldn’t cure my heroine’s father in Passion and Plunder, my fifth book in my Highland Heather Romancing a Scot series, but used in a salve in the sixth book, it helped heal my hero’s scars.

Are you a fan of honey? Any particular kind? Blackberry is mine. I love it in tea and with a special kind of biscuit made from my great-grandmother’s recipe. (You’ll find the recipe in my June 1 newsletter)

About Passion and Plunder (Highland Heather Romancing a Scot Series, #5)

Would you sacrifice everything for the person you love, knowing you can never be together?

A desperate Scottish lady

Lydia Farnsworth—the sole surviving heir to the Laird of Tornbury Fortress—has lost nearly everyone she loves. Now her father lies on his deathbed. And as if this isn’t dire enough, he’s invited men from the surrounding area to a warrior’s contest—the winner to claim Lydia as his bride.

A Scotsman dueling with his past

Alasdair McTavish, son of Craiglocky Keep’s war chief, is a seasoned warrior in his own right. So when he’s sent to Tornbury to train the Farnsworth soldiers, he’s more than equal to the task.

When a dangerous adversary makes a move against Lydia, a dastardly scheme comes to light, and Alasdair realizes only he can protect Lydia.

Don’t miss the 5th installment in this sweeping historical Highland romance series—get your copy of Passion and Plunder for a romantic Scottish adventure you won’t want to put down.

 

Passion and Plunder releases May 24, but you can pre-order it now.

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Excerpt

Mustering her courage, she reluctantly raised her focus from the soft, worn leather encompassing his ridiculously broad chest.

“Dinna look so woebegone, lass.”

“What are we to do?” She stared up at him, refusing to permit her surge of tears to fall. “Da wouldn’t have forced either of my brothers to marry before assuming the lairdship. This stipulation reveals his lack of faith in me. In my gender.”

“Nae, he wouldn’t, but I think he believes he be protectin’ ye.” A throaty quality deepened his voice as he drew her into his arms. One large hand framing a shoulder and the other cupping her waist, he pressed her near.

God help her, his strong, comforting embrace felt splendid, like a long overdue homecoming. So secure and safe.

And a bit terrifying too.

She wanted to wrap her hands around his large frame, bury her head in his shoulder, and stay snuggled there for hours.

Perchance days.

Forever.

Desire blazed in his eyes as he tilted her chin upward at the same moment he dipped his lower. Her woman’s intuition recognized the passion bubbling beneath his composed demeanor.

About the Author

A bestselling, award-winning author, Collette Cameron pens Scottish and Regency historicals featuring rogues, rapscallions, rakes, and the intelligent, intrepid damsels who reform them.

Blessed with three spectacular children, fantastic fans, and a compulsive, over-active, and witty Muse who won’t stop whispering new romantic romps in her ear, she still lives in Oregon with dachshunds, though she dreams of living in Scotland part-time.

Admitting to a quirky sense of humor, Collette enjoys inspiring quotes, adores castles and anything cobalt blue, and is a self-confessed Cadbury chocoholic. You’ll always find dogs, birds, occasionally naughty humor, and a dash of inspiration in her sweet-to-spicy timeless romances.

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Jude Knight: Revealed in Mist

Dec8

Revealed in Mist and the Sex Trade

In my new release, my heroine is a spy, assigned to work in the house of a courtesan. Courtesans were at the apex of the sex trade: highly-skilled entertainers who traded on their looks and sex appeal to earn a living. The book also includes a visit to a brothel, in the excerpt I share below this historical note.

At the time I write about, according to Dan Cruickshank’s The Secret History of Georgian London, one in five women in London earned income from the sale of sex. He called London:

a vast, hostile, soulless, wicked all-devouring but also fatally attractive place that makes and breaks, that tempts, inflames, satisfies, yet corrupts and ultimately kills.

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Sex workers—defined as those who made some or part of their living by selling sex—ranged from those offering a quick bang up against a wall in a slum alley to those accepting gifts from hopeful admirers while mixing on the fringes of Society. And everything in between.

Most prostitutes seem to have been working class girls who, having surrendered their virtue to a man of their own class, sought some profit from their lapse. One woman said:

she had got tired of service, wanted to see life and be independent; & so she had become a prostitute…She…enjoyed it very much, thought it might raise her & perhaps be profitable

Which it was, giving her enough savings to purchase a coffee house and set up in business. For others, prostitution was seasonal, or a temporary reaction to a financial crisis. Many worked for a year or two, then took their savings home, and married or set up in business. Prostitution might also be a way to supplement income from another job; seamstresses and milliners, in particular, were so poorly paid that many of them sold their bodies as well.

Those who worked in wealthier areas, such as the West End, were more likely to find wealthy clients, and those with bit parts in the theatre, who then—as now—might be turned off in a moment if the performance did not please the audience, were well positioned to find a wealthy admirer to keep them in the style to which they would like to become accustomed.

A clever, pretty, talented girl could hope to attract a generous protector, perhaps even an admirer so besotted he would marry her. It happened, though rarely. More commonly, a man would set his mistress up in a house or apartment, and visit her when he was at leisure until he tired of her or she of him.

Many sex workers, if not most, were in less fortunate circumstances. Those running the brothels sought constantly for fresh girls to please the appetites of their customers. A girl who accepted a job, or even a bed for the night, might find herself put to work whether she wished or not, her virginity auctioned to the highest bidder, and her share of the income withheld to pay for her food, board, clothing, and whatever else the brothel-keeper could imagine.

About Revealed in Mist

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Their pasts could bring them together or separate them forever.

Prue’s job is to uncover secrets, but she hides a few of her own. When she is framed for murder and cast into Newgate, her one-time lover comes to her rescue. Will revealing what she knows help in their hunt for blackmailers, traitors, and murderers? Or threaten all she holds dear?

Enquiry agent David solves problems for the ton, but will never be one of them. When his latest case includes his legitimate half-brothers as well as the lover who left him months ago, he finds the past and the circumstances of his birth difficult to ignore. Danger to Prue makes it impossible.

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Excerpt

Their first stop was, predictably, a brothel, The Dancing Dove—an expensive brothel, by the youth of the workers and the quality of the fittings, but with the same sickening smells of cheap perfume, sex, sweat, and despair as the others his work had taken him into. He allowed himself to be introduced to a statuesque redhead who was considerably older than she was made up to appear.

“Fanny, show my young friend a good time, eh?” Talbot commanded, and David followed her to one of the rooms.

He had a better use for the bed than the exercise Talbot imagined. He was beginning to feel the loss of a night’s sleep.

“Don’t bother,” he told the prostitute, as she began to unbutton her blouse. “When were the sheets last changed?”

“Maybe three days.” She looked uncertainly at the bed and back at him. “How do you want me then?”

David explained. “What I’d like you to do is sit in the chair over there and wake me in half an hour. Before we leave this room, I’ll give you double what I gave your bawd. And when we get back out there, you’ll pretend to everyone, especially my friend, that we’ve coupled.”

The prostitute frowned. “You’ll pay me. Just to sleep in the bed.”

“On the bed, but yes. Miss Fanny… or is it Miss Frances…? You’re very desirable, but I’m very, very tired, and I’d rather nobody knew…”

She nodded. “It’s Dorothea, really. But Old Hatchet-Face, who owns the place, she said that was not a good name for a whore.”

“Do you have a way to tell the hour, Miss Dorothea?” He’d removed his coat, but he laid it on the bed and stretched out beside it. No point in putting temptation in the woman’s way. He’d wake in an instant if she approached the bed to check his pockets.

She nodded. “I can hear the clock tower down the street. It chimes the quarters. It’ll be just on the half I wake you.”

“Good. Thank you.” His nose wrinkled, but he’d slept in places more rank. Willing his body to relax, he closed his eyes, and Mist was suddenly there stretched beside him. No. He was here to sleep, not to fantasise about the only woman he desired.

“Mister? Mr. Walker?” He woke to the woman’s whisper. “It’s been half an hour.”

Yes. The half was still chiming. Half an hour was not enough, but it took the edge off his weariness. He’d cope.

In the main sitting area, Dorothea poured him a glass of wine and perched on the arm of his chair, leaning against him while he waited for Talbot. Her silence money safely in the pocket she had tied to her waist under her skirt, she had obviously decided to throw herself fully into her part.

Talbot arrived some minutes later, buttoning his breeches. His companion was smiling admiringly up at him, but David caught the contemptuous grimace she passed to her companions behind Talbot’s back.

“That’s the ticket,” Talbot said to David, grinning at the way Dorothea was draped over him. “Can’t get enough of you here, can they? They should pay us for servicing them. Hah! That’s a good one. They should pay us, eh?” And he slapped the bottom of his companion with expansive glee.

“You want another round, Walker? Or what about an exotic dance? I know a place where the girls…” he gestured expansively, shaping improbably curvaceous shapes in the air.

“That sounds very exciting, Sir,” David said, back to being suitably grateful. “Is it a place we could get something to eat, Sir? All that exercise…”

“Good lad. Worked up an appetite, eh? Oh, to be young again. Come on, then, lad. The night is young. We’ll stop at a coffee house and then go on to Sultan’s Palace.”

David saluted Dorothea with a kiss on the cheek and received a warm smile in return. “Best half hour I ever spent in this place,” she told him loudly, “and that’s the truth.”

Meet Jude Knight

Jude Knight copyJude Knight’s writing goal is to transport readers to another time, another place, where they can enjoy adventure and romance, thrill to trials and challenges, uncover secrets and solve mysteries, delight in a happy ending, and return from their virtual holiday refreshed and ready for anything.

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Alina K. Field: The Marquess and the Midwife

Dec1

Thank you, Susana, for hosting me today!

My Regency Christmas novella, The Marquess and the Midwife, tells the story of a Waterloo hero pursuing the woman he can’t forget, a woman who, by all the standards of polite society, has fallen out of his reach. After losing her position as a genteel companion in the home of a marquess, Ameline Dawes, the heroine of The Marquess and the Midwife, has taken up the practice of midwifery.

Prior to the late Georgian era, childbirth was generally the realm of women, though there were some men involved in the profession. The Chamberlen family of surgeons developed the use of obstetrical forceps and kept their family secret for 150 years. Another earlier male practitioner was a medical doctor, the Scottish physician, William Smellie. An 1876 annotated edition of Smellie’s Treatise on the Theory and Practice of Midwifery is available free on Google Books, and makes for fascinating reading if you’re researching this topic.

By the late eighteenth to early nineteenth century more and more male practitioners were invading this lucrative profession. Medical doctors or physicians did not provide hands-on care, so most of these man-midwifes or accoucheurs, were surgeons, like the man Ameline and her mentor call in to help with a difficult birth.

Ameline’s new profession has provided her with a purpose and a way of supporting her twin girls, and she doesn’t want to give it up, not even for the new marquess, the man who loved her, left her, and now is determined to win her back.

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About The Marquess and the Midwife

Finding the woman he lost turned out to be easy. Winning her is another matter.

Once upon a time, the younger brother of a marquess fell in love with his sister’s companion. He was sent off to war, and she was just sent off, and they both landed in very different worlds.

Now Virgil Radcliffe has returned from his self-imposed exile on the Continent to take up his late brother’s title and discover the whereabouts of the only woman he’s ever loved.

Abandoned by her lover and dismissed by her employer, Ameline Dawes has found a respectable identity as a Waterloo widow, a new life as a midwife, and a safe, secure home for her twin girls. Called to London at Christmas to attend her benefactress’s lying-in, she finds herself confronted by an unexpected house guest–a man determined to woo her anew and win her again.

But, is loving the new Marquess of Wallingford a mistake Ameline cannot afford to repeat?

The Marquess and the Midwife is specially priced at 99 cents through December 31, 2016.

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Excerpt

He released her and leaned back, and his shirt gaped around a starburst scar, corded and jagged right above his heart.

She gasped and reached to touch it, but he clasped her hand and pushed it away.

“Waterloo?” she whispered. “I’d heard you were wounded, but—”

“I survived,” he said in a tight voice.

Her lungs squeezed and her heart quickened. Had he? If so, it was just barely. He’d been stabbed or speared, or shot, and somehow, somehow, his great heart had carried on. This had been no minor wound. Virgil had suffered terribly.

“I want to see.” She pushed his hand away and grasped his collar. He grabbed for her hand, but she dodged him and ripped the fine cotton, rending the shirt down the front.

“Ameline—”

“You have a trunk full of shirts. I want to see.” She knelt before him on the sofa, yanked the shirt down his arms, and studied his chest. Small cuts marked his side and his belly, but the mottled scar was the worst. It would have taken months to fully heal a wound like this from the inside out. He should have died.

Her vision blurred so she couldn’t see. But her hands, trained to examine a babe in the womb, they could see. She flattened her palms and set a course over the ridges knots, and hard ripples.

He surely had almost died. A world without Virgil, without his laughter, and his generally kind heart. He’d used her, true, as men did. It was in a man’s animal nature, wasn’t it? And she’d used him also, hadn’t she? Both of them grieving over his sister’s death, and comforting each other. And she was left with her girls, and things had turned out all right, hadn’t they?

Her hands cupped his shoulders and slipped over to his back. No scars there that she could feel. The ball, or saber, or… what else did men use to kill each other?… had not gone clean through. It had merely dredged a hole in his front and wreaked havoc inside him.

And nearly killed him.

She’d always pictured a wounded Virgil, binding up a minor slash and heading off to the Continent to charm actresses and diplomats’ wives, maybe taking a wife there himself, and bringing her back to breed pretty, cheerful children. Virgil, rich, content and happy.

How she’d wallowed in that vision.

The feel of the scarred skin melted away her resentment. Let him have that happy life with his marchioness and heirs. And perhaps, on a rare occasion, he could come down to Longview and visit his twins.

“Ameline.” Virgil’s breath touched her cheek.

Large hands cupped both of her hips.

Warmth spurted through her. Too late, she realized her error. She’d got too close again.

She pulled the sides of his shirt up, her gaze sliding over the rip and…

Right. He was fully erect. Of course he was.

Hot need shrieked inside her, and she battered it down and found her breath. “I apologize. My infernal curiosity.” She patted his shoulders and eased away.

His eyes had gone dark and feral, his lips parted like a hungry man ready to chomp down on a long-awaited meal. Inside, she melted more.

She took in a great breath. She must keep him talking. “How did the wound happen?” she asked.

His eyes shuttered and he yanked her hard against him, smashing his lips to hers.

About the Author

Alina K. Field copyAward winning author Alina K. Field earned a Bachelor of Arts Degree in English and German literature, but her true passion is the much happier world of romance fiction. Though her roots are in the Midwestern U.S., after six very, very, very cold years in Chicago, she moved to Southern California and hasn’t looked back. She shares a midcentury home with her husband, her spunky, blonde, rescued terrier, and the blue-eyed cat who conned his way in for dinner one day and decided the food was too good to leave.

She is the author of the 2014 Book Buyer’s Best winner, Rosalyn’s Ring, a 2015 RONE Award finalist, Bella’s Band, and a 2016 National Reader’s Choice Award finalist, Liliana’s Letter, as well as her latest release, The Marquess and the Midwife. She is hard at work on her next series of Regency romances, but loves to hear from readers!

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Rachel Miles: Tempting the Earl

Nov10

The backdrop of Tempting the Earl is sedition. Who is leaking government information to the press? To what end? And how can he (or she) be stopped?

In the fall of 1819, the government openly began to repress voices critical of its laws and policies. Though reforming societies had been meeting peaceably for months across the nation, magistrates in Manchester balked at the large numbers of protesters who gathered in St. Peter’s Field. On August 19th, before the speeches could begin, the yeomanry violently dispersed the peaceful group, killing almost a dozen and maiming hundreds. The action gained the derisive name the Peterloo Massacre.

By the end of November, a fearful Parliament had passed the Six Acts, a group of laws restricting large meetings, limiting the rights of the press in what could be said, and narrowing what publishers could print or sell.

The stakes were quite high for those found to be publishing works critical of the government. Fines, imprisonment, deportation, execution—all were possible punishments. As a result, it wasn’t uncommon for journalists (thought that word wasn’t in use yet) to hide behind assumed names, or for publishers to refuse to put their names on books (as John Murray did with Byron’s Don Juan), or to print a European place of publication on a book to hide its origins.

On this day in 1819, in fact, booksellers were tried for selling inappropriate materials. Here’s the story from the London Times.

Marlborough-Street. – Seditious Publications. The vestry of the parish of St. James having lately received information, that certain persons were in the habit of meeting for treasonable practices, they are using every effort to prevent such proceedings; and, fearful that the public mind or morals should be contaminated by the circulation of seditious or blasphemous publications, have instituted proceedings against some of these venders in the parish by information.

Mr. Collinson yesterday attended on the part of St. James’s parish, and suggested to the Magistrate, R. Baker, Esq., that the decision of the present case would prove of some importance to the public; the proceeding was against certain individuals who were in the habit of placarding the outside of their shop windows on the Lord’s-day, announcing that certain seditious pamphlets were sold there, which induced persons to enter and purchase them. He attended at the request of the Vestry and had witnesses to prove the act of selling the works.

Mr William Swainsley, of Pulteney-court, Golden-square, was charged under the same statute with a similar offence. In his defense he said that he did not belong to the shop; his son was a cripple, not able to work, and he set him up in the business of a newspaper-seller, to procure an honest livelihood, which he always had, but he found that the more honestly a man got his living, he was the worst treated: none but rogues were protected.

Magistrate. — That language, I suppose, you think will serve you?

Defendant. — I am under bail at present, for my son, for selling The Republican.

Magistrate. — What, for selling libels?

Defendant. — Your Worship may think it a libel; but for myself, I can see no libel in its contents

The magistrate, said he could not convict the father for the action of the son, but suggested to Mr. Collinson, if the practice was continued, to proceed against them by a fresh information; and intimated to the parties, that they would not be allowed to sell the papers on Sundays, or to have placards outside their windows.

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Tempting the Earl

A double life…

Olivia Walgrave is finished with being a countess. Writing under a pen name, her controversial column for the scandal sheets provides her with some income and far more excitement than managing a country estate. Besides, in the three years since the wars have ended, her dashing husband hasn’t spent one night under their roof. So Olivia has prepared a plan, and an annulment. All she needs is his consent…

Lord Harrison Walgrave let his father coerce him into marriage—but his devotion is to his Parliamentary career—and his secret work for the Home Office. Yet now, with freedom in his grasp, he finds he cannot so easily release his wife. Seeing her stirs a hunger no other woman has reached. A distraction now, when he is a breath away from revealing a ring of traitors, could be deadly. Still, wherever his investigations lead, the thought of Olivia lingers. It might be obsession. It might be treason. But the only way to escape the temptation is to succumb…

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Excerpt

The man pursued her from the other side of the street, tracking her every step. Olivia had been lucky to notice him, or she would have led him straight to her next meeting. Now she needed to go somewhere—a market, a crowded shop—anywhere to give herself a chance to escape. If he hadn’t already recognized her, then all could still be well.

But the street was quiet, and the shops too small. Nowhere to hide. She looked for her pursuer in the reflection of a shop window as she passed. Still there. She forced herself not to increase her pace. If she hurried, he would know she’d seen him.

Ahead, a carriage pulled to her side of the street, and two footmen carrying packages stepped out of a shop. Footmen and packages meant women shopping.

She looked at the shop’s sign—an open book beside a stack of papers and a jar filled with quills. A bookshop and stationer. She could just read the name of the shop: The African’s Daughter.

A chance.

Olivia eyed the distance to the carriage, estimating how long it would take for the women to leave the shop and step into the coach, and for the coach to pull away. Each moment the women delayed leaving the shop became a moment gained for Olivia to reach the coach.

The footman opened the door to the shop and two women, well-dressed and laughing, stepped out. Olivia clenched her fingers on her worn reticule, holding it close to her belly. In the lining, she’d tucked the instructions for meeting her informant. Usually she memorized the complicated dance of sign and countersign, but she had told herself it wouldn’t matter, this once. But if he caught her, if he found the paper, then it would matter a great deal. And not just for herself.

More than a year had passed since she penned an essay on the struggles of returning soldiers and sent it off to the fashionable newspaper, the World. If she had believed the editor would publish it, she would have chosen a better pseudonym than “An Honest Gentleman.” She hadn’t intended to become the banner bearer for the rights of man. But her essay struck a chord with the British, weary from the wars and the ensuing poor economy. Her correspondence with the editor, a Mrs. Helena Wells, known for her deft editing of the World and her charismatic performances on the Drury Lane stage, had quickly turned to friendship. And soon her essays began appearing every week. Not long after, her former employers at the Home Office found a use for her new work. Having discovered that old enemies of England were using the periodical press to convey state secrets abroad, they asked her to pay careful attention to the path of the information that came her way. She’d almost refused, wishing to be free to advocate for political reform, but they’d assured her—and she believed them—that their aim was only to find those who wished to destroy, not mend. She’d agreed, with the promise that she would be allowed to tell the truth. From corruption in Parliament to abuse on the docks, An Honest Gentleman brought it to a public hungry for an honest voice.

Soon she was receiving correspondence from across the land, asking for her help—or rather An Honest Gentleman’s help—in revealing this or that wrong. From one informant in the London hells, she now had more than twenty across Britain. She’d become—according to Tories—the greatest threat to a peaceable England since Napoleon. But no one expected a short, softly rounded woman with a middle-class accent to wield the pen that caused MPs to shudder. She—and her old employers–had believed anonymity would be protect her. Now, she was not so sure.

She looked ahead, dismayed by the remaining distance to the carriage. The women stood outside the bookshop, their heads bowed in conversation. Keep talking, she willed them. But they moved forward, where a waiting footman handed each one up a three-stepped stool, into the carriage.

She glanced at the nearest window. He still followed. She tamped down on her welling panic. What would she do if he caught her? Him, of all people? It was crucial that An Honest Gentleman’s next essay appear before the upcoming Parliamentary session. One of her trusted correspondents had written that a bill widely supported by the conservative MPs was financed by a group of powerful criminals. But he’d refused to send the name through the mail. If she missed their first meeting, her correspondent might never agree to another.

Before her, the door to the carriage remained open, the footman still waiting. Olivia’s heart rose. Someone else was in the shop!

Instinctively she quickened her pace, then slowed. But it was too late; he had increased his pace as well. With each long step, he narrowed the distance between them. But he had not yet crossed to her side of the street. The carriage would hide her escape.

Only four more shops and she’d be there.

The footman opened the shop door again, and a young woman with a brightly colored feather in her hat moved slowly toward the open carriage door. At the carriage, the younger woman stopped before the steps, then held out her hand. The postilion placed it on his shoulder, and the woman raised her right foot slowly to the first step, bringing her left up to meet it, then repeated the deliberate action. Another time Olivia would have wondered at the young woman’s slow movements, but not today. No, all that mattered was reaching the shop. And she was almost there.

The footman opened the shop door once more, stepping back to let yet another woman out of the shop. Olivia’s eyes met his, pleading, and he held the door another fraction of a second, long enough for her to leap into the bookstore. As the door shut behind her, she heard the coachman call out to the postilion to lash the steps on tight. For another moment or two, the carriage would hide her escape.

To the right of the entrance, two kind-faced women stood at a counter, one an aristocrat, the other a shopkeeper.

“I need . . .” She saw the carriage begin to pull away from the sidewalk, and just past it, the man crossing the street to the shop. She turned back to the women, who waited expectantly. “A man is following me. Can you help?”

Neither woman looked startled. The shopkeeper spoke quickly. “Follow me.”

The aristocrat turned confident gray eyes to Olivia. “I’ll give you time. Go.”

Olivia obeyed without thinking.

“This whole row of buildings backs up to a marsh.” The bookseller spoke softly, as they hurried toward the back of the shop. “No back exit.”

Olivia felt her stomach tighten. He would find her. If she had time, she could hide the instructions in a book. But which one?

“The roof, however, connects this row of buildings almost to the tollbooth beyond the marsh.”

“The roof?” Olivia felt her throat tighten. He’d found her on a roof once before. She pushed the memory away. He’d been angry enough then. This time he had more cause.

“If you are afraid of the roof, lock the attic door behind you and hide until I return.”

“I’m not afraid.”

“Good. On the roof, you’ll find a path of sorts. Stay near the back of the buildings. That way, no one will see you from the street. At the end, climb down a series of lower roofs and balconies until you reach the ground—the descent is protected from view by the curve of the buildings. From there, you can slip into the street unnoticed. It isn’t too hard.” The woman smiled, then added, “If you have a bit of a tomboy in you.”

The shop doorbell rang. Olivia looked toward the salesroom, the woman following her eyes. “I have more than a bit. Where do I start?”

The bookseller motioned to Olivia’s right. A piece of heavy brocade pinned with dozens of broadsides covered the wall between two book cases. The bookseller pushed against it. Not a wall. A door. The woman stepped into a small office, and Olivia, with a last quick glance over her shoulder, closed the office door behind them.

“He’s here. I hear his voice.”

“Go up three flights. My rooms, then the attic, then the roof.” The bookseller opened a smaller door leading to a stairway, then held out a key. “Lock the door behind you. Leave the key on the hook beside the door.”

“How will you retrieve it?”

“I have a second key. You must hurry.” The bookseller paused, searching Olivia’s face. “If you need help again, you will find it. The African’s Daughter turns no one away. Now, you must go.”

Olivia clasped the woman’s hand gratefully, then ran up the stairs.

About the Author

rm-1-dsc_7961-copyRachael Miles writes witty, sexy romance novels set in the British Regency. Booklist describes Miles’ debut series The Muses’ Salon as “impeccably researched and beautifully crafted.” Tempting the Earl – the third standalone novel in the series – received a 4/5 stars Top Pick from RT Book Reviews. It was chosen as one of Amazon’s Editor’s Best Books for November. Compared to Jo Beverley and Mary Jo Putney, Miles is a former professor of book history and nineteenth-century literature. She lives in the woods with her indulgent husband, three rescued dogs,  an ancient cat, and a herd of deer who love her vegetable garden .

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Jude Knight: Interview with the Marquis of Aldridge (Giveaway)

Oct27

Today, we are with that renowned scion of the Grenford family, the Marquis of Aldridge. As the eldest son of the Duke of Haverford whose health is understood to be failing, he has taken over much of the business of the duchy. However, he continues a vigorous social life, and is as popular on his rare appearances in a Society ballroom as he is rumoured to be in less reputable establishments.

(LC stands for Lady Correspondent. The interviewer wishes to remain anonymous, and Aldridge has sworn not to disclose her identity.)

LC: Your lordship has recently returned from Hollystone Hall, where your mother has been holding a Yuletide house party. We are informed you arrived late and left early. Do you have a particular reason for avoiding such events?

(LC blushes. She was present at both the arrival and the departure, but her questions will be printed so she cannot say so. Beyond a twitch of his eyebrows and a quirk of his lips, Aldridge does not acknowledge her deception.)

aldridge-1Aldridge: Errands for my father and other business matters kept me in town, but Her Grace my mother knew not to expect me until Christmas Eve. I would, however, have avoided the party altogether if the duchess had not required my attendance. I find that I spend such occasions avoiding debutantes with a fancy for a ducal coronet. In any house other than my mother’s, I could have discouraged them by a blatant and scandalous pursuit of a willing widow or a straying wife.

I say pursuit… But if that is not sufficient, our behaviour once I have caught the lady who has temporarily attracted my attention tends to drive away the most title-hungry of virgins and their mamas.

You would be wise to believe that my reputation is well deserved, but it is also something of a protection against all but the most ambitious.

However, as I say, I was under my mother’s roof, so the usual avenue was not open to me.

LC: So what did you do instead?

Aldridge: In the event, I had my brother with me, and we protected one another. We even shared a bed chamber, so any blushing virgin who thought to conceal herself in my bed was as much at risk of ending up with the prodigal spare, as with the disreputable heir. (Grins)

The few days I was there proved very entertaining. The duchess’s stated aim for the fortnight was to raise money for her new charity fund, but she was playing matchmaker, of course—and very successfully.

regency-fashionLC: We understand the house party was the venue for several betrothals and a marriage.

Aldridge: Yes, the Earl and Countess of Somerton married at the local church just before Christmas.

LC: Society is aghast to learn that the Earl of Somerton married the actress, Charlotte Halfpenny.

Aldridge: A magnificent actress; possibly the finest of our generation. She will, I am sure, play the part of countess to my dear friend Somerton with as much artistry as she put into her earlier roles.

Two other weddings in those weeks were associated with the house party, though they did not take place at Hollystone Hall. Lady Sophia Belvoir wed Lord Elfingham in London in a private ceremony that received, we are told, the blessing of his dying grandfather, the Duke of Winshire. And the Stanton party were delayed (with the exception of Lady Stanton), because Lord Stanton’s little sister and Frederick Woodville wished to be married in Cumbria.

LC: There is a touch of scandal in both unions, is there not? Why was Lady Stanton not at her daughter’s wedding, and what happened on that wedding journey that caused her stepson to propose to Mr Woodville’s sister?

And Lord Elfingham was made Earl of Sutton by the death of his grandfather. Or was he? The Privileges Committee will soon decide whether the new Duke of Winshire was validly married to the Persian princess who bore his large brood of children.

Aldridge: All three couples are happy. (Aldridge looks surprisingly wistful. Perhaps his mother is not the only romantic in his family.) Our sort generally look for advantage in marriage; family links, or property, or wealth. We do not, as a rule, expect to marry someone with whom we share a deep affection. They are fortunate, Lady F-Lady Correspondent.

LC: Your brother was also hopeful of a betrothal, I believe, my lord.

Aldridge: That is so. We had intended to stay to the end of the house party, but my brother received a message that recalled him to–shall we say Eastern Europe? We have not yet heard the results. I hope that he, too, is happy.

As you mentioned, though, the house party also saw several betrothals, and part of the entertainment was watching the gentlemen and their ladies stumble their way to an understanding.

Mama can take no credit for the betrothal between Mr Durand and the lovely Miss Sedgely. Their affection was fixed prior to the house party, and their fate sealed when half of Society saw them k–. Well. Never mind.

But she was, I am certain, involved in unsnarling the misperception Lord Nicholas Lacey had conceived about Lady de Courtenay. I may have helped a little myself, although flirting outrageously with the lady did not have the intended effect.

Even Mama was uncertain which of her two suitors Lady Anna Wycliffe would choose: Lord Pershore or the Duke of Barnet. But one departed early, and the other remained to be happy.

The affection between Miss Baumann and Mr Halevy also predated the house party, but Mama is undoubtedly correct that she provided the setting for its very satisfactory outcome.

And, of course, Her Grace could hardly have expected the affair between my cousin Cedrica and the chef.

Still. Nothing makes my mother happier than a courtship successfully concluded in a love match.

L.C.: And when we might expect your own betrothal, Lord Aldridge?

Aldridge: (Laughs out loud.) Did my mother put you up to asking that? All I can say is that I do not advise holding your breath.

Giveaway

bfbcover-ebook-small
revealed-in-mist-smallThe Marquis of Aldridge appears in several of the stories in Holly and Hopeful Hearts. He is one of Jude Knight’s characters, and pops up in a number of her books, including A Baron for Becky (where he is not quite the hero) and Revealed in Mist (where he is almost a villain).

To win an ecopy of A Baron for Becky or an ARC of Revealed in Mist, put your answer to the following question in the comments below. I’ll choose a commenter at random.

What did Aldridge do to try to help Lady de Courtenay?

About Holly and Hopeful Hearts

When the Duchess of Haverford sends out invitations to a Yuletide house party and a New Year’s Eve ball at her country estate, Hollystone Hall, those who respond know that Her Grace intends to raise money for her favorite cause and promote whatever marriages she can. Eight assorted heroes and heroines set out with their pocketbooks firmly clutched and hearts in protective custody. Or are they?

Valuing Vanessa, by Susana Ellis

Facing a dim future as a spinster under her mother’s thumb, Vanessa Sedgely makes a practical decision to attach an amiable gentleman who will not try to rule her life.

A Kiss for Charity, by Sherry Ewingcover-of-holly-and-hopeful-hearts-copy-2

Young widow Grace, Lady de Courtenay, has no idea how a close encounter with a rake at a masquerade ball would make her yearn for love again. Can she learn to forgive Lord Nicholas Lacey and set aside their differences to let love into her heart?

Artemis, by Jessica Cale

Actress Charlotte Halfpenny is in trouble. Pregnant, abandoned by her lover, and out of a job, Charlotte faces eviction two weeks before Christmas. When the reclusive Earl of Somerton makes her an outrageous offer, she has no choice but to accept. Could he be the man of her dreams, or is the nightmare just beginning?

The Bluestocking and the Barbarian, by Jude Knight

James must marry to please his grandfather, the duke, and to win social acceptance for himself and his father’s other foreign-born children. But only Lady Sophia Belvoir makes his heart sing, and to win her he must invite himself to spend Christmas at the home of his father’s greatest enemy. 

Christmas Kisses, by Nicole Zoltack

Louisa Wycliff, Dowager Countess of Exeter wants only for her darling daughter, Anna, to find a man she can love and marry. Appallingly, Anna has her sights on a scoundrel of a duke who chases after every skirt he sees. Anna truly thinks the dashing duke cares for her, but her mother has her doubts. 

An Open Heart, by Caroline Warfield

Esther Baumann longs for a loving husband who will help her create a home where they will teach their children to value the traditions of their people, but she wants a man who is also open to new ideas and happy to make friends outside their narrow circle. Is it so unreasonable to ask for toe curling passion as well?

Dashing Through the Snow, by Amy Rose Bennett

Headstrong bluestocking, Miss Kate Woodville, never thought her Christmas would be spent racing across England with a viscount hell-bent on vengeance. She certainly never expected to find love…

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newlogoAbout the Bluestocking Belles

The Bluestocking Belles (the “BellesInBlue”) are seven very different writers united by a love of history and a history of writing about love. From sweet to steamy, from light-hearted fun to dark tortured tales full of angst, from London ballrooms to country cottages to the sultan’s seraglio, one or more of us will have a tale to suit your tastes and mood.

Website and Home of the Teatime Tattler

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Caroline Warfield: The Renegade Wife (Giveaway)

Oct20

Lieutenant-Colonel John By, Royal Engineers, 1779-1836

John By [Source: By, John, 1832. Unknown Artist, Kingston Picture Collection, Queen’s University Archives, accession number V23 P-58]

John By [Source: By, John, 1832. Unknown Artist, Kingston Picture Collection, Queen’s University Archives, accession number V23 P-58]

After a modestly successful military career, John By was given an assignment the he might well have believed would bring him promotion and renown. He came from modest origins and, while competent, had never achieved the heights of success. He is in some ways a typical professional soldier of the Napoleonic Era. He died in obscurity. So why is he remembered today?

He was assigned to design an entirely navigable waterway to serve as a supply line between Montreal and Kingston using the Rideau and Ottawa rivers. It was to be cut 126 miles through a wilderness of forest, swamps, and rocky terrain far enough removed from the Saint Lawrence River to be easily defended in case of invasion by the Americans to the south. For By, it didn’t work out as he hoped. For Canada, By’s canal is a treasure.

Born at Lambeth in 1779, to a family of watermen, By entered the Royal Military Academy, Woolrich, in 1797 and was commissioned two years later. Initially commissioned to the artillery, he transferred to the Royal Engineers later that year. He served in Plymouth for two years before being sent to Canada in 1802 where he worked on the first small locks on the Saint Lawrence and on the citadel at Quebec. Beginning in late 1810 he served under Wellington in the Peninsula but was recalled in 1812 when the Inspector General of Fortifications, Lt. General Gother Mann, appointed him commanding engineer of the new Royal Gunpowder Mills. After Waterloo, the need for engineers lessened, and By retired.

First Camp at Bytown By John By [Public domain], via Wikimedia Commons

First Camp at Bytown By John By [Public domain], via Wikimedia Commons

John By was 47 when he was called out of retirement to build the canal. There’s every reason to believe he jumped at it. The Duke of Wellington is said to have chosen him specifically, but the orders came from General Mann who had also been his commanding officer during his previous stay in Canada. Both men had confidence with him at the beginning.

Never one to take the easy or obvious way, By began making controversial decisions almost immediately upon arrival in 1826. Instead of setting up housekeeping in Kingston, which already boasted not only a fort and navy base, but also a growing town, he moved his family and set up at the mouth of the Ottawa where there were at most a half dozen households. Even as the Royal Engineers began laying out the plans for the waterway, By laid out plans for a town to be called Bytown to house his headquarters, his home, barracks, and housing for workers. His town is now called Ottawa and is the capital of Canada.

There had been earlier surveys of the country, and some recommendations for much more modest plans than those ultimately carried out. By resurveyed and determined to lay out the waterway using the Rideau River and lakes, canalizing the route where needed, building locks and dams along the way. Contract labor began clearing land that winter.

Entrance of the Rideau Canal at Bytown, 1839, By Ainslie, Henry Francis 1803-1879 [Public domain], via Wikimedia Commons

Entrance of the Rideau Canal at Bytown, 1839, By Ainslie, Henry Francis 1803-1879 [Public domain], via Wikimedia Commons

The single most important decision was to build the locks and canals wide and deep enough to handle the new naval steamships. The original, narrower plans were designed for typical river craft such as Durham boats. In spite of opposition in London, a compromise plan dictated only slightly smaller construction. Building for steam power is typical of By’s far-sighted approach.

In six years By, the engineers, and the contractors had managed the project, with most of the work done by hand by primarily Irish and French workers. They built approximately 50 dams, 47 locks, and blockhouses for defense. The Stone Dam at Jones Falls was the third largest dam in the world when it was built. The eight massive locks at Bytown are still a wonder, and, yes, it accommodated navel steamships. An estimated 1000 men died in the process. By himself contracted malaria, probably as a result of his insistence on inspecting work camps himself. He demanded money for a hospital and housing, and his requests were not always well received.

Lt. Colonel By statue overlooking the locks in Ottawa (my own photo)

Lt. Colonel By statue overlooking the locks in Ottawa (my own photo)

In May 1832 John By was able to sail through the locks by steamship, his work essentially finished. It appears he planned to settle permanently in Bytown, but it was not to be. Precisely at the time of his great triumph, a move was underfoot in London to remove him. He received notice in August:

My Lords further desire that Colonel By may be forthwith ordered to return to this country, that he may be called upon to afford such explanation as My Lords may consider necessary upon this important subject.

The “important subject” was cost overruns and questionable permissions. The committee that examined him grudgingly allowed that the work had been done with care and that most of the cost was unavoidable, but in the end they issued a reprimand for allegedly unauthorized expenditures, which he denied. Instead of the commendations he expected, By was forced out. He struggled to clear his name unsuccessfully. In failing health, he retired to his home in Sussex. Even as he lay ill, his wife continued to write to people begging for help removing the stigma which she believe contributed to his decline. He died, probably of malaria, in 1836.

John By artist unknown (not from life)

John By artist unknown (not from life)

And the canal? It never served the military purpose for which it was intended, but it opened Ontario to settlement and served as a commercial highway throughout the nineteenth century. It is now a UNESCO World Heritage Site, largely used for recreation, and those pesky Americans are welcome to come up and enjoy the still functioning locks and canals.

Want to know more? Try these.

The Virtual Museum of Canada http://bit.ly/2ej9lzX

The Rideau Canal World Heritage Site http://www.rideau-info.com/canal/tales/bye-by.html

The Bytown Museum http://www.bytownmuseum.com/en/engr.html

Robert Passfield, Military Paternalism. https://books.google.com/books?id=CSTSAQAAQBAJ

Giveaway

To celebrate the launch, Caroline will give a copy of one of her Dangerous Series books to one randomly selected person who comments. The winner can choose from the books found here:

http://www.carolinewarfield.com/bookshelf/

About The Renegade Wife

therenegadewifeBetrayed by his cousin and the woman he loved, Rand Wheatly fled England, his dreams of a loving family shattered. He clings to his solitude in an isolated cabin in Upper Canada. Returning from a business trip to find a widow and two children squatting in his house, he flies into a rage. He wants her gone, but her children are sick and injured, and his heart is not as hard as he likes to pretend.

Meggy Blair harbors a secret, and she’ll do whatever it takes to keep her children safe. She’d hopes to hide with her Ojibwa grandmother, if she can find the woman and her people. She doesn’t expect to find shelter with a quiet, solitary man, a man who lowers his defensive walls enough to let Meggy and her children in.

Their idyllic interlude is shattered when Meggy’s brutal husband appears to claim his children. She isn’t a widow, but a wife, a woman who betrayed the man she was supposed to love, just as Rand’s sweetheart betrayed him. He soon discovers why Meggy is on the run, but time is running out. To save them all, Rand must return and face his demons.

Amazon

Excerpt

“Let go of her, Blair, or I’ll shoot you like the dog you are. God knows you deserve it.” For untold minutes all Rand heard was the wind in the trees, and Lena’s whimper behind Pratt’s back. Even Meggy seemed to hold her breath.

Blair let go of her arm so suddenly she stumbled before running back to her children. “The slut and her children are mine, Wheatly, and that makes you a thief.”

“Get on your horse, Blair, and get out of here before I change my mind and shoot you anyway. You too, Pratt.”

Rand kept his pistol aimed at Blair while the men mounted and turn their horses to the lane. Pratt and Martin galloped up the hill and into the woods, but Blair turned half way up and pointed back at Meggy hugging the children in Rand’s doorway.

“They’re mine, Wheatly. I have a writ. I’ll be back with the magistrate and the deputy to have you jailed for resisting. Won’t your fancy relatives like that?” He turned and galloped off.

Rand eased back the hammer of his pistol, when the men cleared the trees. He slid it into a holster, jumped down, and ran to Meggy and the children, pulling all of them into an embrace. Meggy began to weep almost as soon as his hand came around her back, pulling her close with Lena between them and Drew in the crook of his arm.

“You might have killed him, and then where would we be?” she sobbed.

“You would be safe from him.”

“And you would be in jail or worse.”

He didn’t deny it. He kissed the top of her head and down her cheek.

About the Author

Carol Roddy - Author

Award winning author Caroline Warfield has been many things: traveler, librarian, poet, raiser of children, bird watcher, Internet and Web services manager, conference speaker, indexer, tech writer, genealogist—even a nun. She reckons she is on at least her third act, happily working in an office surrounded by windows while she lets her characters lead her to adventures in England and the far-flung corners of the British Empire. She nudges them to explore the riskiest territory of all, the human heart.

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Sandra Masters: The Duke’s Magnificent Bastard

Oct13

Interview with Sandra Masters

Susana: Why did you decide to write Regency romance?

Sandra_2014 50 percent pictureA (3) copySandra: I was an only child whose parents both worked. Before and after school, I was alone, and the only reading materials my parents had was the book Heidi and The Encyclopedia Britannica. You can imagine that the Encyclopedia was dry reading. History intrigued me, particularly the historical period of the Regency era. At the age of thirteen, after a brief stint in a convent in New Jersey, I accepted that the life of a novice nun was not my calling. Interestingly, when I arrived there in Morristown, the convent was an old historical mansion with parquet floors and grand staircases, not mention a soaring ceiling, usually found in Regency mansions.

Visions of dukes, duchesses, viscounts, earls, danced in my head. So I kept on writing. I sometimes think that in another life, I was born during the Regency period. I’ve never created a duke I couldn’t love.

Online classes, seminars, conferencing, monthly meetings, networking, etc. over the past five years made me realize I had to study the craft. Decades later, when I decided that to see my name in print was a goal before I left the planet, I broke through the ceiling. My debut novel was Once Upon a Duke, released July 14, 2015. I’ve been on a marvelous journey ever since, with my fourth book in The Duke Series whose release date is November 4, 2016, The Duke’s Magnificent Bastard.

Susana: When do you write?

Sandra: Writing to me is not a pastime or a way to make money, it is an obsession. I write twelve to thirteen hours a day, every day, and then I read in the wee time of a morning, which doesn’t leave too much time to clean the house. The dust puppies will always be there.

Susana: What is the genre of your new story The Duke’s Magnificent Bastard?

Sandra: This novel is a multi-cultural Regency romance story of a seventeen-year-old Anglo-West Indian bastard, Thorn Wick, now acknowledged by his father, The Duke of Althorn, who was never made aware of his birth. Our hero admires the ward of his father from afar, an aristocratic flirtatious English lady, Alicia, who has designs on him until the reality of loving Thorn too much almost destroys her. Throw in our noble Duke, an evil witch doctor, a Barbados tribal chieftain intent on redemption, horse racing for the Regent, amazing “heavenly” Argamak Turkmen horses, a conspiracy to bring down the monarchy, and our plot thickens. Lust, desire, passion all conflict to epic proportions. Honor, truth, and justice test his values. Just when he starts to believe in fairy tales, another obstacle looms to thwart his plans. And then there’s love!

Susana: Where did you get the idea for this story?

Sandra: Ever since I can remember, the subject of bastardy fascinated. I read John Jakes eight-book series that spanned generations and centuries and decided I wanted to create a ‘magnificent’ bastard of my own.

Susana: How does Thorn react to the stigma?

Sandra: In 1820 Regency England, there is the stigma attached to our hero, Thorn Wick. Yanked from the West Indies, the half-breed, is transported to London, England where he is considered illegitimate. Can anyone imagine the emotions that consumed him? Except for the noble duke’s recognition and that of the family who supports him, acceptance is difficult. Thorn fights against all the odds.

Prepare to be transported from island life in Barbados to aristocratic England and then back to Barbados where stunning revelations wrack our hero’s world.

Susana: What stunning revelations?

Sandra: Without spoiling the story for readers, all I can say is that there is a native uprising against foreign plantation owners, the discovery of the truth about Thorn’s mother’s death, and a flight to save his life as he swims out to a waiting ship bound for England and a bad storm.

Susana: Thank you for allowing me to be a part of Susana’s Parlour.

Now, for the readers, I’d love to ask them what they like to see in a Regency romance!

untitled

About The Duke’s Magnificent Bastard

After three years in England, Thorn Wick, the duke’s bastard son, perfectly flawed, still fights for acceptance in his father’s world as a renowned golden horse trainer. Just when he starts to believe in fairy tales, another obstacle looms to thwart his plans.

Alicia Montgomery, ward of the duke, is in love with Thorn. Strong willed and adventurous, she determines she can convince him to admit his feelings until the reality of loving Thorn too much almost destroyed her.

On a dangerous mission to Barbados at the request of his father, Thorn is stunned when secrets are revealed about his mother. Will Thorn extract revenge for the foul deed?

Can Alicia quell Thorn’s demons and prove to him love can pave the way to their happiness?

Can Thorn relinquish his past because he now has a present and a future? Will he accept the man he has become? Will he return to his father and Alicia and fulfill their destiny?

Coming November 4th, 2016, available for pre-order now at Amazon.

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About the Author

From a humble beginning in Newark, NJ, retired business executive Sandra Masters had a short stay at a convent in Morristown, NJ, to the board rooms of NYC to the ballrooms of the Regency period. Spicy Sensual Seduction with Swagger.

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K.C. Bateman: A Raven’s Heart (Giveaway)

Oct6

Interview with Kate Bateman

Susana: What inspired you to start writing?

kate-bateman-author-pic-copyKate: I’ve always been an avid reader, especially of historical romance, but I never considered writing a book myself until around five years ago, when my husband and I moved from England to the US (with his work.)

I’d spent twelve years as an antiques appraiser, running with my own auction house in the UK and I also appearing on several British antiques-related TV shows as an on-screen expert, but since there’s not much use for my auctioneering skills in central Illinois, and with three small kids at home, it was a natural sidestep to use my knowledge to write historical romance.

One day I threw a very badly-written historical across the room in frustration and complained to my husband that I could have done a better job of writing it. He bet me a dollar I wouldn’t even finish a manuscript. I bet HIM a dollar I would. I’d studied English at university, so I knew I could put a coherent sentence together, and I figured well, if they can get published, why shouldn’t I have a go. . . ? At least my historical facts will be accurate. So I made the leap from avid reader to writer.

Susana: How long have you been writing?

Kate: Well, my first attempt at a historical romance (about five years ago) was set in the Italian Renaissance, which is—according to most of the publishers I approached—a tough time period to sell. So I received numerous rejections, (ouch!) but took on board the fact that editors liked my writing and kept suggesting that I write a regency romance to appeal to a larger readership. So I wrote a regency – the first book in my ‘Secrets and Spies’ series: To Steal A Heart.

I entered a couple of RWA contests, finalled in several, and from that I got a full MS request from my now-editor at Random House, and was subsequently offered a three- book deal. That was in 2015. My first book, To Steal A Heart, came out in February 2016. Book two in the series – A Raven’s Heart—is out this month, on 18th October, and book three, A Counterfeit Heart will be out in May next year.

Susana: What advice would you give to writers just starting out?

Write the books you want to read, and don’t try to copy someone else’s style because you think it will sell—it will come across as forced. I love reading about capable, intelligent heroines, so I to write about ‘historical girls with cool skills’. I also like to highlight the fact that Regency-era romances don’t all have to be set in London ballrooms. There’s a whole world of interesting places out there and many of my ideas come from real-life historical people and events.

My heroines are always feisty, witty, and more than a match for the men in their lives. Unofficially, I describe them as ‘bad-asses in bodices’ or ‘kick-asses in corsets’! To Steal A Heart, features a tightrope-walking thief and the French / British double agent who needs her skills for a prison-break heist. A Raven’s Heart has a code-breaking heroine and the cynical spy assigned to keep her safe. Book three, A Counterfeit Heart, (out next year) has a forger heroine with a dubious moral compass and a suitcase full of fake money… You get the idea!

And I’d also say to new writers: you can always improve your writing. The best thing I ever did was join my local RWA (Romance Writers of America) local chapter and attend conferences and writer events. It helped me connect with other authors whose support, encouragement, teaching, and constructive criticism have been invaluable. I’m always looking for new ways to better my craft.

Susana: Are you a plotter or a pantser?

Kate: I’m a little bit of both, but my natural inclination is pantser. I hate plotting. As my engineer-husband will tell you, I hate organizing, timetables, and planning, but I know it’s just asking for trouble to start writing a book with no idea of your overall story arc, or major plot points. So every time I come to plot a new book I pretend to myself that I’m just ‘jotting down ideas’. I keep a notebook and write down a couple of key scenes, character traits, or snatches of dialogue. I type them up. I work out the order they have to go in to make sense. I work out what scenes I need to slot in between the big scenes to join them together. And hey-presto! It’s turned into an outline / plot without me noticing! By the time I’ve turned all my scribbled notes into actual, readable sentences, the book’s almost half done.

Susana: Tell us something about your new release that’s not in the blurb:

Kate: OK, here are a few fun facts about A Raven’s Heart:

First, one of the themes I play with in A Raven’s Heart concerns internal and external scars. Heloise has a scar on her face which she believes makes her unattractive. Raven’s scars are all on the inside. He thinks he’s too emotionally damaged to love. In this respect they’re opposites—and perfect for one another; they both see past the damage and find something to love underneath.

In one of my favorite scenes Raven lets slip how much he cares for Heloise by referring to the ancient Japanese art of Kinstukuroi. It’s the use of gold to repair a broken piece of pottery, with the understanding that the piece is more beautiful for having been broken and lovingly repaired. I thought that was such a romantic idea that I had to include it in a book. Ostensibly Raven’s discussing his mother’s favorite piece of porcelain, but we know he’s really talking about Heloise.

bowl

Secondly, A Raven’s Heart is set mainly in Spain and the descriptions of the landscape and architecture all come from personal experience. I love traveling, and I was lucky enough to have spent quite a bit of time in Spain as a child. The descriptions of the taste of carobs and pomegranates come from experience! I hope my affection for the country shines through and gives those who’ve never been there a hint of what it’s like. I make Pinterest boards for all my books, so if readers are interested in seeing where I get my inspiration they can take a look: https://www.pinterest.com/kcbateman1/a-ravens-heart-raven-and-heloise-spanish-peninsula/

In the story Heloise goes to visit some prehistoric cave art in the caves near the Spanish village of Altamira. These really exist and the only artistic license I took with the story is that the caves weren’t ‘officially’ discovered or made public until a few years later than 1816. I like to think that the locals could have been aware of the existence of the caves, and the art, but might have been unaware of the importance of them from an anthropological standpoint. There’s no reason to suppose they wouldn’t have shown interested, if eccentric, foreigners like Heloise their local treasure. . .

Here’s an image of the wonderful prehistoric / Neolithic art that can be found in the Altamira caves:

cave

And here is a link to the Wikipedia page:

https://en.wikipedia.org/wiki/Cave_of_Altamira

Thirdly, lots of events in my stories have a basis in real, historical events. For example, A Raven’s Heart features a proposed prisoner swap between the French and the English. In my research, I found evidence for this surprising – if unusual – wartime practice; In 1813, Soult and Wellington agreed to an exchange of three Frenchmen for one Englishman and two Spaniards, a plan agreed by Napoleon.

Fourthly, the heroine in A Raven’s Heart, Heloise, is a talented codebreaker for the British, and in the book she and Raven get to meet her codebreaking idol, George Scovell. Major Scovell, later General Scovell, was is real historical person, and he played a crucial role in cracking the French codes and ensuring a victory for Wellington and his troops in the Peninsular campaign.

Here he is:

soldier

For those who would like to learn more about this interesting man and his achievements, his Wikipedia entry is fascinating! Sometimes truth is even greater than fiction. https://en.wikipedia.org/wiki/George_Scovell

Susana: What are you currently working on?

Kate: I’m finishing up book three in this Secrets and Spies trilogy, A Counterfeit Heart, which and will be out early next year (May 2017). The heroine, Sabine de la Tour, is also known as ‘Philippe Lacorte,’ the elusive, brilliant French forger. She meets her match in aristocratic spy Richard Hampden—Heloise’s eldest brother.

I’m having a lot of fun with these two. Sabine arrives in England with a suitcase full of counterfeit money. An honest woman would simply destroy the evidence of her crimes. An honest woman would never blackmail her handsome pursuer into paying for her co-operation. But Sabine’s never been all that good at being good…

Sabine can counterfeit anything, but can she tell the difference between what’s real and what’s fake when it comes to something as important as her heart?

Susana: What are you reading now?

Kate: I’m re-reading a couple of my favorite authors on my keepers shelf to remind me what good writing looks like – as inspiration! I’ve just finished the delightful As You Desire by Connie Brockway, whose unusual Egyptian setting I love, and the Medieval / Renaissance historical Shadowheart by Laura Kinsale. I’m now currently half way through Susan Elizabeth Phillips’s funny contemporary It had to be You…

Susana: What is your work schedule when writing?

Kate: I write for several hours every day during the week. I have three small kids, so a good day is when I drop them off at school and manage a solid block of writing before pickup. But I also think it’s really important to keep a work-life balance. You can’t stay slumped over a hot computer monitor all day, so I don’t let myself feel guilty for having lunch out with my girlfriends or meeting up for coffee. I don’t watch a lot of TV, so I sometimes get a couple of extra hours of writing done when the kids are all in bed – accompanied by just one small glass of wine…

Susana: What is one thing your readers would be most surprised to learn about you?

Kate: A lot of people in the UK know me for my antiques-show TV work, as an appraiser, so they’re quite surprised to learn that I also write historical romance. But I have lots of not-so-well-kept secrets. For example, I almost became a ballerina, and took ballet classes for eighteen years, until I decided it was too uncertain a career and went into antiques and writing instead!

Also, I once kissed the policeman on duty outside Number 10 Downing Street after attending a reception with the British Prime Minister. And I can’t touch dry cotton wool. No, really. Even thinking about it puts my teeth on edge, like nails scraping down a blackboard!

Susana: If your publisher offered to fly you anywhere in the world for a research project, where would you go and why?

Kate: Definitely Italy. The landscape! The food! The wine! The art! I’d choose to go stay in a massive crumbling Italian castle perched on the edge of a cliff with a view of the Amalfi Coast and a lovely garden scattered with good-looking Italian groundsmen and gardeners, of course! The fact that I don’t speak Italian would only be a minor inconvenience. I’d go and wander round all my favorite Tuscan haunts, like Siena and Florence, looking for antiques, then I’d watch the film A Room with a View, accompanied by a fabulous coffee and a decadent dessert like tiramisu.

Susana: What do you want people to take away from reading your books?

Kate: That not all Regency-era romances are set in London ballrooms and country houses! There’s a whole world out there to explore – even if it’s only within the pages of a book as an armchair traveler – and lots of fascinating chapters of history to discover. My heroines are intelligent, witty, independent women who are more than a match for their men. Hopefully readers will continue to enjoy the worlds and characters I create and want to read more!

Susana: What has been your biggest adventure to date?

Kate: That’s a tough question! Having my three kids has certainly been an adventure – the little monsters definitely keep me on my toes.

I also love traveling and I’ve been lucky enough to have had several amazing adventures in that respect. I’ve watched the stars from a Touareg tent in the middle of the Morroccan desert, I’ve survived white water rafting on the mighty Zambezi river in Zimbabwe, and trekked to huge reclining buddhas in Thailand. I’ve done some epic road trips across America with my family since moving here, including the Grand Canyon, the Rockies, Yosemite, Death Valley, and the Utah national parks.

But I think my biggest adventure has to be leaving behind my first career — as an antiques appraiser and auctioneer in England — and finding another career I love just as much; that of historical romance author. My path to publication has been one huge adventure, sometimes frustrating, disappointing and nerve-wracking, but also fun, fascinating and exhilarating. I’ve met some wonderful people, made some lifelong friends, and learned so much. I hope to keep writing and to stay in the wonderful world of romance for a very long time!

Susana: Who gave you the writing advice that sticks with you to this day?

Kate: I always remember the Nora Roberts quote about the importance of having a central conflict in your stories. She said something like ‘If your hero’s a fire investigator, your heroine had better be an arsonist!’

Also, and I don’t know who said it, but I have a post-it note taped above my computer with the fundamental ABC’s of writing: Apply Butt to Chair!

Susana: What one modern convenience you could not live without?

Kate: A kettle and teabags. Life’s just not worth living without a nice cup of tea!

About A Raven’s Heart

August 1815. The war with France is officially over, Napoleon’s an exile on St Helena, but Europe is still a very dangerous place to be. . .

a-ravens-heart-final-cover-copyKidnapped and held for ransom at nineteen, ducal heir William Ravenwood knows the only person he can rely on is himself. Now part of a spy ring that includes his friends Nicolas and Richard Hampden, he’s the smuggler known as The Raven, a ruthless agent who specializes in rescuing hostages and prisoners of war from captivity. Raven longs to discover the fate of his colleague, Christopher ‘Kit’ Carlisle, who’s been missing, presumed dead, for over two years. He’s also equally determined to stay away from the one thing he knows is dangerous to his health—the bane of his life, his best friends’ infuriating little sister, Heloise.

Heloise is a brilliant code breaker, one of the English government’s most valuable assets. She’s loved Raven for years, but considering that he rejected her at sixteen, before her face was scarred rescuing her brother from an icy river, she’s certain he doesn’t want her now, despite his outrageous flirting.

But when Heloise decodes a message that proves Kit is alive and a prisoner in Spain, Raven realizes she’s in grave danger. With French agents determined to silence her, he’ll do whatever it takes to keep her safe, even if that means taking her to Spain with him as an unwilling hostage.

As they face French deserters and Spanish freedom fighters, Raven and Heloise try to ignore the simmering attraction that’s been building between them for eight long years. Heloise might be scarred outwardly, but Raven’s wounds are all on the inside. He knows he’s not worthy of her love—a shadowed Hades pining for sun-kissed Persephone—but he’s not above showing her passion for the short time they’re together. Protecting her from danger will be a challenge; protecting her from desire will be pure agony…

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Excerpt

Chapter 1

England, June 1816

“I’m a spy, not a bloody nursemaid!”

William de l’Isle, Viscount Ravenwood, glared across the desk at his mentor, Lord Castlereagh.

The older man shook his head, supremely unmoved by his outburst. “Miss Hampden needs immediate protection. Someone’s targeting my code breakers and whoever killed Edward could also have discovered her identity. I can’t afford to lose her, too.”

Raven narrowed his eyes. “Use another agent.”

Castlereagh gave him one of those level, penetrating looks he so excelled at. “Who? Neither of her brothers are here; Nic’s in Paris, and Richard’s following a lead on that French forger he’s been after for months. Who else is left?” He pinched the bridge of his nose. “We’ve lost too many good men. First Tony got himself killed in France, then Kit disappeared. There’s been no news of him for months.”

Raven frowned. He refused to consider the distasteful probability that his friend was dead. Kit was like him, a master of survival. He could be deep undercover. But with every week that went by with no word it became harder and harder to stay positive.

“And now another good man, Edward Lamb, had been murdered,” Castlereagh sighed. “I don’t want Miss Hampden to be next.”

The older man was a master of applying just the right amount of pressure and guilt. He hadn’t made it to head of the Foreign Office without knowing how to manipulate people.

“You think I should entrust her to a less competent operative?” Castlereagh mused softly. “You’re not burdened by false modesty, Ravenwood. You know you’re the best I have. I was hoping you’d use your exceptional talent for survival to keep Miss Hampden alive, too.”

Raven sighed, well aware he was being backed into a corner. If it had been anyone else he wouldn’t have hesitated. But Heloise Hampden was the fly in his ointment. The spoke in his wheel.

A total bloody menace.

Hellcat Hampden had been the subject of his guilty daydreams for years. What had started out as adolescent musings had matured into fevered erotic fantasies that showed absolutely no sign of abating. He’d told himself the attraction was because she was forbidden, tried to lose himself in other, far more available women. Nothing had worked. And while he’d rarely paid much attention to the monotonous sermons preached by the clergy, he was fairly sure there was something in the bible that said “thou shalt not covet thy best friend’s little sister.” Or words to that effect.

He was the last person she should be entrusted to. He’d sworn to stay away from her. Had avoided her quite successfully—give or take a few blessedly brief skirmishes—for the past six years. Hell, he’d traveled to the far corners of war torn Europe to try to forget her.

And now here he was, drawn back to her by some malevolent twist of fate.

As if his life wasn’t cursed enough already.

Over the past few years they’d settled into an uneasy, albeit barbed, truce; it was a sad reflection on his twisted nature that he preferred sparring with her to holding a reasonable conversation with anyone else.

His blood thrummed at the prospect of seeing her again and he smiled in self-directed mockery. Few things increased his heartbeat anymore. In combat he was a master of his emotions, sleek and deadly and efficient. Fighting barely elevated his pulse. He could kill a man without breaking a sweat. But put him ten paces away from that slip of a girl and a furious drummer took up residence in his chest, battering away against his ribs.

He shook his head. Being near her was a torture he both craved and abhorred, but he had a duty to keep her safe. A duty to her family, to Castlereagh, to the whole damn country. Much as he’d like someone else to deal with her, he didn’t trust anyone else. She was his to torment.

Castlereagh, the old devil, smiled, as if he already sensed Raven’s grudging acceptance. “That’s settled, then. She’s safe at home right now. You can go over and get her in the morning.”

He rose and strode to the door of the study, then flashed an amused glance at Raven’s immaculate evening attire and the mask resting on the desk. “I apologize for interrupting your evening, Ravenwood. I’ll leave you to your entertainments.”

Link to longer excerpt from A Raven’s Heart:

http://www.kcbateman.com/books/sneak-peeks/

In A Raven’s Heart, I hint that Raven and Heloise are like the Greek gods Hades and Persephone – Hades kidnaps Persephone and takes her down to the Underworld, but the two end up falling in love and learning to compromise.

My question to readers is: If you could host a dinner party and include any couple—they can be real historical or fictional/mythological, who would you choose? Anthony and Cleopatra? Elizabeth and Darcy? Cathy and Heathcliff? 

Three random commenters will win a free ebook download of To Steal a Heart, Book 1 in my Secrets & Spies series.

to-steal-a-heart-final-cover-image-copy

About the Author

Kate Bateman (writing as K. C. Bateman) wrote her first historical romance in response to a $1 bet with her husband who rashly claimed she’d ‘never finish the thing.’ She gleefully proved him wrong with a historical set in the Italian Renaissance. Now writing for Random House Loveswept, her latest Secrets & Spies Regency-era trilogy features her trademark feisty, intelligent heroines, wickedly inappropriate banter, and heroes you want to alternately strangle and kiss—all mixed up in the intrigue and turmoil of the Napoleonic wars.

When not traveling to exotic locations ‘for research’, Kate leads a double life as a fine art appraiser and on-screen antiques expert for several TV shows in the UK. She splits her time between Illinois and her native England and writes despite three inexhaustible children and a husband who has flatly refused to read any of her books ‘unless she hits the NY Times Bestseller list.’ It is—naturally—her fervent desire to force the semi-illiterate, number-loving cynic to do so. He still owes her that dollar.

Kate loves to hear from readers.

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Donna Hatch: Courting the Countess

Sep22

In England, dueling was part of a long-standing code of honor, far beyond mere tradition. Gentlemen took their dueling very seriously; they would rather die than be dishonored. Does your heart go pitter patter just at the sound of that? I admit, at time, mine does. How many men that honorable do you know? Okay, maybe we’d call it misplaced pride, or an overdeveloped sense of vengeance, but hey, that was a different world with a different set of rules. And yeah, I’m glad they don’t do it these days.

pistols

By the Regency era, dueling was outlawed. However, duels still happened more frequently than many people knew. The problem was, because courts were made up of peers, they were reluctant to charge another peer with murder as a result of a duel. There is a case where one nobleman was charged with murder and tried, but used the defense that his behavior was gentlemanly and honorable, meaning that he acted within the proper code of conduct. He was acquitted by his peers.

If they were socially equal, or at least similar, the gentleman who was offended would tell the man who’d wronged him that he should choose his “second,” a close friend or family member who would look out for his best interests. If he was really incensed, he might slap him with his glove, but that was considered extreme and beneath gentlemanly behavior, as it was the ultimate insult and probably resulted in a fight then and there.

The procedure for issuing a challenge was very specific. A gentleman never challenged a social inferior. For instance, a gentleman of significance with ties to the aristocracy or nobility would never challenge a commoner, such as a blacksmith or a farmer. Also, if there was a significant age difference, the duel would not be extended.

shooting

After the verbal challenge–or perhaps warning would be a better word–was issued, depending on the severity of the offense, the other might have a choice; he could either apologize, or he could accept. Sometimes, the apology would not be accepted, often if there were a third person who’d been wronged such as a lady’s honor. (Okay, call me crazy but that almost makes me want to swoon.)

The next day, supposedly after heads had cooled, the wronged man who wished to duel would send his “second” with a written letter challenging the duel. The other may chose to apologize or accept the challenge. If accepted, he would choose swords or pistols and name the time and the place. In my humble opinion, swords was a more more gentlemanly way to duel. If they used pistols, they only used one shot which seems too much like cold-blooded murder. I’m sure they didn’t always shoot to kill, but there was some unwritten rule about the shot purposely going wide and that being bad form. *shrug*

When the allotted day arrived, they met, probably in a remote place where they wouldn’t be caught by the law, and the seconds inspected the weapons to be used. A final opportunity for an apology could be given. If not, the seconds decided if the duel should be fought to (a) first blood, or (b) until one can no longer stand, or (c) to the death. Once that was decided, the opponents dueled and the seconds watched to insure that nothing dishonorable happened.

If during a duel fought by swords, one of the duelers becomes too injured to continue, occasionally the second would step in and duel. Sometimes, the seconds were hot-headed or very angry (loyal?) and ended up dueling each other as well. To my knowledge, this never happened if the duel were fought with pistols.

3

As horrible as it sounds to our modern selves, these gentlemen took their honor very seriously, and considered death preferable to living with the label of a coward, a label that would follow them and their families for years.

And, maybe it’s me, but there a certain romance about a gentleman brave enough and protective enough to be willing to risk death defending my honor from another man who’d besmirched it?

A duel is what leads to all the trouble for my hero in my Regency Romance novel, “Courting the Countess” and causes events he wishes desperately he could change, especially when the duel goes awry and causes pain to an entire family.

I’m sure glad my husband isn’t likely to try dueling…

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Available for pre-order on Amazon

About Courting the Countess

When charming rake Tristan Barrett sweeps Lady Elizabeth off her feet, stealing both her heart and a kiss in a secluded garden, her brother challenges Tristan to a duel. The only way to save her brother and Tristan from harm—not to mention preserve her reputation—is to get married. But her father, the Duke of Pemberton, refuses to allow his daughter to marry anyone but a titled lord. The duke demands that Elizabeth marry Tristan’s older brother, Richard, the Earl of Averston. Now Elizabeth must give up Tristan to marry a man who despises her, a man who loves another, a man she’ll never love.

Richard fears Elizabeth is as untrustworthy as his mother, who ran off with another man. However, to protect his brother from a duel and their family name from further scandal, he agrees to the wedding, certain his new bride will betray him. Yet when Elizabeth turns his house upside down and worms her way into his reluctant heart, Richard suspects he can’t live without his new countess. Will she stay with him or is it too little, too late?

Pre-order now on Amazon for Kindle.

About the Author

donna-2013-copyDonna Hatch, author of the best-selling “Rogue Hearts Series,” is a hopeless romantic and adventurer at heart, the force behind driving her to write and publish seventeen titles, to date. She is a multi-award winner, a sought-after workshop presenter, and juggles multiple volunteer positions as well as her six children. Also music lover, she sings and plays the harp. Though a native of Arizona, she and her family recently transplanted to the Pacific Northwest where she and her husband of over twenty years are living proof that there really is a happily ever after.

Alina K. Field: Bella’s Band (Giveaway)

Sep15

Thank you, Susana, for hosting me today! This month I’m celebrating the second anniversary of the release of my Regency novel, Bella’s Band. This tale is romance and adventure in almost equal measures, with a murder mystery thrown into the mix. I’m giving away a Kindle copy of the book to one lucky commenter.

One of the pivotal scenes in Bella’s Band takes place during a perilous journey by coach through the English countryside, and the need for more information about Regency travel led me to an amazing work of nonfiction, English Country Life 1780-1830, by E. W. Bovill. I opened the book and plunged head first into the research rabbit hole: hunting, turnpikes, enclosures, highwaymen, servants, house parties, poaching, rioting and the birth of rail—there is much detail in this book to please both authors and readers of Regency romance!

For example, those familiar with travel in this era know about postilions, or postboys, the men who “steer” traveling chaises from one posting inn to the next by riding them. Bovill tells us that at a large inn, there would be one postboy to every four horses, and the postboys paid the inn’s horsekeeper, as much as eighteen pence a week each. Bovill says, “The postboy, who was seldom young and often a rather decrepit old man, had usually started life in a gentleman’s stables and come down in the world.” That certainly clashes with my image of a boy, perhaps a teenager, riding post.

As it turned out, my heroine, Annabelle Harris, has no need for postboys. She flees from the hero in a wealthy friend’s private coach with a coachman, a maid, and two little boys, on a perilous Christmas Eve journey. When the coachman falls ill at a stop, a new man steps in and her troubles begin.

Or perhaps I should say, begin anew! An earlier carriage ride, this one in London, is also fraught with peril for Annabelle (see excerpt below).

A random commenter will win an e-copy of one of Alina’s books.

bellas-band-final-med-copy-copy

About Bella’s Band

Bullets, blades, and incendiary bombs—Major Steven Beauverde, the latest Earl of Hackwell, belongs in that world, and is determined to get back to it. His brother’s murder has forced Steven into a new and completely unwanted role, and worse, he has no idea how to salvage his family’s depleted estate. A rumor that his brother had a son by a woman who may be a) the murderer, and b) his brother’s secret wife, sets Steven on a mission to find her, the boy, and—Steven ardently hopes—the proof of a marriage that will set him free.

Confirmed spinster Annabelle Harris is a country heiress with a penchant for taking in orphans and helping the downtrodden. Her philanthropy hides her desperate search for her disgraced sister, the mistress to the Earl of Hackwell. When the Earl is murdered, her sister thrusts her child into Annabelle’s care and disappears. Now, with suspicion pointing at the sister, Annabelle has begun a new quest, to find the woman, and clear her name.

When their paths converge, the reluctant Earl and the independent spinster find themselves rethinking their goals, and battling the real murderer together.

Amazon

Excerpt

Surprise pinned Annabelle to the cracked leather seat of the carriage and finally her heart restarted and picked up its pounding.

“Good evening, my lady.” Lord Hackwell flashed her a wide, easy smile that made his face glow like a boy who had pulled a very fast one.

The shock eased. She realized she felt not one whit of fear.

“Is this an abduction, Lord Hackwell? I have never been abducted before. Shall I scream with alarm? Do you mean to harm me?”

His smile disappeared and his face grew too serious. “I mean to protect you, Miss Harris. This is an escort. I mean to see that you return home unharmed.”

“I see. Unharmed, except for the besmirching of my reputation. Shall we appear in the scandal sheets tomorrow, do you suppose?”

“In this bourgeois neighborhood? I think not. Unless, the man who helped you into the hackney is someone of interest?”

Oh, he was prying, and she was so tempted to lead him on. But of course, she had Robby to think about. “Very much so. He is my solicitor. He asked me to dinner to counterbalance his wife’s inquisitive aunt who is visiting from the country, and curious about all things criminal, political, and financial. The poor man has difficulty balancing his client’s confidentiality with his need to be polite to his children’s future benefactress. She is wealthy, I believe.”

“So he set her on you. And how did you maintain your secrets, Miss Harris?”

“We spoke of my home.”

“Which is?”

A ribbon of sensation uncurled in her secret places. The space between her and Lord Hackwell had shrunk, and his dark eyes showed more than an interest in her pedigree. Her nerves tingled with the anticipated pleasure of a repeat of the earlier kiss.

I must not.

“Yorkshire,” she said, as blandly as possible. “I grew up on a good-sized estate there.”

“Do you plan to take Robby there?”

Sudden tears pricked her eyes and she turned quickly to the window. Robby and Thomas would have loved Ryeland. With acres and acres of freedom and kind neighbors, they could have played for hours and had adventures that didn’t involve cutpurses and the Watch.

“Miss Harris?”

“No, Lord Hackwell. My family home was entailed. The cousin who inherited, I’ve only met once, at my father’s funeral.” And his invitation to linger had been merely perfunctory. Besides, staying in the district of her childhood would beg questions about Veronica.

“So you had no brothers. Is your mother living?”

He hadn’t asked about sisters. That was curious. Perhaps he suspected her relationship with Miss Miller was more than a friendship, and was coming to the question, inch by torturing inch.

“You are dancing again, Lord Hackwell. It is ever so tiresome. Let us get you to the facts. I am the eldest surviving child of Edward Harris, who died two years ago. I had a brother, who died many years before. I have a younger sister who has found a position and made a life with a distant cousin in Scotland. My mother has been gone since I was eighteen. I am twenty-seven years old now. I never had a coming out, because my father took ill, and needed me to manage the estate.”

His eyes widened and he went very still, examining her. The air around them seemed charged with a kind of explosive tension.

Oh heavens. He was finding fault with the country spinster. The gown was from her mourning two years previous, outdated of course, and she felt her hair slipping again, and she’d never been one to effect powders and pigments. “Yes. Well—”

“You managed an estate?”

“Astonishing, isn’t it?” She waved a gloved hand in the air, and he captured it.

He dropped a kiss on her knuckle. “And you managed the household also?”

“Yes, of course.”

“And you don’t care for dancing?”

“I enjoy dancing very much, though my experience is limited to our local assembly. I have not been to a ball in so many ages, and never a town ball.”

“No Almack’s.”

She could only laugh at that and shake her head. She receive a voucher for Almack’s? Ridiculous.

“No waltzing, Miss Harris?” His manner remained intense.

“Sadly, no, Lord Hackwell, I have never waltzed.”

He straightened in his seat and his eyes looked ahead. “But you have counted ploughs,” he said thoughtfully.

Tears pricked again, suddenly and unexpectedly. What a dismal woman she was. Too plain, too proper, too practical. Alone in a closed hackney with a devastatingly handsome man, and they were talking about farm equipment.

Never had she felt more desire to be younger, prettier, more daring. This must have been how Veronica had felt.

Her heart filled with compassion and grief. “Ye—yes. Ploughs. Very important they’re correctly deployed. Fate of the tenants’ crops and the estate’s income depends upon them.” She sniffed.

“What’s this?” His large ungloved hand covered her smaller ones, enveloping her in his warmth. “I’ve distressed you?”

She shook her head and tried to compose herself.

“Of course I have, my dear. I’ve reminded you of your lost home.”

“It is fine, sir. My current home is—is not the best, but it is mine, and I can afford to move to something better if the neighborhood deteriorates further. You needn’t worry about Robby. I will give him a good life. Not, perhaps, an aristocratic one, but—”

“Shall I tell you about myself, Miss Harris? Yes. I believe I must.” He cocked his leg on the seat so he sat sideways, and extended his hand to caress the back of her neck. The other remained squarely over her folded hands. “I am twenty-nine. The younger son of the Earl of Hackwell. The very, as it has turned out, needful spare. My mother was the second of two wives. She died not long after I was born. My father sent me off to be fostered, then off to Eton, and then to university for a very short while. I’m not much of a scholar. I landed in the army, where I found I could do something of worth.”

His mouth had grown taut and his hand had tightened over hers, so that she could feel his tension.

“Thomas, the late, great, Lord Hackwell, aside from one lengthy grand tour, was kept close under the paternal wing and learned the business of managing the earldom, standing in the House of Lords, and immersing himself in society. From the state of the accounts, it was the last activity that drew most of his interest.”

He let his fingers caress her neck, distractedly, as though the gesture comforted him, like petting a favorite hound.

Comforting to him; deliciously unsettling to her. Pleasure rippled through her at each touch. She held her breath, lest his fingers pause too long in his search for his next words.

“I can bow properly and make reasonably polite conversation, but I was never much good in a ballroom or drawing room, Miss Harris. Still, like every gentleman with a purse, I had my share of immersing myself in pleasure. Here, and on the continent.” He lapsed into a momentary dark silence. “Not so much since my return.”

“You fought at Waterloo?”

“Yes. And before, on the peninsula.”

And before that too, at every step of his motherless, fatherless life, she’d warrant. As in the children’s game she played with the boys, Annabelle drew out a hand from the pile and pressed his between hers.

And her heart skipped with a realization. Lord Hackwell had no family except Robby.

She felt his eyes fixed on her. He drew her head closer and she could smell his woodsy clean scent, so intensely male. The carriage passed by a street lamp and into a dark stretch, and she could no longer discern the outline of his face.

Her heart tingled and her breath came in short little huffs of anticipated pleasure.

“Annabelle,” he whispered. “What do they call you? Anna? Belle?”

She tensed remembering her chat with Lady Rosalyn.

“It is Belle. How very appropriate.” He kissed her hand.

“Bella,” she whispered. “And not appropriate at all. How did you learn my name?”

“Bella.” He breathed her name in a brandy-laced murmur. “The maid at the Harley Street house gave me your last name. And by the way, she worships you.”

Dear Trish. Annabelle pushed at the seat and squirmed, with no success. He still held her fast.

“I’ve found that servants know everything and talk prodigiously.” He dropped a kiss on her nose.

Annabelle bit back a disagreement and stilled. In a properly run household, gossip was squashed. The poor man had never lived in a properly run household.

His lips hovered over her and she waited. He’d kissed her nose. Perhaps he’d been aiming for her mouth and missed. She wanted one more kiss. She would be safe. In a carriage on a public street, he wouldn’t attempt to take more.

***

Steven held himself an inch away from her lips. Her nose had been cold, but heat radiated between them, holding them in a warm cocoon. She smelled of plain soap and faint lavender. There was nothing cloying about Miss Harris. He’d breached a line of defense with the use of the pet name. Bella. She wanted him to kiss her.

Not yet. Not yet. She was lovely, and innocent, and perfect. He was known for his quick thinking under duress, and he’d made up his mind. He would do this honorably. He was not his brother. It would not be a seduction.

“Bella, you are right that we should dispense with the dance. You are right that we should speak to the point, and so I will. I think you and I, we should wed.”

“What?” She jumped a full inch from the seat before settling back.

About the Author

Alina K. Field copyAward winning author Alina K. Field earned a Bachelor of Arts Degree in English and German literature, but she found her true passion in reading and writing romance. Though her roots are in the Midwest, after six very, very, very cold years in Chicago, she moved to Southern California and hasn’t looked back. She shares a midcentury home with her husband and a blue-eyed cat who conned his way in for dinner one day and decided the food was too good to leave.

She is the author of the 2014 Book Buyer’s Best winner in the novella category, Rosalyn’s Ring, a Regency novella, the novel-length sequel, a 2015 RONE Award finalist, Bella’s Band, both Soul Mate Publishing releases, and a prequel novella, Liliana’s Letter, a 2016 National Reader’s Choice Award finalist.

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