Mary Robinson | Susana's Parlour

Vauxhall Gardens: A History

David Coke & Alan Borg

The Vauxhall Pleasure Gardens is one of the places I’d love to slip back in time to visit, just to catch a glimpse of what it was like. After recently splurging to buy this lovely coffee-table book, I thought it might make a wonderful subject for a new blog series. But do buy the book too, if you can! The photos are fabulous!

I’m so excited! I just bought a mounted poster of this painting in color from art.com to hang in my bedroom/office here in Florida.

By the time this painting appeared, Jonathan Tyers had died and Vauxhall Gardens passed on to his wife and children, but it was his son Jonathan Tyers Jr.—that n’er-do-well younger son who wed a widowed lady much older than he and caused a giant rift among his parents—who assumed his father’s role in managing the park.

In the supper-box on the left we see, reading left to right, James Boswell, Mrs Thrale (who appears twice), Dr. Johnson, and Oliver Goldsmith.

The ‘macaroni’ Captain Edward Topham (scandalmonger to The World) is quizzing Georgiana, Duchess of Devonshire and her sister Lady Duncannon (Sheridan’s Lady Bessborough), watched by a naval figure with an eye patch and a wooden leg (not included in the Mellon version), always called Admiral Paisley, but Paisley did not lose his leg and eye until 1st June 1794, so it cannot be him. To the left of him, a young girl (a young boy in the Mellon version) holding the hand of a man who could be the comic actor, William Parsons, or Rowlandson’s friend Jack Bannister.

Peering at the two ladies from behind a tree is a figure traditionally, though improbably, identified as Sir Henry Bate-Dudley, the ‘Fighting Parson’, editor of the Morning Herald; he is more likely to be Thomas Tyers (son of Jonathan Tyers the great entrepreneur and proprietor of Vauxhall Gardens from 1729 until 1767) who stands next to the Scotsman James Perry, editor of the London Gazette. The couple on their right could well be the artist himself and his current girlfriend. and to the right of them stands the actress Mary ‘Perdita’ Robinson, with her husband on her right and the Prince of Wales (later George IV) on her left.

Looking up at the singer, the couple on the extreme left, have been identified as the actress Miss Hartley, in company with one of her many admirers, possibly Mr. Colman, but, suggested by their position apart from the crowd, they could also be members of the Tyers family (most likely Jonathan jr. and his wife Margaret, or their son-in-law Bryant Barrett and his wife Elizabeth. The large lady seated at the table on the right is Mrs Barry, the old Madam of Sutton Street, Soho, with two of her customers and one of her girls.

In the orchestra, we can see Jacob Nelson, the tympanist, who had played at Vauxhall since 1735, and died there after fifty years’ performing, Mr Fisher on oboe, probably Hezekiah Cantelo and Mr. Sargent on trumpet, and Barthélemon, the leader, who retired in 1783. James Hook, the composer, organist, musical director and prolific song-writer, may be seen between Barthelemon and the singer, the 38-year-old Frederika Weichsell, who was Rowlandson’s next-door neighbour in Church Street, and the mother of Mrs. Elizabeth Billington. Elizabeth had just (aged 18) married James Billington, a double-bass player, in 1783, much against her parents’ wishes.

A number of those present in this scene had already died by the time Rowlandson produced the painting, and the affair between the Prince and Perdita Robinson was already over.

Although there is no direct evidence for this, it seems likely, because of the dating, and because of the central position of the singer, that the painting was created by Rowlandson as a retirement gift for Frederika Weichsel, whether from him personally, or specially commissioned by the proprietors of the gardens.

Susana’s Vauxhall Blog Post Series

One of my favorite activities is to visit beautiful, historic houses with lovely art and furnishings—even better if they are Georgian. In addition to the lovely rooms, there are so many captivating stories to remind me of the bygone era and the colorful personalities who used to live and/or socialize within them.

Hertford House is located on Manchester Square only blocks from the flat I’ve leased near Baker Street and quite close to the fabulous shops on Oxford Street as well. Because it’s small compared to other museums in London, it’s much less crowded and suitable for a leisurely visit. It is more of an art gallery than an example of a Georgian home, however, but if you enjoy both, you’re in luck!

Lady Hertford, 1800

The historical gossip that I wanted to know immediately if this home had anything to do with the Marchioness of Hertford who was a longtime mistress of the Prince Regent. Yes, indeed, Lady Hertford was the wife of the 2nd Marquess, but it was the 4th Marquess who left the house and the collection to his illegitimate son, Sir Richard Wallace, whose widow left it to the nation.

Seymour-Conway was the family name of the Hertfords (think Jane Seymour, Henry VIII’s third wife), and they were close connections to the Duke of Somerset.

Marguerite, Countess of Blessington

The house is filled with beautiful rooms and art treasures, as well as an armory. In the very first salon is a lovely painting of the Countess of Blessington by Sir Thomas Lawrence (as beautiful as she appears, it is said that she was even more ravishing in person). The countess’s beauty literally took her from rags to riches, as she rose from a sea captain’s mistress to an earl’s wife, and eventually into a ménage à trois with a young Comte d’Orsay. Besides her beauty, she was quite intelligent and held glittering salons for the crème de la crème of European society, including Lord Byron, of whom she wrote in Conversations with Lord Byron.

George, Prince of Wales (later George IV)

The painting of the Prince of Wales as he was in 1792) was presented to the 3rd Marquess in 1810 while his mother was the Prince’s mistress. And there’s a lovely Lawrence portrait of Emma Hamilton as well.

Emma Hamilton

In another room is a portrait by Gainsborough of Mary Robinson, the Prince Regent’s first mistress, as Perdita in Shakespeare’s A Winter’s Tale.

Mary Robinson, as Perdita

Franz Halz’s The Laughing Cavalier is here, and much, much more. Admission is free, and being so close, I can see myself returning for at least one more visit.