Blast From the Past: Susana just got back from traveling in Scotland and she thought some of you might enjoy revisiting some of her previous posts on Susana’s Parlour.
Decades of reading historical romances have led me to develop strong opinions of what defines a truly satisfying story, so the other day I set about making a list of characteristics that turn a potential five-star read into a one- or two-star. Admittedly, there are some skillful authors who manage to successfully incorporate one or more of these scenarios in their books; however, I have run across quite a few more who in my opinion haven’t quite managed it.
These are what I call “deal breakers”—characteristics that make a book a wall-banger. Not surprisingly, many involve character, particularly, the character of the hero and heroine. They have to be likable. They have to be three-dimensional, i.e., well-drawn-out characters with flaws, not fairy princesses. And they have to be able to fall in love, convincingly, the head-over-heels kind of love.
Overview of Susana’s Historical Romance Deal-Breakers
- Reluctant Heroes
- Anachronistic Behavior and Historical Inaccuracies
- Cliffhanger Endings
- Unattractive or Drop-Dead Gorgeous Heroines
- Heroes With Mistresses or Who Sleep With Servants
- Drop-Dead Gorgeous Heroes
- Promiscuous Heroines
- Contrived Endings
- Waifs and Silly Heroines
- Long Separations
- Excessively Cruel Heroes and Heroines
- Breaking the Rules: Why Some Authors Get Away With It
The fourth deal breaker is cliffhanger endings.
There’s nothing more annoying than to get to the last chapter of a book and discover that it’s not the end. That you have to buy another book to find out how your protagonists fared.
If I really care about the characters, I may buy the sequel. But I am seething inside, and any chance I will ever trust that author again is virtually gone. Even if it’s a favorite author.
If the sequel isn’t even available yet, there is no chance I will buy it. Because months later, I won’t likely care about those characters anymore.
Why do authors cheat their readers this way? If it’s meant as a technique to promote books, it’s a misguided one indeed. Nobody likes to be teased or manipulated. Eventually, readers will get disgusted and move on.
I adore a good romance series, with cameo appearances by protagonists from previous books. I love it when secondary characters from a previous book become the protagonists in the sequel. If the books aren’t spaced too far apart (i.e., I haven’t had time to forget all about them), I will buy all of them just to make sure my old friends are still doing well.
But if there’s no satisfactory HEA at the end of the book—if I discover that instead of being rewarded for their suffering, my hero and heroine have more tribulations in store for them in the next book—I’m seriously wanting my money—and my time—back.
What do you think? Are there some authors who can get away with teasing their readers with cliffhangers?
I agree with you Susana, I must have a HEA for the H/h in the romances I read. If it’s a series, I don’t mind if there is a teaser at the very end as a leader into the next book. Elizabeth Hoyt does this effectively in her Maiden Lane series.
Totally agree, Carol. And I LOVE Elizabeth Hoyt!
So true! I’m very keen on secondary characters reappearing too!
I like to tie up all my loose ends. Then launch the next book as I’m doing it.